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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I’ll be back next year … but with my entire choir!”

Jeff Ostrowski · July 8, 2022

M The following email was sent to us by a
M North Carolina choirmaster who attended
M the Symposium. She’s a wife, pediatrician,
M and mother of six children.

HIS WAS MY FIRST TIME attending the Sacred Music Symposium. I was hopeful I’d learn a lot, and that it would be a fruitful experience. The symposium exceeded all of my expectations. As the music director of a small volunteer choir in a diocesan church (which offers the Traditional Latin Mass) I was looking to nurture my conducting and choral skills. I found the break-out sessions extremely helpful in this regard, especially the conducting sessions, they were informative and practical. Many of the talks really delved deeply into the treasures of Sacred music. The speakers had a genuine passion for Sacred music that was refreshing and uplifting. Being able to attend daily Mass and sing Vespers was spiritually uplifting.

I came back to my home parish (and to my choir) and was able to immediately apply several practical tips I learned during the symposium. The choir members were aware that I went to the symposium—and as we were practicing and preparing for Sunday Mass, I shared some treasures that I learned at the symposium. Indeed, I was able to implement many things I had learned at the symposium during the rehearsal that helped myself and the choir. The difference was palpable; our chanting improved as did our polyphony. One of the members of the choir approached me after Holy Mass and said, “that must have been some kind of symposium! You brought us to a new level just today with all you learned and taught us.” Thank you for all of your efforts! I will continue to utilize everything I learned every week as I prepare, practice, and assist at Holy Mass. I will be back … but next time I will (hopefully) have members of my choir accompany me!

*  PDF Download • Participants & Faculty
—Sacred Music Symposium 2022 • “high resolution image.”

M The following email was
M sent to us by a choirmaster
M from Colton, California.

LORIA IN EXCELSIS DEO! Truly the music sung at the Sacred Music Symposium exhibits glory in such a perfect, stately way. The music overflows with glory when it ascends to Christ as the incense rises up to the heavens above. A Sacred Liturgy deserves Sacred Music! And there was so much to be found here at the Sacred Music Symposium—maybe a little too much as I found myself singing 4-6 hours a day! It was exhausting, but also rewarding. It was challenging, yet so profoundly peaceful. There was so much information crammed into our four (4) twelve-hour days together—and it truly felt like no time was wasted.

It was my first time attending the event. The thing I found the most rewarding was the consolation that there are other Catholics like me who are so passionate about Sacred Music in the Liturgy. I recently found myself beginning to despair at my efforts to implement (at a higher standard) Sacred Music in the liturgy. Due to my lack of experience with Gregorian Chant and polyphony, it often seemed a daunting task. The symposium gave me a good indicator that what I was doing was on the right path, and even one of the greatest missions I have as a musician. To restore Sacred Music to the Church will be one of my life’s goals, and attending the symposium reminded me of the value of that mission. Meeting all my fellow Christian brothers and sisters also grounded and supported my psyche. Having the best composers, conductors, directors, and musicians just really shows you what’s possible, and brings new excitement to our work. Every waking minute I found myself soaking in every little technique and note they gave us!

The climax of having solemn high mass on Friday was so powerful, rich and glorious! Everything commingled into a beautiful offering to the most Sacred Heart of Jesus, as he gave himself to us in the Eucharist that day. Such profound glory! Such beauty!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Alfred Calabrese Conductor, Dom Mocquereau, Sacred Music Symposium 2022 Last Updated: July 8, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Come now,” they said, “Thou who wouldst destroy the temple and build it up in three days, rescue Thyself; come down from that cross, if Thou art the Son of God.”

— Gospel of St. Matthew 27:42

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  • Solemn “Salve Regina” (Chant)
  • A Nice Hymn In Spanish

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