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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Translation: Your Thoughts?

Jeff Ostrowski · March 24, 2021

OME PEOPLE don’t like certain words. Each one of us has particular sensibilities, and that’s one reason hymn lyrics often change through the years. Some people believe they are singing “original” lyrics from certain hymnals, but they simply are not. For example: Hark! The Herald Angels Sing was originally Hark How All The Welkin Rings…but nobody sings that. In the famous hymn, SOUL OF MY SAVIOUR, a line is often altered: “Wash me, ye waters gushing from His Side.” People in countries like Australia detest the word “gushing”—which they believe sounds ugly—so they change it to “flowing.” This has nothing to do with Theology. In my opinion, certain words sound dingy, horse-and-buggy, and stale: “gloomy” and “bosom” and “strain” (meaning hymn) would be a few examples. Other words don’t belong in a hymnal because they’re ugly: “stomach” and “belly” are two examples. Some people are bothered by fake rhymes. I also worry about words like “wan” because people might mispronounce it. I think we should avoid using an excessive amount of words familiar only to the erudite, such as “surcease.”

Needless to say, many Catholics who suffer with heretical hymns would give anything to get rid of evil lyrics, even if that meant using flawed, predictable, or archaic language. The National Association of Pastoral Musicians—which is supposedly a Roman Catholic organization—has created “liturgical” materials which honor Buddha and Darwin.

By the way, not all Mediaeval poetry was excellent. Father Fortescue says: “Many hymns of the Middle Ages are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist.”

What do you think of this translation? It’s for Terribilis Est Locus Iste, a famous Introit:

I understand what it means, and it worked 215 years ago…but I don’t think it works these days.

On the other hand, maybe that Introit—“This place is awful!”—would have been be appropriate for the 18 February 2021 dedication of this brand new Roman Catholic Chapel of San Juan García College in Spain:

We emailed them to make sure this is a Catholic Chapel. Sadly, it is.

The Father Lasance hand-missal sometimes translates prayers in an interesting way. Father Lasance uses the word “winking,” which we have discussed. And check this out:

We heap Thine altars
with gifts, O Lord,
celebrating with
fitting honor…

The publisher of a major Catholic hymnal once told me she will never allow the word “womb” in any hymn lyrics. I personally have no problem with that word, but perhaps for her it was a medical term? I wonder what she would think of what Father Francis X. Lasance (d. 1946) did for 24 June, The Feast of the Nativity of Saint John the Baptist: “Before I formed thee in the bowels of thy mother…”

I would invite you to peruse an article of mine which explores this topic:

*  Should Hymn Lyrics Be Inordinately Archaic?
—An article by Jeff Ostrowski, posted 11 November 2020.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Francis Xavier Lasance, Heretical GIA Hymns, Terribilis Est Locus Iste Last Updated: March 25, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The chapter secretary is authorized to write a letter beseeching a royal pardon for Caspar de Cuevas, cathedral sackbut player, who is imprisoned on a murder charge.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (23 March 1566)

Recent Posts

  • “The Injustice of Traditionis Custodes” • (Private Meetings at the Vatican)
  • New Bulletin Article • “14 September 2025”
  • PDF Download • Croft’s “Canonic Kyrie” (SATB)
  • Karl Keating • “Canonization Questions”
  • “Music List” • 23rd in Ordinary Time (Year C)

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