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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“I’ll be back next year … but with my entire choir!”

Jeff Ostrowski · July 8, 2022

M The following email was sent to us by a
M North Carolina choirmaster who attended
M the Symposium. She’s a wife, pediatrician,
M and mother of six children.

HIS WAS MY FIRST TIME attending the Sacred Music Symposium. I was hopeful I’d learn a lot, and that it would be a fruitful experience. The symposium exceeded all of my expectations. As the music director of a small volunteer choir in a diocesan church (which offers the Traditional Latin Mass) I was looking to nurture my conducting and choral skills. I found the break-out sessions extremely helpful in this regard, especially the conducting sessions, they were informative and practical. Many of the talks really delved deeply into the treasures of Sacred music. The speakers had a genuine passion for Sacred music that was refreshing and uplifting. Being able to attend daily Mass and sing Vespers was spiritually uplifting.

I came back to my home parish (and to my choir) and was able to immediately apply several practical tips I learned during the symposium. The choir members were aware that I went to the symposium—and as we were practicing and preparing for Sunday Mass, I shared some treasures that I learned at the symposium. Indeed, I was able to implement many things I had learned at the symposium during the rehearsal that helped myself and the choir. The difference was palpable; our chanting improved as did our polyphony. One of the members of the choir approached me after Holy Mass and said, “that must have been some kind of symposium! You brought us to a new level just today with all you learned and taught us.” Thank you for all of your efforts! I will continue to utilize everything I learned every week as I prepare, practice, and assist at Holy Mass. I will be back … but next time I will (hopefully) have members of my choir accompany me!

*  PDF Download • Participants & Faculty
—Sacred Music Symposium 2022 • “high resolution image.”

M The following email was
M sent to us by a choirmaster
M from Colton, California.

LORIA IN EXCELSIS DEO! Truly the music sung at the Sacred Music Symposium exhibits glory in such a perfect, stately way. The music overflows with glory when it ascends to Christ as the incense rises up to the heavens above. A Sacred Liturgy deserves Sacred Music! And there was so much to be found here at the Sacred Music Symposium—maybe a little too much as I found myself singing 4-6 hours a day! It was exhausting, but also rewarding. It was challenging, yet so profoundly peaceful. There was so much information crammed into our four (4) twelve-hour days together—and it truly felt like no time was wasted.

It was my first time attending the event. The thing I found the most rewarding was the consolation that there are other Catholics like me who are so passionate about Sacred Music in the Liturgy. I recently found myself beginning to despair at my efforts to implement (at a higher standard) Sacred Music in the liturgy. Due to my lack of experience with Gregorian Chant and polyphony, it often seemed a daunting task. The symposium gave me a good indicator that what I was doing was on the right path, and even one of the greatest missions I have as a musician. To restore Sacred Music to the Church will be one of my life’s goals, and attending the symposium reminded me of the value of that mission. Meeting all my fellow Christian brothers and sisters also grounded and supported my psyche. Having the best composers, conductors, directors, and musicians just really shows you what’s possible, and brings new excitement to our work. Every waking minute I found myself soaking in every little technique and note they gave us!

The climax of having solemn high mass on Friday was so powerful, rich and glorious! Everything commingled into a beautiful offering to the most Sacred Heart of Jesus, as he gave himself to us in the Eucharist that day. Such profound glory! Such beauty!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Alfred Calabrese Conductor, Dom Mocquereau, Sacred Music Symposium 2022 Last Updated: July 8, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“The plea that the laity as a body do not want liturgical change, whether in rite or in language, is, I submit, quite beside the point. … (it is) not a question of what people want; it is a question of what is good for them.”

— Dom Gregory A. Murray (14 March 1964)

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