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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Musicians: The Revolution Starts Today!

Jeff Ostrowski · August 24, 2021

OW IS IT POSSIBLE that all the good priests—and there are tons of them!—have not been converted to the authentic music of the Catholic Church? Does anyone really believe most priests want goofy, uninspired, secular tunes like this, accompanied by rhythmic instruments such as drums? Does anyone really believe most priests feel such music is appropriate for the Holy Sacrifice of the Mass? I don’t believe that for a second.

The Real Problem: I suspect most priests have never heard decent choral music in real life. Choral music—let’s say, as presented by a choir of 30+ singers—is something physical and must be experienced in real life. I suspect that when priests have heard plainsong, it was sung very slowly and came across as boring…instead of being a delight. I suspect that when priests have heard polyphony, it was probably performed badly—or perhaps by a small group of soloists rather than a full choir (with choral vowels and proper blending). Many priests weren’t given the privilege of musical training when they were young; our culture no longer values it.

One Way To Start: In addition to plainsong and polyphony, an excellent way to build strong choirs is by utilizing excellent hymnody. These melodies teach your choir members how to listen to one another—and they’re a delight to sing. However, make sure it’s Catholic hymnody, not Protestant stuff. The best source by far is the Saint Brébeuf hymnal, published by SOPHIA INSTITUTE PRESS. There are hundreds of rehearsal videos (produced exclusively for the Brébeuf hymnal) which are free online. Everyone should take advantage of these!

Here’s an ancient Catholic hymn (Ad Coenam Agni Providi) translated into English. This hymn is appropriate during Holy Communion:

Rehearsal videos for each individual voice await you at #036.

Everyone should be
taking advantage of those
free rehearsal videos—
for each individual voice.

Common Melodies: Once your choir members learn that hymn (SALZBURG)—taking advantage of the rehearsal videos for each individual voice—they can sing 4-5 other hymns in the Brébeuf hymnal because it’s one of the “common hymn melodies” (which we have already spoken about). Vladimir Horowitz used to say: “Music is already difficult; why make it harder? Better to make it easier…” Don’t feel guilty sending your choir members those rehearsal videos. They save time, and you can use that time speaking about choir procedures, working on choral vowels, working on proper diction, teaching them to read music notation, or in 1,000 other ways.

The Revolution Has Begun: Some Catholic authors gladly write a zillion articles complaining about the terrible state of the liturgy in the Church Church; yet they won’t lift a finger in real life to make a difference. Let’s make a difference! The revolution starts today! Let’s go out and share the treasures of the Catholic Faith! Let’s form more choirs! Let’s train more singers!

Haters Gonna Hate: Don’t pay attention to those who complain about the sacred liturgy. Your job is not to entertain; nor is your job to please everyone. Some people are evil. Some people are dangerous. Some people are foolish. Some people haven’t matured yet. Some people haven’t yet been converted to Jesus Christ in their hearts. Some people haven’t yet discovered how beautiful the sacred liturgy is. Don’t worry about the naysayers and the “Negative Nancy” types; hold fast to our holy traditions! If you please everyone, you’re doing something wrong.

We Know What’s Right: Some people say they hate Chopin. Some people say they hate Bach. Some idiots say Palestrina and Guerrero and Victoria were “not very great.” Some people say the Gothic Cathedrals are not beautiful. Don’t pay attention to them. I wish I could say that everyone is a nice person. I wish I could say that everyone has the right intentions. I wish I could say that everyone’s opinion is correct. I wish I could say that immoral people (adulterers, liars, murderers, thieves) don’t exist—but they do! Do what’s right, say your prayers, offer each day to Jesus Christ, and hold your head high!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Ad Cenam Agni Providi, Ad Regias Agni Dapes, At the Lamb’s high feast we sing, Common Hymn Melodies, The Catholic Hymnal, Traditional Catholic Hymnals Last Updated: August 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

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