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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Musicians: The Revolution Starts Today!

Jeff Ostrowski · August 24, 2021

OW IS IT POSSIBLE that all the good priests—and there are tons of them!—have not been converted to the authentic music of the Catholic Church? Does anyone really believe most priests want goofy, uninspired, secular tunes like this, accompanied by rhythmic instruments such as drums? Does anyone really believe most priests feel such music is appropriate for the Holy Sacrifice of the Mass? I don’t believe that for a second.

The Real Problem: I suspect most priests have never heard decent choral music in real life. Choral music—let’s say, as presented by a choir of 30+ singers—is something physical and must be experienced in real life. I suspect that when priests have heard plainsong, it was sung very slowly and came across as boring…instead of being a delight. I suspect that when priests have heard polyphony, it was probably performed badly—or perhaps by a small group of soloists rather than a full choir (with choral vowels and proper blending). Many priests weren’t given the privilege of musical training when they were young; our culture no longer values it.

One Way To Start: In addition to plainsong and polyphony, an excellent way to build strong choirs is by utilizing excellent hymnody. These melodies teach your choir members how to listen to one another—and they’re a delight to sing. However, make sure it’s Catholic hymnody, not Protestant stuff. The best source by far is the Saint Brébeuf hymnal, published by SOPHIA INSTITUTE PRESS. There are hundreds of rehearsal videos (produced exclusively for the Brébeuf hymnal) which are free online. Everyone should take advantage of these!

Here’s an ancient Catholic hymn (Ad Coenam Agni Providi) translated into English. This hymn is appropriate during Holy Communion:

Rehearsal videos for each individual voice await you at #036.

Everyone should be
taking advantage of those
free rehearsal videos—
for each individual voice.

Common Melodies: Once your choir members learn that hymn (SALZBURG)—taking advantage of the rehearsal videos for each individual voice—they can sing 4-5 other hymns in the Brébeuf hymnal because it’s one of the “common hymn melodies” (which we have already spoken about). Vladimir Horowitz used to say: “Music is already difficult; why make it harder? Better to make it easier…” Don’t feel guilty sending your choir members those rehearsal videos. They save time, and you can use that time speaking about choir procedures, working on choral vowels, working on proper diction, teaching them to read music notation, or in 1,000 other ways.

The Revolution Has Begun: Some Catholic authors gladly write a zillion articles complaining about the terrible state of the liturgy in the Church Church; yet they won’t lift a finger in real life to make a difference. Let’s make a difference! The revolution starts today! Let’s go out and share the treasures of the Catholic Faith! Let’s form more choirs! Let’s train more singers!

Haters Gonna Hate: Don’t pay attention to those who complain about the sacred liturgy. Your job is not to entertain; nor is your job to please everyone. Some people are evil. Some people are dangerous. Some people are foolish. Some people haven’t matured yet. Some people haven’t yet been converted to Jesus Christ in their hearts. Some people haven’t yet discovered how beautiful the sacred liturgy is. Don’t worry about the naysayers and the “Negative Nancy” types; hold fast to our holy traditions! If you please everyone, you’re doing something wrong.

We Know What’s Right: Some people say they hate Chopin. Some people say they hate Bach. Some idiots say Palestrina and Guerrero and Victoria were “not very great.” Some people say the Gothic Cathedrals are not beautiful. Don’t pay attention to them. I wish I could say that everyone is a nice person. I wish I could say that everyone has the right intentions. I wish I could say that everyone’s opinion is correct. I wish I could say that immoral people (adulterers, liars, murderers, thieves) don’t exist—but they do! Do what’s right, say your prayers, offer each day to Jesus Christ, and hold your head high!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Ad Cenam Agni Providi, Ad Regias Agni Dapes, At the Lamb’s high feast we sing, Common Hymn Melodies, The Catholic Hymnal, Traditional Catholic Hymnals Last Updated: August 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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