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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Pentecost Sequence In English! — Gregorian Notation w/ Organ Accompaniment

Jeff Ostrowski · June 25, 2021

VER SINCE we released eighteen free accompaniments for the “Veni Sancte Spiritus”—by composers like Max Springer, Father Andrew Green, Dr. Percy Jones, Julius Bas, Father Franz Mathias, Dr. Peter Wagner, Dr. Theodore Marier, Dr. Eugène Lapierre, Dom Desroquettes, Father Jules Van Nuffel, Achille P. Bragers, Dom Gregory Murray, Father Carlo Rossini, and more—we’ve been getting the same question over and over: Is there a version available in English? This morning was an awesome morning. I heard from some musician friends at the Vatican (regarding another matter), I heard from an important organist at a seminary in Europe, and I heard from the young lady in charge of the Chaumonot Composers Group.

She sent me a fabulous version—made possible by Mr. Andrew Hinkley—which places the PENTECOST SEQUENCE into singer’s notation, conveniently set on a double-sided sheet of paper:

*  PDF Download • “Veni Sancte Spiritus” (in English)
—PENTECOST SEQUENCE • English Translation with musical notes for singers.

*  PDF Download • ORGAN ACCOMPANIMENT (in English)
—PENTECOST SEQUENCE • Organ accompaniment (English).

This Sequence—Veni Sancte Spiritus—is called “The Golden Sequence.” It’s a marvelous prayer, and Father Valentine began every day of his priestly life by praying (or singing) this prayer.

We Can Do This: Something must be done to fix the musical situation in the Catholic Church. We can do this! We don’t need to be as proficient as Beethoven, who once transposed his “Concerto in C Major” into the key of B-Major because the piano was tuned a half step off. We don’t need to be as proficient as Ignaz Friedman, who once performed an unbelievable feat of memory, as related by conductor Georg Lennart Schnéevoigt. We don’t need to be as proficient as César Franck, who instantly transposed into another key the difficult piece he was required to sight-read at his final exam, causing him to win the Grand Prix d’Honneur at the Paris Conservatory. We don’t need to be as proficient as Camille Saint-Saëns, who had all the Beethoven Sonatas memorized at age ten. We don’t need to be as proficient as Josef Hofmann, who gave 21 consecutive concerts in St. Petersburg without repeating a single piece—playing 255 different works from memory!  …you get the point.

Start With English: Perhaps a good way to start “fixing” the situation is the Pentecost Sequence sung in English. All Catholics can learn it—even if they can’t read music. As my colleague, Keven Smith explained , the ability to read music is sometimes overrated. After all, Jackie Gleason couldn’t read music, but he became a popular musician. Jackie Gleason’s first album (“Music for Lovers Only”) still holds the record for the longest stay on the Billboard Top Ten Charts—153 weeks—and his first 10 albums sold over a million copies each. Luciano Pavarotti couldn’t read music, yet he was the highest paid musician in the world (when he was still alive).

Recording on a Toy Organ: I got excited about this piece, and quickly recorded it on a toy organ. Sometimes Gregorian Chant doesn’t “translate” well to English. But I was blown away by this! Please pardon any errors:

Veni Sancte Spíritus,
Et emítte caélitus
Lucis tuae rádium.

Veni pater páuperum,
Veni dator múnerum,
Veni lumen córdium.

Consolátor óptime,
Dulcis hospes ánimae,
Dulce refrigérium.

In labóre réquies,
In aestu tempéries,
In fletu solátium.

O lux beatíssima,
Reple cordis íntima
Tuórum fidélium.

Sine tuo númine,
Nihil est in hómine,
Nihil est innóxium.

Lava quod est sórdidum,
Riga quod est áridum,
Sana quod est sáucium.

Flecte quod est rígidum,
Fove quod est frígidum,
Rege quod est dévium.

Da tuis fidélibus,
In te confidéntibus,
Sacrum septenárium.

Da virtútis méritum,
Da salútis éxitum,
Da perénne gáudium.

Amen. Allelúia.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: English Translation Sequence, Organ Accompaniments, Pentecost Sequence, Veni Sancte Spiritus Last Updated: June 25, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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