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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Translation: Your Thoughts?

Jeff Ostrowski · March 24, 2021

OME PEOPLE don’t like certain words. Each one of us has particular sensibilities, and that’s one reason hymn lyrics often change through the years. Some people believe they are singing “original” lyrics from certain hymnals, but they simply are not. For example: Hark! The Herald Angels Sing was originally Hark How All The Welkin Rings…but nobody sings that. In the famous hymn, SOUL OF MY SAVIOUR, a line is often altered: “Wash me, ye waters gushing from His Side.” People in countries like Australia detest the word “gushing”—which they believe sounds ugly—so they change it to “flowing.” This has nothing to do with Theology. In my opinion, certain words sound dingy, horse-and-buggy, and stale: “gloomy” and “bosom” and “strain” (meaning hymn) would be a few examples. Other words don’t belong in a hymnal because they’re ugly: “stomach” and “belly” are two examples. Some people are bothered by fake rhymes. I also worry about words like “wan” because people might mispronounce it. I think we should avoid using an excessive amount of words familiar only to the erudite, such as “surcease.”

Needless to say, many Catholics who suffer with heretical hymns would give anything to get rid of evil lyrics, even if that meant using flawed, predictable, or archaic language. The National Association of Pastoral Musicians—which is supposedly a Roman Catholic organization—has created “liturgical” materials which honor Buddha and Darwin.

By the way, not all Mediaeval poetry was excellent. Father Fortescue says: “Many hymns of the Middle Ages are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist.”

What do you think of this translation? It’s for Terribilis Est Locus Iste, a famous Introit:

I understand what it means, and it worked 215 years ago…but I don’t think it works these days.

On the other hand, maybe that Introit—“This place is awful!”—would have been be appropriate for the 18 February 2021 dedication of this brand new Roman Catholic Chapel of San Juan García College in Spain:

We emailed them to make sure this is a Catholic Chapel. Sadly, it is.

The Father Lasance hand-missal sometimes translates prayers in an interesting way. Father Lasance uses the word “winking,” which we have discussed. And check this out:

We heap Thine altars
with gifts, O Lord,
celebrating with
fitting honor…

The publisher of a major Catholic hymnal once told me she will never allow the word “womb” in any hymn lyrics. I personally have no problem with that word, but perhaps for her it was a medical term? I wonder what she would think of what Father Francis X. Lasance (d. 1946) did for 24 June, The Feast of the Nativity of Saint John the Baptist: “Before I formed thee in the bowels of thy mother…”

I would invite you to peruse an article of mine which explores this topic:

*  Should Hymn Lyrics Be Inordinately Archaic?
—An article by Jeff Ostrowski, posted 11 November 2020.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Francis Xavier Lasance, Heretical GIA Hymns, Terribilis Est Locus Iste Last Updated: March 25, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“…it would be a very praiseworthy thing and the correction would be so easy to make that one could accommodate the chant by gradual changes; and through this it would not lose its original form, since it is only through the binding together of many notes put under short syllables that they become long without any good purpose when it would be sufficient to give one note only.”

— Zarlino (1558) anticipating the Medicæa

Recent Posts

  • PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)
  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)

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