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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Matthew, St. Jane, and the End of a Liturgical Year

Keven Smith · November 23, 2020


‘M OUT FOR ANOTHER Friday morning run. I feel tense until I remind myself to settle into a comfortable rhythm. My favorite running book says to fall forward, let the ground drag the legs backward, and then pick up each foot at the back end of a stride. The idea is to expend as little effort as possible and let gravity—a force with which we can’t negotiate—do the work for you. Do it right, and you won’t experience any soreness from your run.

Fall forward, fall forward. I think I’m doing it right. But I often catch myself trying.

Never Waste a Tribulation

Another liturgical year is coming to an end. One of the neat things about being Catholic is that New Year’s comes early and quietly. (It’s hard not to mock the commonly held notion that life will somehow be different when we wake up on January 1—and it’s going to be unbearable to read social media posts that day from people who think that a sinister force called 2020 is now powerless against them.)

In the 1962 missal, the Last Sunday after Pentecost takes its Gospel reading from St. Matthew chapter 24. The abomination of desolation. The end of the world. This reading is clear about the trials we’ll have to accept if we’re still here for the Second Coming. There’s no mention of earning our way out of it. Even the elect will suffer:

For there shall be then great tribulation, such as hath not been from the beginning of the world until now, neither shall be. And unless those days had been shortened, no flesh should be saved: but for the sake of the elect those days shall be shortened. (Mt. 24: 21-22)

We’ve endured a liturgical year full of tribulations that God allowed. Our music programs were interrupted, scaled-down, and abnormal. Of course, dwelling on these challenges would be like cursing gravity for pulling us down on our morning run. God’s permissive will is like gravity: it never rests, and we can’t change it, so we might as well figure out how to work with it in ways that benefit us.

None of this is to say we shouldn’t fight back when officials violate our rights under the guise of public safety. But in the end, God will allow us to endure certain trials for our salvation. How, then, can we master ourselves to the point that we may enjoy the fruits of these trials?

Try This Prayer by St. Jane de Chantal

In my second organ lesson with my new teacher, I’m playing through Bach’s Nun Komm der Heiden Heiland (BWV 599). It’s not a difficult piece for experienced organists, but it hits many of my weaknesses as a beginner. At one point, I hear an unplanned dissonance and pause to figure out why.

“It’s the pedal,” my teacher says. “But take a look at your right hand.” It’s locked in a death grip as I hold a chord. We both laugh.

“This piece is going to be all about body awareness for you,” he says. “Relax.”

The trouble with trying harder is that it often makes us think about the result rather than the process. It seduces us into believing we’re in total control. It obliterates Now and shifts our focus to a Next that may never come.

This is why I’ve been turning to St. Jane de Chantal and her Prayer of Abandonment for help in not only my spiritual life but also my musical life. An excerpt:

I am determined to leave all to Thee, taking no part therein save by keeping myself in peace in Thy arms, desiring nothing except as Thou incitest me to desire, to will, to wish.

There’s no Next without Now—and we can’t focus on Now unless we practice abandonment. When we let go and embrace Now with all its risks and imperfections, we can finally enjoy that crucial moment of intense silence before the first downbeat or exploit that bold new possibility that presents itself during an organ improvisation.

It has little to do with trying harder. Fall forward, fall forward. 

Your Redemption Is at Hand

I wake up on Saturday morning to aching calves—but they’re not sore enough to stop me from practicing Bach.

In an empty church, I tell myself I don’t care about the right notes. There’s nobody here but God, Who will be neither impressed by a perfect rendition nor offended by mistakes.

As I focus on relaxing my right hand, I’m startled to realize that my feet are pedaling correctly without my permission. The seamless multitasking throws me off, and I stop.

Don’t think, I tell myself. Fall forward.

We’re all falling forward into a new year, and as always, liturgy is the best teacher. One week after the end of the world, we begin Advent with new hope:

Men withering away for fear, and expectation of what shall come upon the whole world. For the powers of heaven shall be moved; And then they shall see the Son of man coming in a cloud, with great power and majesty. But when these things begin to come to pass, look up, and lift up your heads, because your redemption is at hand. (Lk. 21: 26-28)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Mass, Traditional Latin Mass Tridentine Rite Last Updated: November 24, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— Statement by the Supreme Pontiff (Sacramentum Caritatis, 22-feb-2007)

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