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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • Pentecost Sequence In English! — Gregorian Notation w/ Organ Accompaniment

Jeff Ostrowski · June 25, 2021

VER SINCE we released eighteen free accompaniments for the “Veni Sancte Spiritus”—by composers like Max Springer, Father Andrew Green, Dr. Percy Jones, Julius Bas, Father Franz Mathias, Dr. Peter Wagner, Dr. Theodore Marier, Dr. Eugène Lapierre, Dom Desroquettes, Father Jules Van Nuffel, Achille P. Bragers, Dom Gregory Murray, Father Carlo Rossini, and more—we’ve been getting the same question over and over: Is there a version available in English? This morning was an awesome morning. I heard from some musician friends at the Vatican (regarding another matter), I heard from an important organist at a seminary in Europe, and I heard from the young lady in charge of the Chaumonot Composers Group.

She sent me a fabulous version—made possible by Mr. Andrew Hinkley—which places the PENTECOST SEQUENCE into singer’s notation, conveniently set on a double-sided sheet of paper:

*  PDF Download • “Veni Sancte Spiritus” (in English)
—PENTECOST SEQUENCE • English Translation with musical notes for singers.

*  PDF Download • ORGAN ACCOMPANIMENT (in English)
—PENTECOST SEQUENCE • Organ accompaniment (English).

This Sequence—Veni Sancte Spiritus—is called “The Golden Sequence.” It’s a marvelous prayer, and Father Valentine began every day of his priestly life by praying (or singing) this prayer.

We Can Do This: Something must be done to fix the musical situation in the Catholic Church. We can do this! We don’t need to be as proficient as Beethoven, who once transposed his “Concerto in C Major” into the key of B-Major because the piano was tuned a half step off. We don’t need to be as proficient as Ignaz Friedman, who once performed an unbelievable feat of memory, as related by conductor Georg Lennart Schnéevoigt. We don’t need to be as proficient as César Franck, who instantly transposed into another key the difficult piece he was required to sight-read at his final exam, causing him to win the Grand Prix d’Honneur at the Paris Conservatory. We don’t need to be as proficient as Camille Saint-Saëns, who had all the Beethoven Sonatas memorized at age ten. We don’t need to be as proficient as Josef Hofmann, who gave 21 consecutive concerts in St. Petersburg without repeating a single piece—playing 255 different works from memory!  …you get the point.

Start With English: Perhaps a good way to start “fixing” the situation is the Pentecost Sequence sung in English. All Catholics can learn it—even if they can’t read music. As my colleague, Keven Smith explained , the ability to read music is sometimes overrated. After all, Jackie Gleason couldn’t read music, but he became a popular musician. Jackie Gleason’s first album (“Music for Lovers Only”) still holds the record for the longest stay on the Billboard Top Ten Charts—153 weeks—and his first 10 albums sold over a million copies each. Luciano Pavarotti couldn’t read music, yet he was the highest paid musician in the world (when he was still alive).

Recording on a Toy Organ: I got excited about this piece, and quickly recorded it on a toy organ. Sometimes Gregorian Chant doesn’t “translate” well to English. But I was blown away by this! Please pardon any errors:

Veni Sancte Spíritus,
Et emítte caélitus
Lucis tuae rádium.

Veni pater páuperum,
Veni dator múnerum,
Veni lumen córdium.

Consolátor óptime,
Dulcis hospes ánimae,
Dulce refrigérium.

In labóre réquies,
In aestu tempéries,
In fletu solátium.

O lux beatíssima,
Reple cordis íntima
Tuórum fidélium.

Sine tuo númine,
Nihil est in hómine,
Nihil est innóxium.

Lava quod est sórdidum,
Riga quod est áridum,
Sana quod est sáucium.

Flecte quod est rígidum,
Fove quod est frígidum,
Rege quod est dévium.

Da tuis fidélibus,
In te confidéntibus,
Sacrum septenárium.

Da virtútis méritum,
Da salútis éxitum,
Da perénne gáudium.

Amen. Allelúia.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: English Translation Sequence, Organ Accompaniments, Pentecost Sequence, Veni Sancte Spiritus Last Updated: June 25, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Whether celebrated with priest and people facing each other or with priest and people together facing the same direction, every Eucharist is Christ coming to meet us, gracing us with a share in his own divine life.”

— Most Rev’d Arthur J. Serratelli (1 December 2016)

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