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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“A Truly Eucharistic Hymn” • Christ the King (SATB)

Jeff Ostrowski · September 21, 2021

AVE YOU HEARD the hymn called Te Saeculorum Principem? In March, I posted five different English translations that can be sung using various melodies in the Brébeuf hymnal. The hymn was written for the institution of the feast of Christ the King in 1925. It was composed by Father Vittorio Genovési, hymnographer of the Sacred Congregation of Rites from 1942 until his death in 1967. The fifth verse explicitly references the Holy Eucharist: “For this, Thou art hidden on our altars under the form of bread and wine, and pour out on Thy children from Thy pierced side the grace of salvation.”

A Live Recording: My choir sang this hymn last Sunday, and I’m so proud of the progress they are making. Most of these singers do not read music, and many had no previous musical training. Our choir is 100% volunteer. If you want a reference, the hymn is #753 in the Brébeuf hymnal. Here’s a live recording:

Broken Hymns: If you have a copy of the Brébeuf hymnal, you realize that Pope Urban VIII destroyed the ancient Breviary hymns in 1629, with the help of four Jesuit poets. 1 Father Ulysse Chevalier (d. 1923) summarized the Urbanite revisions in these words: “the Jesuits have spoiled the work of Christian antiquity, under the pretext of restoring the hymns in accordance with the laws of metre and elegant language.” Every serious scholar who has ever looked at what Pope Urban VIII did has condemned his actions: Father Fortescue, Abbé Pimont, Monsignor Henry, and so forth.

Trying To Fix Them: The Second Vatican Council wanted to fix what Pope Urban VIII had done, so in paragraph 93 of Sacrosanctum Concilium they declared: “The hymns are to be restored to their original form.” However, the actual restoration left much to be desired, and someday I hope to write an article explaining what I mean by that. When it comes to Te Saeculorum Principem, the reformers “canceled” several of the verses. However, the Brébeuf editorial team—which spent years examining each hymn—did not eliminate those verses. Therefore, you can find the missing verses (deleted after Vatican II) inside the Brébeuf hymnal.


NOTES FROM THIS ARTICLE:

1   The Jesuit poets who assisted Pope Urban VIII were: Father Mathias Casimir Sarbiewski (d. 1640), Father Famiano Strada (d. 1649), Father Tarquinio Galluzzi (d. 1649), and Father Girolamo Petrucci (d. 1669). Sometimes they only left a few words of the original hymns. In other cases, they completely re-wrote the hymn: e.g. Tibi Christe Splendor Patris for Michaelmas.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured Tagged With: Christ the King, Eucharistic Hymn SATB, Hymn for Christ the King, Vittorio Genovesi SJ Last Updated: October 27, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

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