• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Ruth Slenczynska & “Traditionis Custodes”

Jeff Ostrowski · February 8, 2022

ACTS ARE STUBBORN THINGS; and they’re hard to conceal. The truth will out. For decades, Josef Hofmann was considered the pianist without peer. Every serious artist admitted this. Abe Chasins (himself a phenomenal pianist) reminds us that even Rachmaninov threw up his hands in despair. If Josef played a composition, Rachmaninov would never again play that same piece, exclaiming: “What’s the point? That’s the music; there it is, in total perfection. There’s nothing that can be added to such a performance. And who else can do it but Josef? Nobody!”

Envious Of His Skills: But after Hofmann’s death, two things conspired against his reputation. First, lesser artists were consumed with jealousy over Hofmann’s perfection—Claudio Arrau is a good example—and publicly slandered his art. Secondly, pianism entered into a bad period, one in which individuality and cold conceptions were frowned upon by stodgy, bloodless, robotic pedants who lacked the sophistication to appreciate excellent interpretations. But in recent years, serious pianists have been discovering the art of Josef Hofmann and studying his recordings open-mouthed. In the following video, Ruth Slenczynska (a student of Cortot, Rachmaninov, and Schnabel) speaks about Hofmann:

Puzzling Church Decrees: I’ve been shocked by some of the pronouncements coming from church leaders lately. For example, the head of the Vatican’s Congregation for Divine Worship—Bishop Arthur Roche—recently sent out puzzling instructions which encourage “Ordinary Form” Catholics to ostracize and belittle those who prefer the Missale Vetustum. The Vatican is also currently using the faithful’s donations to pay someone to assemble a secret “enemies list.” That is to say, Bishop Roche has declared that bishops must seek from him (!) a “necessary authorisation” if any priests ordained after 16 July 2021 wish to celebrate the Missale Vetustum. Bishop Roche’s decree directly contradicts the Motu Proprio of Pope Francis (“Traditionis Custodes”) which says bishops have the “exclusive competence to authorize the use of the 1962 Roman Missal.” Furthermore, the document by Pope Francis does not speak of any “necessary authorisation” from Rome; rather, it says priests wishing to use the 1962 Missal “should submit a formal request to the diocesan Bishop who shall consult the Apostolic See before granting this authorization.” Bishop Roche erroneously seems to believe the document was named Traditionis Custos instead of its actual title: “Traditionis Custodes.”

Is This A Dream? Who could believe such a thing? In the history of the Church, the Vatican has never—to my knowledge—sent out instructions telling one group of Catholics to ostracize and belittle another group of Catholics. But cooler heads will prevail … eventually. Josef Hofmann is regaining the renown that (once upon a time) nobody doubted. In a similar way, I believe future Catholics will look back on our times and scratch their heads. They will ask: “Did the head of the CDW really use the faithful’s donations to assemble an enemies’ list of newly-ordained priests?” If we’re still alive, we’ll certainly have some stories to share with our grandchildren!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Arthur Roche, Congregation for Divine Worship, Josef Hofmann Pianist Extraordinaire, Missale Vetustum, Ruth Slenczynska, Sergei Rachmaninoff, Traditionis Custodes Motu Proprio Last Updated: April 30, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The union of Christians can only be promoted by promoting the return to the one true Church of Christ of those who are separated from it, for in the past they have unhappily left it.

— Pope Pius XI (6 January 1928)

Recent Posts

  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?
  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.