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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What is Vespers?” • Live Rec. + 100% Scrolling Score

Jeff Ostrowski · August 2, 2021

EVER. Traditional Catholic music will never be completely lost. No matter how many “progressive” liturgists attempt to hide these treasures, such efforts will ultimately fail. Consider the case of England, where Catholics who refused to deny Transubstantiation were brutally murdered. In the end, that attempt failed; currently more Catholics go to Church in Britain than do Anglicans. Even if “progressive” liturgists get rid of traditional music, Catholics discover it when they attend college. After all, no serious university teaches the music of Marty Haugen, David Haas, or Dan Schutte. At the university, students are taught high quality music: Guerrero, Palestrina, Machaut, Fauré, Liszt, Haydn, Manchicourt, De Rore, Scarlatti, Victoria, Gabrieli, Mozart, Rheinberger, and so forth.

*  PDF Download • VESPERS FOR SINGERS (18 pages)

*  PDF Download • VESPERS FOR ORGANISTS (29 pages)

The following video demonstrates Vespers in a very clear way:

What You Hear: That’s a live recording from yesterday. Those are not professional singers; it’s our congregation singing. Vespers had been forbidden for more than a year—due to Covid—but we are back. More than half the congregation had never attended Vespers before. We received wonderful messages from them, saying how marvelous it was in their opinion. One wrote to us as follows: “I am a new parishioner and attended for the first time. It was an amazing experience. I will continue to participate as often as possible.”

Hidden Treasure: How many Catholics know what Vespers is? The simplest definition would be: “Five Psalms, a Hymn, and the Magnificat.” But how many Catholics today can give that answer?

Want to hear the Sacred Music Symposium singing Vespers? Click on this article by Dr. Calabrese.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: ORDO ANTIQUUS, usus antiquior, Vespers, Vespers Organist Scores Last Updated: August 9, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski
    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

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  • Typo in the “Missale Romanum” (1962)

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