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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“What is Vespers?” • Live Rec. + 100% Scrolling Score

Jeff Ostrowski · August 2, 2021

EVER. Traditional Catholic music will never be completely lost. No matter how many “progressive” liturgists attempt to hide these treasures, such efforts will ultimately fail. Consider the case of England, where Catholics who refused to deny Transubstantiation were brutally murdered. In the end, that attempt failed; currently more Catholics go to Church in Britain than do Anglicans. Even if “progressive” liturgists get rid of traditional music, Catholics discover it when they attend college. After all, no serious university teaches the music of Marty Haugen, David Haas, or Dan Schutte. At the university, students are taught high quality music: Guerrero, Palestrina, Machaut, Fauré, Liszt, Haydn, Manchicourt, De Rore, Scarlatti, Victoria, Gabrieli, Mozart, Rheinberger, and so forth.

*  PDF Download • VESPERS FOR SINGERS (18 pages)

*  PDF Download • VESPERS FOR ORGANISTS (29 pages)

The following video demonstrates Vespers in a very clear way:

What You Hear: That’s a live recording from yesterday. Those are not professional singers; it’s our congregation singing. Vespers had been forbidden for more than a year—due to Covid—but we are back. More than half the congregation had never attended Vespers before. We received wonderful messages from them, saying how marvelous it was in their opinion. One wrote to us as follows: “I am a new parishioner and attended for the first time. It was an amazing experience. I will continue to participate as often as possible.”

Hidden Treasure: How many Catholics know what Vespers is? The simplest definition would be: “Five Psalms, a Hymn, and the Magnificat.” But how many Catholics today can give that answer?

Want to hear the Sacred Music Symposium singing Vespers? Click on this article by Dr. Calabrese.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, Featured, PDF Download Tagged With: ORDO ANTIQUUS, usus antiquior, Vespers, Vespers Organist Scores Last Updated: August 9, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

Recent Posts

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  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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