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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for April 2021

Veronica Brandt · April 30, 2021

Salve Joseph

Spanish Australian Setting of Salve Joseph

A Latin hymn to St Joseph with a popular tune – a unison chorus with 4 two part verses.

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Jeff Ostrowski · April 29, 2021

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

“Feria Quinta” — which day is that? … Be honest.

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Jeff Ostrowski · April 28, 2021

“Are They Ugly?” • May 1st Propers For Saint Joseph

I fail to see how such a position can be defended…

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Keven Smith · April 28, 2021

Hidden Gem: In Te, Domine, Speravi (Hassler)

This simple canon makes a great “anytime” Offertory motet for developing choirs and experienced ensembles alike.

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Jeff Ostrowski · April 27, 2021

Paul Inwood Attacks Jeff Ostrowski’s Harmonies

Paul Inwood has unwittingly committed a rookie’s error here…

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Fr. David Friel · April 25, 2021

The Greater Litanies & the Meaning of Liturgical Processions

Processing is one way in which we express who we are as wayfarers en route to heaven.

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Veronica Brandt · April 24, 2021

An Interview with Veronica Brandt

How exactly does one get from electrical engineering to writing hymnbooks and making videos on singing Gregorian chant?

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Jeff Ostrowski · April 22, 2021

22 April 2021 • SATB Plainsong?

In an emergency, we pull out random hymns from the Brébeuf hymnal. The Brébeuf choral supplement has every single verse—every single verse—written out, which makes reading SATB a breeze. Last Sunday, we pulled out an Easter hymn which is a mix between plainsong and metrical hymnody…and I think this live recording came out nicely! Please […]

Jeff Ostrowski · April 22, 2021

22 April 2021 • ICTUS ALERT

My friends, for the record, this coming Sunday has something which is pretty rare. It is an example of Abbey of Saint-Pierre de Solesmes adding an ictus marking to their previous (1908) version of the Graduale Romanum. You can examine before and after. Do I feel better, having pointing this out? I absolutely do…

Jeff Ostrowski · April 21, 2021

“The Fifteen Best Catholic Hymns” • Wait……

Church musicians: Is this what we’re doing wrong?

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Jeff Ostrowski · April 20, 2021

Do You Know This Easter Hymn?

We did both versions: One is quite popular, the other less so.

Jeff Ostrowski · April 19, 2021

Why does this repeat four times?

Folks, this is pretty cool.

Jeff Ostrowski · April 17, 2021

Not. Just. Catholics.

Talk about whatever subject you desire…except musical “style”—because doing so might get you killed.

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Jeff Ostrowski · April 16, 2021

Did Solesmes Abbey Drink The 1960s Kool-Aid?

…you be the judge…

Jeff Ostrowski · April 15, 2021

Fr. Thomas Reese • “Young People Should Not Be Allowed To Attend” Latin Mass

Currently, 759 people dislike his article, while only 73 support it.

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Corpus Christi Watershed

President’s Corner

    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

Recent Posts

  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”

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