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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Eucharistic Hymn • By a Jesuit Martyr Priest

Jeff Ostrowski · February 18, 2022

OME PEOPLE love to argue, and never concede anything. They go to sleep each night believing nobody can match their intellectual prowess. These arrogant men—who were never properly educated (from Latin, meaning “to lead out”)—frequently embrace a fatal error: viz. that each word in English has just one definition. As a matter of fact, many English words have multiple meanings. There are even words whose meanings directly contradict each other (such as “cleave” or “sanction”), but context will guide the reader. One of my favorite words is MEAN, which has at least eight different meanings.1

Wrong About Hymns: Sometimes we encounter cantankerous people who insist that hymn lyrics should be inordinately archaic and impossible for 99% of the congregation to understand. They justify their position by saying: “If people don’t understand archaic speech, they’re imbeciles.” We have discussed this in the past, and I won’t repeat everything I’ve already said. Do I have solution? I would suggest that—generally speaking—hymns should be intelligible to an “average” person. On the other hand, if an unfamiliar word is used, that’s okay. After all, learning new words is both good and healthy. These days, one need not go home to consult the dictionary since everyone carries a “smart phone” containing more data than 100,000 dictionaries.

For Every Rule… For every rule, there is an exception. The Brébeuf hymnal does contain some hymns which use archaic language. If you have a priest who absolutely hates archaic language, it would be better to choose other selections (and the Brébeuf hymnal has a billion). The following is a Eucharistic hymn by Father Robert Southwell, a Jesuit who suffered brutal martyrdom at the hands of the Anglicans:

His Words Matter: Only a very foolish person would change or “modernize” the words of Saint Robert Southwell, whose lengthy hymn is a brilliant treatise on Transubstantiation. We must remember that the Anglicans were vehemently opposed to Catholic doctrines, especially the invocation of the Blessed Virgin Mary and (in particular) the doctrine of Transubstantiation. After the time of King Henry VIII—in both England and its American Colonies—religious oaths were required to hold a rank in the military or government. For example, the oath George Washington signed read as follows:

“I [……] do declare that
there is no Transubstantiation
in the sacrament of the Lord’s supper
or in the Elements of bread and wine
at or after the consecration thereof
by any person whatsoever.”

By signing this oath, George Washington was assuring the Anglican government he was not Catholic. If you want to learn more, Google “Anglican Test Act.”


NOTES FROM THIS ARTICLE:

1   Perhaps some of our readers have experimented with “mean tone” organs.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: archaic hymn lyrics, Eucharistic Hymn SATB, The Catholic Hymnal, The Holy Eucharist Last Updated: February 21, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— ‘His Holiness, Pope Benedict XVI (7 July 2007)’

Recent Posts

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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