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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Translation: Your Thoughts?

Jeff Ostrowski · March 24, 2021

OME PEOPLE don’t like certain words. Each one of us has particular sensibilities, and that’s one reason hymn lyrics often change through the years. Some people believe they are singing “original” lyrics from certain hymnals, but they simply are not. For example: Hark! The Herald Angels Sing was originally Hark How All The Welkin Rings…but nobody sings that. In the famous hymn, SOUL OF MY SAVIOUR, a line is often altered: “Wash me, ye waters gushing from His Side.” People in countries like Australia detest the word “gushing”—which they believe sounds ugly—so they change it to “flowing.” This has nothing to do with Theology. In my opinion, certain words sound dingy, horse-and-buggy, and stale: “gloomy” and “bosom” and “strain” (meaning hymn) would be a few examples. Other words don’t belong in a hymnal because they’re ugly: “stomach” and “belly” are two examples. Some people are bothered by fake rhymes. I also worry about words like “wan” because people might mispronounce it. I think we should avoid using an excessive amount of words familiar only to the erudite, such as “surcease.”

Needless to say, many Catholics who suffer with heretical hymns would give anything to get rid of evil lyrics, even if that meant using flawed, predictable, or archaic language. The National Association of Pastoral Musicians—which is supposedly a Roman Catholic organization—has created “liturgical” materials which honor Buddha and Darwin.

By the way, not all Mediaeval poetry was excellent. Father Fortescue says: “Many hymns of the Middle Ages are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist.”

What do you think of this translation? It’s for Terribilis Est Locus Iste, a famous Introit:

I understand what it means, and it worked 215 years ago…but I don’t think it works these days.

On the other hand, maybe that Introit—“This place is awful!”—would have been be appropriate for the 18 February 2021 dedication of this brand new Roman Catholic Chapel of San Juan García College in Spain:

We emailed them to make sure this is a Catholic Chapel. Sadly, it is.

The Father Lasance hand-missal sometimes translates prayers in an interesting way. Father Lasance uses the word “winking,” which we have discussed. And check this out:

We heap Thine altars
with gifts, O Lord,
celebrating with
fitting honor…

The publisher of a major Catholic hymnal once told me she will never allow the word “womb” in any hymn lyrics. I personally have no problem with that word, but perhaps for her it was a medical term? I wonder what she would think of what Father Francis X. Lasance (d. 1946) did for 24 June, The Feast of the Nativity of Saint John the Baptist: “Before I formed thee in the bowels of thy mother…”

I would invite you to peruse an article of mine which explores this topic:

*  Should Hymn Lyrics Be Inordinately Archaic?
—An article by Jeff Ostrowski, posted 11 November 2020.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Francis Xavier Lasance, Heretical GIA Hymns, Terribilis Est Locus Iste Last Updated: March 25, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

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