• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Ruth Slenczynska & “Traditionis Custodes”

Jeff Ostrowski · February 8, 2022

ACTS ARE STUBBORN THINGS; and they’re hard to conceal. The truth will out. For decades, Josef Hofmann was considered the pianist without peer. Every serious artist admitted this. Abe Chasins (himself a phenomenal pianist) reminds us that even Rachmaninov threw up his hands in despair. If Josef played a composition, Rachmaninov would never again play that same piece, exclaiming: “What’s the point? That’s the music; there it is, in total perfection. There’s nothing that can be added to such a performance. And who else can do it but Josef? Nobody!”

Envious Of His Skills: But after Hofmann’s death, two things conspired against his reputation. First, lesser artists were consumed with jealousy over Hofmann’s perfection—Claudio Arrau is a good example—and publicly slandered his art. Secondly, pianism entered into a bad period, one in which individuality and cold conceptions were frowned upon by stodgy, bloodless, robotic pedants who lacked the sophistication to appreciate excellent interpretations. But in recent years, serious pianists have been discovering the art of Josef Hofmann and studying his recordings open-mouthed. In the following video, Ruth Slenczynska (a student of Cortot, Rachmaninov, and Schnabel) speaks about Hofmann:

Puzzling Church Decrees: I’ve been shocked by some of the pronouncements coming from church leaders lately. For example, the head of the Vatican’s Congregation for Divine Worship—Bishop Arthur Roche—recently sent out puzzling instructions which encourage “Ordinary Form” Catholics to ostracize and belittle those who prefer the Missale Vetustum. The Vatican is also currently using the faithful’s donations to pay someone to assemble a secret “enemies list.” That is to say, Bishop Roche has declared that bishops must seek from him (!) a “necessary authorisation” if any priests ordained after 16 July 2021 wish to celebrate the Missale Vetustum. Bishop Roche’s decree directly contradicts the Motu Proprio of Pope Francis (“Traditionis Custodes”) which says bishops have the “exclusive competence to authorize the use of the 1962 Roman Missal.” Furthermore, the document by Pope Francis does not speak of any “necessary authorisation” from Rome; rather, it says priests wishing to use the 1962 Missal “should submit a formal request to the diocesan Bishop who shall consult the Apostolic See before granting this authorization.” Bishop Roche erroneously seems to believe the document was named Traditionis Custos instead of its actual title: “Traditionis Custodes.”

Is This A Dream? Who could believe such a thing? In the history of the Church, the Vatican has never—to my knowledge—sent out instructions telling one group of Catholics to ostracize and belittle another group of Catholics. But cooler heads will prevail … eventually. Josef Hofmann is regaining the renown that (once upon a time) nobody doubted. In a similar way, I believe future Catholics will look back on our times and scratch their heads. They will ask: “Did the head of the CDW really use the faithful’s donations to assemble an enemies’ list of newly-ordained priests?” If we’re still alive, we’ll certainly have some stories to share with our grandchildren!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Arthur Roche, Congregation for Divine Worship, Josef Hofmann Pianist Extraordinaire, Missale Vetustum, Ruth Slenczynska, Sergei Rachmaninoff, Traditionis Custodes Motu Proprio Last Updated: April 30, 2022

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

Recent Posts

  • Music List • (2nd Sunday of Lent)
  • PDF Download • “Funerals in the Ordinary Form”
  • Extreme Unction
  • Like! Like! Like!
  • Which Mass?

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.