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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Matthew, St. Jane, and the End of a Liturgical Year

Keven Smith · November 23, 2020


‘M OUT FOR ANOTHER Friday morning run. I feel tense until I remind myself to settle into a comfortable rhythm. My favorite running book says to fall forward, let the ground drag the legs backward, and then pick up each foot at the back end of a stride. The idea is to expend as little effort as possible and let gravity—a force with which we can’t negotiate—do the work for you. Do it right, and you won’t experience any soreness from your run.

Fall forward, fall forward. I think I’m doing it right. But I often catch myself trying.

Never Waste a Tribulation

Another liturgical year is coming to an end. One of the neat things about being Catholic is that New Year’s comes early and quietly. (It’s hard not to mock the commonly held notion that life will somehow be different when we wake up on January 1—and it’s going to be unbearable to read social media posts that day from people who think that a sinister force called 2020 is now powerless against them.)

In the 1962 missal, the Last Sunday after Pentecost takes its Gospel reading from St. Matthew chapter 24. The abomination of desolation. The end of the world. This reading is clear about the trials we’ll have to accept if we’re still here for the Second Coming. There’s no mention of earning our way out of it. Even the elect will suffer:

For there shall be then great tribulation, such as hath not been from the beginning of the world until now, neither shall be. And unless those days had been shortened, no flesh should be saved: but for the sake of the elect those days shall be shortened. (Mt. 24: 21-22)

We’ve endured a liturgical year full of tribulations that God allowed. Our music programs were interrupted, scaled-down, and abnormal. Of course, dwelling on these challenges would be like cursing gravity for pulling us down on our morning run. God’s permissive will is like gravity: it never rests, and we can’t change it, so we might as well figure out how to work with it in ways that benefit us.

None of this is to say we shouldn’t fight back when officials violate our rights under the guise of public safety. But in the end, God will allow us to endure certain trials for our salvation. How, then, can we master ourselves to the point that we may enjoy the fruits of these trials?

Try This Prayer by St. Jane de Chantal

In my second organ lesson with my new teacher, I’m playing through Bach’s Nun Komm der Heiden Heiland (BWV 599). It’s not a difficult piece for experienced organists, but it hits many of my weaknesses as a beginner. At one point, I hear an unplanned dissonance and pause to figure out why.

“It’s the pedal,” my teacher says. “But take a look at your right hand.” It’s locked in a death grip as I hold a chord. We both laugh.

“This piece is going to be all about body awareness for you,” he says. “Relax.”

The trouble with trying harder is that it often makes us think about the result rather than the process. It seduces us into believing we’re in total control. It obliterates Now and shifts our focus to a Next that may never come.

This is why I’ve been turning to St. Jane de Chantal and her Prayer of Abandonment for help in not only my spiritual life but also my musical life. An excerpt:

I am determined to leave all to Thee, taking no part therein save by keeping myself in peace in Thy arms, desiring nothing except as Thou incitest me to desire, to will, to wish.

There’s no Next without Now—and we can’t focus on Now unless we practice abandonment. When we let go and embrace Now with all its risks and imperfections, we can finally enjoy that crucial moment of intense silence before the first downbeat or exploit that bold new possibility that presents itself during an organ improvisation.

It has little to do with trying harder. Fall forward, fall forward. 

Your Redemption Is at Hand

I wake up on Saturday morning to aching calves—but they’re not sore enough to stop me from practicing Bach.

In an empty church, I tell myself I don’t care about the right notes. There’s nobody here but God, Who will be neither impressed by a perfect rendition nor offended by mistakes.

As I focus on relaxing my right hand, I’m startled to realize that my feet are pedaling correctly without my permission. The seamless multitasking throws me off, and I stop.

Don’t think, I tell myself. Fall forward.

We’re all falling forward into a new year, and as always, liturgy is the best teacher. One week after the end of the world, we begin Advent with new hope:

Men withering away for fear, and expectation of what shall come upon the whole world. For the powers of heaven shall be moved; And then they shall see the Son of man coming in a cloud, with great power and majesty. But when these things begin to come to pass, look up, and lift up your heads, because your redemption is at hand. (Lk. 21: 26-28)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Mass, Traditional Latin Mass Tridentine Rite Last Updated: November 24, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“…I started down the road of the liturgy, and this became a continuous process of growth into a grand reality transcending all particular individuals and generations, a reality that became an occasion for me of ever-new amazement and discovery. The incredible reality of the Catholic liturgy has accompanied me through all phases of life, and so I shall have to speak of it time and again.”

— Joseph Cardinal Ratzinger

Recent Posts

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  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!

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