• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

They Did Something Bad & Inexplicable • (Documentation Included)

Jeff Ostrowski · June 4, 2021

OLY MOTHER CHURCH is no stranger to crises; she has seen many throughout her 2,000 history. But this doesn’t matter so long as we stay faithful to JESUS CHRIST and reach Heaven when we die (even if we have to spend some time in Purgatory first). Personally, I believe many of the liturgical “reforms”—especially during in the 1960s and 1970s—were symptomatic of the crisis from which we still suffer. Nobody will try to defend these reforms; the only answer we’re given is silence and apathy. 1

We have already documented a spine-chilling discovery by Father Valentine Young (d. 2020):

*  Glaring Omission from Post-Vatican II Lectionary

Quick Summary: To summarize, Father Valentine discovered that the Bible passage regarding unworthy reception of Holy Communion was deleted from the Ordinary Form Lectionary—whereas before the Second Vatican Council it was always read on Holy Thursday. Father Valentine wrote a letter to the Congregation for Divine Worship and the Discipline of the Sacraments (or whatever nomenclature was used) back in the 1980s, but they weren’t able to explain why it was deleted.

Another Discovery: It turns out that the Communion Antiphon in the “Extraordinary Form” for the feast of Corpus Christi also warned Catholics never to receive the Holy Eucharist unworthily. If you don’t believe me, you can see for yourself. Before Vatican II, the feast of Corpus Christi was celebrated on Thursday, and still is in the Extraordinary Form. It can also be celebrated on Sunday, as an “external solemnity.” 2

They Deleted It Again! If you look at post-conciliar Lectionary, you will see that, once again, “reformers” eliminated any scriptural passage that might warn Catholics against receiving the Holy Eucharist unworthily. They deleted the traditional Communion Antiphon and substituted others which do not warn against receiving the Holy Eucharist unworthily:

*  PDF Download • COMPARISON CHART (Proof)
—This shows that somebody really hated I Corinthians 11:27-29.

A Technicality: Technically, a Catholic could still hear a warning about receiving Holy Communion unworthily if the full Sequence is read. But there are two problems: (1) Most OF parishes use the “short form” of that Sequence, which deletes 85%, so they would not hear the warning after all; (2) The translation for that Sequence in the OF Lectionary is one of the most deplorable, horrific, bowdlerized translations ever perpetrated. You can see how the Ordinary Form Sequence appears in Latin by clicking here—but notice the “short form” practically deletes the entire thing!

On My Hands And Knees: I cannot think of a text which is more beautiful than the LAUDA SION Sequence by Saint Thomas Aquinas. I beg you on my hands and knees to read verses 12-20:

*  PDF • “LAUDA SION SALVATOREM” (Vocalist)
—With a literal English translation.

A rehearsal video and nine (9) different organ accompaniments for the LAUDA SION are provided at this link free of charge.


NOTES FROM THIS ARTICLE:

1   I’m not aware of any serious scholar willing to defend the liturgical changes made after the Second Vatican Council, which were done quite haphazardly. A very close friend of Pope Paul VI, Father Louis Bouyer, begged Pope Paul VI at an absolute minimum to see to it that somebody record the votes being taken by the CONSILIUM—but that did not happen. Another person who gives testimony was Ferdinand Cardinal Antonelli, who wrote: “The Consilium is merely an assembly of people, many of them incompetent, and others well advanced on the road to novelty. The discussions are extremely hurried. Discussions are based on impressions and the voting is chaotic. […] Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.” It would be difficult to find a more knowledgeable person than Cardinal Antonelli, since he was Secretary of the CONSILIUM.

2   By the way, someone has provided interesting information regarding the concept of “external solemnities.” If that’s true, I never knew that!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Annibale Bugnini Reform, Cardinal Ferdinando Giuseppe Antonelli OFM, Feast of Corpus Christi, Glaring Omission Vatican II Lectionary, Lauda Sion Salvatorem, Louis Bouyer Oratorian Priest, Novus Ordo Lectionary Last Updated: October 10, 2021

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.