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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“A Truly Eucharistic Hymn” • Christ the King (SATB)

Jeff Ostrowski · September 21, 2021

AVE YOU HEARD the hymn called Te Saeculorum Principem? In March, I posted five different English translations that can be sung using various melodies in the Brébeuf hymnal. The hymn was written for the institution of the feast of Christ the King in 1925. It was composed by Father Vittorio Genovési, hymnographer of the Sacred Congregation of Rites from 1942 until his death in 1967. The fifth verse explicitly references the Holy Eucharist: “For this, Thou art hidden on our altars under the form of bread and wine, and pour out on Thy children from Thy pierced side the grace of salvation.”

A Live Recording: My choir sang this hymn last Sunday, and I’m so proud of the progress they are making. Most of these singers do not read music, and many had no previous musical training. Our choir is 100% volunteer. If you want a reference, the hymn is #753 in the Brébeuf hymnal. Here’s a live recording:

Broken Hymns: If you have a copy of the Brébeuf hymnal, you realize that Pope Urban VIII destroyed the ancient Breviary hymns in 1629, with the help of four Jesuit poets. 1 Father Ulysse Chevalier (d. 1923) summarized the Urbanite revisions in these words: “the Jesuits have spoiled the work of Christian antiquity, under the pretext of restoring the hymns in accordance with the laws of metre and elegant language.” Every serious scholar who has ever looked at what Pope Urban VIII did has condemned his actions: Father Fortescue, Abbé Pimont, Monsignor Henry, and so forth.

Trying To Fix Them: The Second Vatican Council wanted to fix what Pope Urban VIII had done, so in paragraph 93 of Sacrosanctum Concilium they declared: “The hymns are to be restored to their original form.” However, the actual restoration left much to be desired, and someday I hope to write an article explaining what I mean by that. When it comes to Te Saeculorum Principem, the reformers “canceled” several of the verses. However, the Brébeuf editorial team—which spent years examining each hymn—did not eliminate those verses. Therefore, you can find the missing verses (deleted after Vatican II) inside the Brébeuf hymnal.


NOTES FROM THIS ARTICLE:

1   The Jesuit poets who assisted Pope Urban VIII were: Father Mathias Casimir Sarbiewski (d. 1640), Father Famiano Strada (d. 1649), Father Tarquinio Galluzzi (d. 1649), and Father Girolamo Petrucci (d. 1669). Sometimes they only left a few words of the original hymns. In other cases, they completely re-wrote the hymn: e.g. Tibi Christe Splendor Patris for Michaelmas.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Christ the King, Eucharistic Hymn SATB, Hymn for Christ the King, Vittorio Genovesi SJ Last Updated: October 27, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The choir shall henceforth sing or say no anthems of our Lady or other Saints, but only of our Lord, and then not in Latin; but choosing out the best and most sounding to Christian religion they shall turn the same into English, setting thereunto a plain and distinct note for every syllable one: they shall sing them and none other.”

— 1548 Edict of King Edward VI (a heretic) for Lincoln Cathedral

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