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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Church Musicians: The Revolution Starts Today!

Jeff Ostrowski · August 24, 2021

OW IS IT POSSIBLE that all the good priests—and there are tons of them!—have not been converted to the authentic music of the Catholic Church? Does anyone really believe most priests want goofy, uninspired, secular tunes like this, accompanied by rhythmic instruments such as drums? Does anyone really believe most priests feel such music is appropriate for the Holy Sacrifice of the Mass? I don’t believe that for a second.

The Real Problem: I suspect most priests have never heard decent choral music in real life. Choral music—let’s say, as presented by a choir of 30+ singers—is something physical and must be experienced in real life. I suspect that when priests have heard plainsong, it was sung very slowly and came across as boring…instead of being a delight. I suspect that when priests have heard polyphony, it was probably performed badly—or perhaps by a small group of soloists rather than a full choir (with choral vowels and proper blending). Many priests weren’t given the privilege of musical training when they were young; our culture no longer values it.

One Way To Start: In addition to plainsong and polyphony, an excellent way to build strong choirs is by utilizing excellent hymnody. These melodies teach your choir members how to listen to one another—and they’re a delight to sing. However, make sure it’s Catholic hymnody, not Protestant stuff. The best source by far is the Saint Brébeuf hymnal, published by SOPHIA INSTITUTE PRESS. There are hundreds of rehearsal videos (produced exclusively for the Brébeuf hymnal) which are free online. Everyone should take advantage of these!

Here’s an ancient Catholic hymn (Ad Coenam Agni Providi) translated into English. This hymn is appropriate during Holy Communion:

Rehearsal videos for each individual voice await you at #036.

Everyone should be
taking advantage of those
free rehearsal videos—
for each individual voice.

Common Melodies: Once your choir members learn that hymn (SALZBURG)—taking advantage of the rehearsal videos for each individual voice—they can sing 4-5 other hymns in the Brébeuf hymnal because it’s one of the “common hymn melodies” (which we have already spoken about). Vladimir Horowitz used to say: “Music is already difficult; why make it harder? Better to make it easier…” Don’t feel guilty sending your choir members those rehearsal videos. They save time, and you can use that time speaking about choir procedures, working on choral vowels, working on proper diction, teaching them to read music notation, or in 1,000 other ways.

The Revolution Has Begun: Some Catholic authors gladly write a zillion articles complaining about the terrible state of the liturgy in the Church Church; yet they won’t lift a finger in real life to make a difference. Let’s make a difference! The revolution starts today! Let’s go out and share the treasures of the Catholic Faith! Let’s form more choirs! Let’s train more singers!

Haters Gonna Hate: Don’t pay attention to those who complain about the sacred liturgy. Your job is not to entertain; nor is your job to please everyone. Some people are evil. Some people are dangerous. Some people are foolish. Some people haven’t matured yet. Some people haven’t yet been converted to Jesus Christ in their hearts. Some people haven’t yet discovered how beautiful the sacred liturgy is. Don’t worry about the naysayers and the “Negative Nancy” types; hold fast to our holy traditions! If you please everyone, you’re doing something wrong.

We Know What’s Right: Some people say they hate Chopin. Some people say they hate Bach. Some idiots say Palestrina and Guerrero and Victoria were “not very great.” Some people say the Gothic Cathedrals are not beautiful. Don’t pay attention to them. I wish I could say that everyone is a nice person. I wish I could say that everyone has the right intentions. I wish I could say that everyone’s opinion is correct. I wish I could say that immoral people (adulterers, liars, murderers, thieves) don’t exist—but they do! Do what’s right, say your prayers, offer each day to Jesus Christ, and hold your head high!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Ad Cenam Agni Providi, Ad Regias Agni Dapes, At the Lamb’s high feast we sing, Common Hymn Melodies, The Catholic Hymnal, Traditional Catholic Hymnals Last Updated: August 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

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