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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What is Vespers?” • Live Rec. + 100% Scrolling Score

Jeff Ostrowski · August 2, 2021

EVER. Traditional Catholic music will never be completely lost. No matter how many “progressive” liturgists attempt to hide these treasures, such efforts will ultimately fail. Consider the case of England, where Catholics who refused to deny Transubstantiation were brutally murdered. In the end, that attempt failed; currently more Catholics go to Church in Britain than do Anglicans. Even if “progressive” liturgists get rid of traditional music, Catholics discover it when they attend college. After all, no serious university teaches the music of Marty Haugen, David Haas, or Dan Schutte. At the university, students are taught high quality music: Guerrero, Palestrina, Machaut, Fauré, Liszt, Haydn, Manchicourt, De Rore, Scarlatti, Victoria, Gabrieli, Mozart, Rheinberger, and so forth.

*  PDF Download • VESPERS FOR SINGERS (18 pages)

*  PDF Download • VESPERS FOR ORGANISTS (29 pages)

The following video demonstrates Vespers in a very clear way:

What You Hear: That’s a live recording from yesterday. Those are not professional singers; it’s our congregation singing. Vespers had been forbidden for more than a year—due to Covid—but we are back. More than half the congregation had never attended Vespers before. We received wonderful messages from them, saying how marvelous it was in their opinion. One wrote to us as follows: “I am a new parishioner and attended for the first time. It was an amazing experience. I will continue to participate as often as possible.”

Hidden Treasure: How many Catholics know what Vespers is? The simplest definition would be: “Five Psalms, a Hymn, and the Magnificat.” But how many Catholics today can give that answer?

Want to hear the Sacred Music Symposium singing Vespers? Click on this article by Dr. Calabrese.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: ORDO ANTIQUUS, usus antiquior, Vespers, Vespers Organist Scores Last Updated: August 9, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“To me it is a most inspiring reflection that, while empires and kingdoms have tumbled down, while language and custom of every kind have changed beyond recognition, still day by day the humblest Catholic priest in the remotest mission stands at his altar dressed in the garb of old Rome.”

— Father Adrian Fortescue (8 February 1912)

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