• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

St. Matthew, St. Jane, and the End of a Liturgical Year

Keven Smith · November 23, 2020


‘M OUT FOR ANOTHER Friday morning run. I feel tense until I remind myself to settle into a comfortable rhythm. My favorite running book says to fall forward, let the ground drag the legs backward, and then pick up each foot at the back end of a stride. The idea is to expend as little effort as possible and let gravity—a force with which we can’t negotiate—do the work for you. Do it right, and you won’t experience any soreness from your run.

Fall forward, fall forward. I think I’m doing it right. But I often catch myself trying.

Never Waste a Tribulation

Another liturgical year is coming to an end. One of the neat things about being Catholic is that New Year’s comes early and quietly. (It’s hard not to mock the commonly held notion that life will somehow be different when we wake up on January 1—and it’s going to be unbearable to read social media posts that day from people who think that a sinister force called 2020 is now powerless against them.)

In the 1962 missal, the Last Sunday after Pentecost takes its Gospel reading from St. Matthew chapter 24. The abomination of desolation. The end of the world. This reading is clear about the trials we’ll have to accept if we’re still here for the Second Coming. There’s no mention of earning our way out of it. Even the elect will suffer:

For there shall be then great tribulation, such as hath not been from the beginning of the world until now, neither shall be. And unless those days had been shortened, no flesh should be saved: but for the sake of the elect those days shall be shortened. (Mt. 24: 21-22)

We’ve endured a liturgical year full of tribulations that God allowed. Our music programs were interrupted, scaled-down, and abnormal. Of course, dwelling on these challenges would be like cursing gravity for pulling us down on our morning run. God’s permissive will is like gravity: it never rests, and we can’t change it, so we might as well figure out how to work with it in ways that benefit us.

None of this is to say we shouldn’t fight back when officials violate our rights under the guise of public safety. But in the end, God will allow us to endure certain trials for our salvation. How, then, can we master ourselves to the point that we may enjoy the fruits of these trials?

Try This Prayer by St. Jane de Chantal

In my second organ lesson with my new teacher, I’m playing through Bach’s Nun Komm der Heiden Heiland (BWV 599). It’s not a difficult piece for experienced organists, but it hits many of my weaknesses as a beginner. At one point, I hear an unplanned dissonance and pause to figure out why.

“It’s the pedal,” my teacher says. “But take a look at your right hand.” It’s locked in a death grip as I hold a chord. We both laugh.

“This piece is going to be all about body awareness for you,” he says. “Relax.”

The trouble with trying harder is that it often makes us think about the result rather than the process. It seduces us into believing we’re in total control. It obliterates Now and shifts our focus to a Next that may never come.

This is why I’ve been turning to St. Jane de Chantal and her Prayer of Abandonment for help in not only my spiritual life but also my musical life. An excerpt:

I am determined to leave all to Thee, taking no part therein save by keeping myself in peace in Thy arms, desiring nothing except as Thou incitest me to desire, to will, to wish.

There’s no Next without Now—and we can’t focus on Now unless we practice abandonment. When we let go and embrace Now with all its risks and imperfections, we can finally enjoy that crucial moment of intense silence before the first downbeat or exploit that bold new possibility that presents itself during an organ improvisation.

It has little to do with trying harder. Fall forward, fall forward. 

Your Redemption Is at Hand

I wake up on Saturday morning to aching calves—but they’re not sore enough to stop me from practicing Bach.

In an empty church, I tell myself I don’t care about the right notes. There’s nobody here but God, Who will be neither impressed by a perfect rendition nor offended by mistakes.

As I focus on relaxing my right hand, I’m startled to realize that my feet are pedaling correctly without my permission. The seamless multitasking throws me off, and I stop.

Don’t think, I tell myself. Fall forward.

We’re all falling forward into a new year, and as always, liturgy is the best teacher. One week after the end of the world, we begin Advent with new hope:

Men withering away for fear, and expectation of what shall come upon the whole world. For the powers of heaven shall be moved; And then they shall see the Son of man coming in a cloud, with great power and majesty. But when these things begin to come to pass, look up, and lift up your heads, because your redemption is at hand. (Lk. 21: 26-28)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Mass, Traditional Latin Mass Tridentine Rite Last Updated: November 24, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    💲 5.00 💵
    Our tiny 501(c)3 nonprofit organization exists solely by generous readers who donate $5.00 per month. We have no endowment; we have no major donors; we run no advertisements; we have no savings. A donor wrote to us: “I so appreciate all you do and have done, and your generosity is unprecedented. I am honored to be able to make a monthly contribution.” Another monthly donor says: “Thank you for everything CC Watershed does. We are able to add so much solemnity to Holy Mass due to the resources made available here.” Can you spare a few dollars each month to help us survive?
    —Corpus Christi Watershed
    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

Recent Posts

  • “Reminder” — Month of Febr. (2026)
  • Seminary Music Directors Gather in Houston
  • 💲 5.00 💵
  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.