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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ruth Slenczynska & “Traditionis Custodes”

Jeff Ostrowski · February 8, 2022

ACTS ARE STUBBORN THINGS; and they’re hard to conceal. The truth will out. For decades, Josef Hofmann was considered the pianist without peer. Every serious artist admitted this. Abe Chasins (himself a phenomenal pianist) reminds us that even Rachmaninov threw up his hands in despair. If Josef played a composition, Rachmaninov would never again play that same piece, exclaiming: “What’s the point? That’s the music; there it is, in total perfection. There’s nothing that can be added to such a performance. And who else can do it but Josef? Nobody!”

Envious Of His Skills: But after Hofmann’s death, two things conspired against his reputation. First, lesser artists were consumed with jealousy over Hofmann’s perfection—Claudio Arrau is a good example—and publicly slandered his art. Secondly, pianism entered into a bad period, one in which individuality and cold conceptions were frowned upon by stodgy, bloodless, robotic pedants who lacked the sophistication to appreciate excellent interpretations. But in recent years, serious pianists have been discovering the art of Josef Hofmann and studying his recordings open-mouthed. In the following video, Ruth Slenczynska (a student of Cortot, Rachmaninov, and Schnabel) speaks about Hofmann:

Puzzling Church Decrees: I’ve been shocked by some of the pronouncements coming from church leaders lately. For example, the head of the Vatican’s Congregation for Divine Worship—Bishop Arthur Roche—recently sent out puzzling instructions which encourage “Ordinary Form” Catholics to ostracize and belittle those who prefer the Missale Vetustum. The Vatican is also currently using the faithful’s donations to pay someone to assemble a secret “enemies list.” That is to say, Bishop Roche has declared that bishops must seek from him (!) a “necessary authorisation” if any priests ordained after 16 July 2021 wish to celebrate the Missale Vetustum. Bishop Roche’s decree directly contradicts the Motu Proprio of Pope Francis (“Traditionis Custodes”) which says bishops have the “exclusive competence to authorize the use of the 1962 Roman Missal.” Furthermore, the document by Pope Francis does not speak of any “necessary authorisation” from Rome; rather, it says priests wishing to use the 1962 Missal “should submit a formal request to the diocesan Bishop who shall consult the Apostolic See before granting this authorization.” Bishop Roche erroneously seems to believe the document was named Traditionis Custos instead of its actual title: “Traditionis Custodes.”

Is This A Dream? Who could believe such a thing? In the history of the Church, the Vatican has never—to my knowledge—sent out instructions telling one group of Catholics to ostracize and belittle another group of Catholics. But cooler heads will prevail … eventually. Josef Hofmann is regaining the renown that (once upon a time) nobody doubted. In a similar way, I believe future Catholics will look back on our times and scratch their heads. They will ask: “Did the head of the CDW really use the faithful’s donations to assemble an enemies’ list of newly-ordained priests?” If we’re still alive, we’ll certainly have some stories to share with our grandchildren!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Arthur Roche, Congregation for Divine Worship, Josef Hofmann Pianist Extraordinaire, Missale Vetustum, Ruth Slenczynska, Sergei Rachmaninoff, Traditionis Custodes Motu Proprio Last Updated: April 30, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The claim that the bishop or the priest originally celebrated “versus populum” is a legend, which Otto Nussbaum (d. 1999) originally did a great deal to spread.

— Dr. Helmut Hoping (University of Freiburg)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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