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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ruth Slenczynska & “Traditionis Custodes”

Jeff Ostrowski · February 8, 2022

ACTS ARE STUBBORN THINGS; and they’re hard to conceal. The truth will out. For decades, Josef Hofmann was considered the pianist without peer. Every serious artist admitted this. Abe Chasins (himself a phenomenal pianist) reminds us that even Rachmaninov threw up his hands in despair. If Josef played a composition, Rachmaninov would never again play that same piece, exclaiming: “What’s the point? That’s the music; there it is, in total perfection. There’s nothing that can be added to such a performance. And who else can do it but Josef? Nobody!”

Envious Of His Skills: But after Hofmann’s death, two things conspired against his reputation. First, lesser artists were consumed with jealousy over Hofmann’s perfection—Claudio Arrau is a good example—and publicly slandered his art. Secondly, pianism entered into a bad period, one in which individuality and cold conceptions were frowned upon by stodgy, bloodless, robotic pedants who lacked the sophistication to appreciate excellent interpretations. But in recent years, serious pianists have been discovering the art of Josef Hofmann and studying his recordings open-mouthed. In the following video, Ruth Slenczynska (a student of Cortot, Rachmaninov, and Schnabel) speaks about Hofmann:

Puzzling Church Decrees: I’ve been shocked by some of the pronouncements coming from church leaders lately. For example, the head of the Vatican’s Congregation for Divine Worship—Bishop Arthur Roche—recently sent out puzzling instructions which encourage “Ordinary Form” Catholics to ostracize and belittle those who prefer the Missale Vetustum. The Vatican is also currently using the faithful’s donations to pay someone to assemble a secret “enemies list.” That is to say, Bishop Roche has declared that bishops must seek from him (!) a “necessary authorisation” if any priests ordained after 16 July 2021 wish to celebrate the Missale Vetustum. Bishop Roche’s decree directly contradicts the Motu Proprio of Pope Francis (“Traditionis Custodes”) which says bishops have the “exclusive competence to authorize the use of the 1962 Roman Missal.” Furthermore, the document by Pope Francis does not speak of any “necessary authorisation” from Rome; rather, it says priests wishing to use the 1962 Missal “should submit a formal request to the diocesan Bishop who shall consult the Apostolic See before granting this authorization.” Bishop Roche erroneously seems to believe the document was named Traditionis Custos instead of its actual title: “Traditionis Custodes.”

Is This A Dream? Who could believe such a thing? In the history of the Church, the Vatican has never—to my knowledge—sent out instructions telling one group of Catholics to ostracize and belittle another group of Catholics. But cooler heads will prevail … eventually. Josef Hofmann is regaining the renown that (once upon a time) nobody doubted. In a similar way, I believe future Catholics will look back on our times and scratch their heads. They will ask: “Did the head of the CDW really use the faithful’s donations to assemble an enemies’ list of newly-ordained priests?” If we’re still alive, we’ll certainly have some stories to share with our grandchildren!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Arthur Roche, Congregation for Divine Worship, Josef Hofmann Pianist Extraordinaire, Missale Vetustum, Ruth Slenczynska, Sergei Rachmaninoff, Traditionis Custodes Motu Proprio Last Updated: April 30, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)

Recent Posts

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  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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