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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2021

Jeff Ostrowski · September 28, 2021

28 September 2021 • FEEDBACK

From a reader: “I have read the pages explaining the Blessed Sacrament in the Brébeuf hymnal and plan on continuing to contemplate them. Moreover, the Christ the King Hymn is beautifully sung on the recording you posted (to the Watershed blog), and I wish my church would sing these hymns instead of modern ones from […]

Jeff Ostrowski · September 28, 2021

PDF Download • “Can A Hymnal Be Too Catholic?”

Can Protestant translations be dangerous? This paper presents items worth considering.

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Jeff Ostrowski · September 28, 2021

“Catholic Sensibility” • What Makes A Hymnal Catholic?

I personally find the following pairings (hymn text + hymn melody) to be reprehensible…

Jeff Ostrowski · September 28, 2021

Gregorian Chant • Prayer to Saint Michael the Archangel

From a rare book of Franciscan chants (1902)

Jeff Ostrowski · September 27, 2021

New CD release from the FSSP in Europe!

Christmas Matins from Bavaria…

Jeff Ostrowski · September 26, 2021

“Salve Regina” • Organ Accompaniment

Readers already realize that seventeen (17) splendid organ accompaniments for the simple “Salve Regina” can be freely and conveniently downloaded here. But what about the solemn tone for the “Salve Regina”—has anyone composed an organ accompaniment for that? Yes, Canon Jules Van Nuffel has composed one for the solemn version.

Jeff Ostrowski · September 24, 2021

“Easy Polyphonic Agnus Dei” • Part 3 of 3

The ability of your singers to sight-read music instantly does not guarantee a good performance.

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Jeff Ostrowski · September 24, 2021

“A Tale Of Two Missals”

Sometimes words are superfluous. Sometimes no commentary is needed. If you look at this Tale of Two Missals (PDF)—which compares the Canon from the “Modern” ICEL Missal with a “Dark Ages” Missal, I think you will understand exactly what I’m getting at.

Jeff Ostrowski · September 23, 2021

23 September 2021 • FEEDBACK

From a reader: “Corpus Christi Watershed is the greatest musical organization ever created in the Church!”

Jeff Ostrowski · September 21, 2021

Church “Narthex” • What’s that?

Do you know what the church narthex is? It’s kind of like a separate room, blocked off by a wall. A buddy of mine (sitting in the narthex) took some iPhone recordings of our congregation singing Vespers. Here’s how they sound sans organ. [Note: Whenever I play for Vespers, I make sure to have some […]

Jeff Ostrowski · September 21, 2021

“A Truly Eucharistic Hymn” • Christ the King (SATB)

Did Vatican II “restore” the hymns—as mandated by §93 of Sacrosanctum Concilium?

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Jeff Ostrowski · September 19, 2021

Clarion Call To All Choirmasters! • (26 Sept.)

Forty images of (IMHO) the patron saints of church musicians.

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Jeff Ostrowski · September 18, 2021

“Homily for the 17th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

“In our day and age I think it is good that we all be reminded that Christ will eventually overcome his enemies.”

Jeff Ostrowski · September 16, 2021

16 September 2021 • Fulton J. Sheen

Here is a photo of Archbishop Fulton J. Sheen celebrating Mass in Jerusalem. That image was included in the “Fulton J. Sheen Sunday Missal” (1961), which was edited by Father Caramen and has an IMPRIMATUR by William Cardinal Godfrey, who served as Archbishop of Westminster from 1956 until his death in 1963. The Fulton Sheen […]

Jeff Ostrowski · September 16, 2021

15 September 2021 • Offertory Problem

I submit to you that nothing is gained by these slight variations in the repeats for the Epipany Offertory. The edition is by Carl Ott, a musicologist. Almost nothing is about Carl Ott—as far as I can tell, nobody even knows when Carl Ott was born or when Carl Ott died.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“No official approbation is required for hymns, songs, and acclamations written for the assembly.”

— Statement by the “Bishops’ Committee on the Liturgy” (10-NOV-1996)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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