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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Musicians: The Revolution Starts Today!

Jeff Ostrowski · August 24, 2021

OW IS IT POSSIBLE that all the good priests—and there are tons of them!—have not been converted to the authentic music of the Catholic Church? Does anyone really believe most priests want goofy, uninspired, secular tunes like this, accompanied by rhythmic instruments such as drums? Does anyone really believe most priests feel such music is appropriate for the Holy Sacrifice of the Mass? I don’t believe that for a second.

The Real Problem: I suspect most priests have never heard decent choral music in real life. Choral music—let’s say, as presented by a choir of 30+ singers—is something physical and must be experienced in real life. I suspect that when priests have heard plainsong, it was sung very slowly and came across as boring…instead of being a delight. I suspect that when priests have heard polyphony, it was probably performed badly—or perhaps by a small group of soloists rather than a full choir (with choral vowels and proper blending). Many priests weren’t given the privilege of musical training when they were young; our culture no longer values it.

One Way To Start: In addition to plainsong and polyphony, an excellent way to build strong choirs is by utilizing excellent hymnody. These melodies teach your choir members how to listen to one another—and they’re a delight to sing. However, make sure it’s Catholic hymnody, not Protestant stuff. The best source by far is the Saint Brébeuf hymnal, published by SOPHIA INSTITUTE PRESS. There are hundreds of rehearsal videos (produced exclusively for the Brébeuf hymnal) which are free online. Everyone should take advantage of these!

Here’s an ancient Catholic hymn (Ad Coenam Agni Providi) translated into English. This hymn is appropriate during Holy Communion:

Rehearsal videos for each individual voice await you at #036.

Everyone should be
taking advantage of those
free rehearsal videos—
for each individual voice.

Common Melodies: Once your choir members learn that hymn (SALZBURG)—taking advantage of the rehearsal videos for each individual voice—they can sing 4-5 other hymns in the Brébeuf hymnal because it’s one of the “common hymn melodies” (which we have already spoken about). Vladimir Horowitz used to say: “Music is already difficult; why make it harder? Better to make it easier…” Don’t feel guilty sending your choir members those rehearsal videos. They save time, and you can use that time speaking about choir procedures, working on choral vowels, working on proper diction, teaching them to read music notation, or in 1,000 other ways.

The Revolution Has Begun: Some Catholic authors gladly write a zillion articles complaining about the terrible state of the liturgy in the Church Church; yet they won’t lift a finger in real life to make a difference. Let’s make a difference! The revolution starts today! Let’s go out and share the treasures of the Catholic Faith! Let’s form more choirs! Let’s train more singers!

Haters Gonna Hate: Don’t pay attention to those who complain about the sacred liturgy. Your job is not to entertain; nor is your job to please everyone. Some people are evil. Some people are dangerous. Some people are foolish. Some people haven’t matured yet. Some people haven’t yet been converted to Jesus Christ in their hearts. Some people haven’t yet discovered how beautiful the sacred liturgy is. Don’t worry about the naysayers and the “Negative Nancy” types; hold fast to our holy traditions! If you please everyone, you’re doing something wrong.

We Know What’s Right: Some people say they hate Chopin. Some people say they hate Bach. Some idiots say Palestrina and Guerrero and Victoria were “not very great.” Some people say the Gothic Cathedrals are not beautiful. Don’t pay attention to them. I wish I could say that everyone is a nice person. I wish I could say that everyone has the right intentions. I wish I could say that everyone’s opinion is correct. I wish I could say that immoral people (adulterers, liars, murderers, thieves) don’t exist—but they do! Do what’s right, say your prayers, offer each day to Jesus Christ, and hold your head high!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Ad Cenam Agni Providi, Ad Regias Agni Dapes, At the Lamb’s high feast we sing, Common Hymn Melodies, The Catholic Hymnal, Traditional Catholic Hymnals Last Updated: August 24, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“How on earth in the [post-conciliar] liturgy for the dead should there be no more mention of sin and expiation? There’s a complete absence of imploring the Lord’s mercy. […] Although the texts were beautiful they were still lacking in the sense of sin and the sense of mercy. But we need this! And when my final hour comes, ask for mercy for me from the Lord, because I have such need of it!”

— Pope Saint Paul VI (3 June 1971)

Recent Posts

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