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Views from the Choir Loft

“I’ll be back next year … but with my entire choir!”

Jeff Ostrowski · July 8, 2022

M The following email was sent to us by a
M North Carolina choirmaster who attended
M the Symposium. She’s a wife, pediatrician,
M and mother of six children.

HIS WAS MY FIRST TIME attending the Sacred Music Symposium. I was hopeful I’d learn a lot, and that it would be a fruitful experience. The symposium exceeded all of my expectations. As the music director of a small volunteer choir in a diocesan church (which offers the Traditional Latin Mass) I was looking to nurture my conducting and choral skills. I found the break-out sessions extremely helpful in this regard, especially the conducting sessions, they were informative and practical. Many of the talks really delved deeply into the treasures of Sacred music. The speakers had a genuine passion for Sacred music that was refreshing and uplifting. Being able to attend daily Mass and sing Vespers was spiritually uplifting.

I came back to my home parish (and to my choir) and was able to immediately apply several practical tips I learned during the symposium. The choir members were aware that I went to the symposium—and as we were practicing and preparing for Sunday Mass, I shared some treasures that I learned at the symposium. Indeed, I was able to implement many things I had learned at the symposium during the rehearsal that helped myself and the choir. The difference was palpable; our chanting improved as did our polyphony. One of the members of the choir approached me after Holy Mass and said, “that must have been some kind of symposium! You brought us to a new level just today with all you learned and taught us.” Thank you for all of your efforts! I will continue to utilize everything I learned every week as I prepare, practice, and assist at Holy Mass. I will be back … but next time I will (hopefully) have members of my choir accompany me!

*  PDF Download • Participants & Faculty
—Sacred Music Symposium 2022 • “high resolution image.”

M The following email was
M sent to us by a choirmaster
M from Colton, California.

LORIA IN EXCELSIS DEO! Truly the music sung at the Sacred Music Symposium exhibits glory in such a perfect, stately way. The music overflows with glory when it ascends to Christ as the incense rises up to the heavens above. A Sacred Liturgy deserves Sacred Music! And there was so much to be found here at the Sacred Music Symposium—maybe a little too much as I found myself singing 4-6 hours a day! It was exhausting, but also rewarding. It was challenging, yet so profoundly peaceful. There was so much information crammed into our four (4) twelve-hour days together—and it truly felt like no time was wasted.

It was my first time attending the event. The thing I found the most rewarding was the consolation that there are other Catholics like me who are so passionate about Sacred Music in the Liturgy. I recently found myself beginning to despair at my efforts to implement (at a higher standard) Sacred Music in the liturgy. Due to my lack of experience with Gregorian Chant and polyphony, it often seemed a daunting task. The symposium gave me a good indicator that what I was doing was on the right path, and even one of the greatest missions I have as a musician. To restore Sacred Music to the Church will be one of my life’s goals, and attending the symposium reminded me of the value of that mission. Meeting all my fellow Christian brothers and sisters also grounded and supported my psyche. Having the best composers, conductors, directors, and musicians just really shows you what’s possible, and brings new excitement to our work. Every waking minute I found myself soaking in every little technique and note they gave us!

The climax of having solemn high mass on Friday was so powerful, rich and glorious! Everything commingled into a beautiful offering to the most Sacred Heart of Jesus, as he gave himself to us in the Eucharist that day. Such profound glory! Such beauty!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Alfred Calabrese Conductor, Dom Mocquereau, Sacred Music Symposium 2022 Last Updated: July 8, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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