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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

St. Matthew, St. Jane, and the End of a Liturgical Year

Keven Smith · November 23, 2020


‘M OUT FOR ANOTHER Friday morning run. I feel tense until I remind myself to settle into a comfortable rhythm. My favorite running book says to fall forward, let the ground drag the legs backward, and then pick up each foot at the back end of a stride. The idea is to expend as little effort as possible and let gravity—a force with which we can’t negotiate—do the work for you. Do it right, and you won’t experience any soreness from your run.

Fall forward, fall forward. I think I’m doing it right. But I often catch myself trying.

Never Waste a Tribulation

Another liturgical year is coming to an end. One of the neat things about being Catholic is that New Year’s comes early and quietly. (It’s hard not to mock the commonly held notion that life will somehow be different when we wake up on January 1—and it’s going to be unbearable to read social media posts that day from people who think that a sinister force called 2020 is now powerless against them.)

In the 1962 missal, the Last Sunday after Pentecost takes its Gospel reading from St. Matthew chapter 24. The abomination of desolation. The end of the world. This reading is clear about the trials we’ll have to accept if we’re still here for the Second Coming. There’s no mention of earning our way out of it. Even the elect will suffer:

For there shall be then great tribulation, such as hath not been from the beginning of the world until now, neither shall be. And unless those days had been shortened, no flesh should be saved: but for the sake of the elect those days shall be shortened. (Mt. 24: 21-22)

We’ve endured a liturgical year full of tribulations that God allowed. Our music programs were interrupted, scaled-down, and abnormal. Of course, dwelling on these challenges would be like cursing gravity for pulling us down on our morning run. God’s permissive will is like gravity: it never rests, and we can’t change it, so we might as well figure out how to work with it in ways that benefit us.

None of this is to say we shouldn’t fight back when officials violate our rights under the guise of public safety. But in the end, God will allow us to endure certain trials for our salvation. How, then, can we master ourselves to the point that we may enjoy the fruits of these trials?

Try This Prayer by St. Jane de Chantal

In my second organ lesson with my new teacher, I’m playing through Bach’s Nun Komm der Heiden Heiland (BWV 599). It’s not a difficult piece for experienced organists, but it hits many of my weaknesses as a beginner. At one point, I hear an unplanned dissonance and pause to figure out why.

“It’s the pedal,” my teacher says. “But take a look at your right hand.” It’s locked in a death grip as I hold a chord. We both laugh.

“This piece is going to be all about body awareness for you,” he says. “Relax.”

The trouble with trying harder is that it often makes us think about the result rather than the process. It seduces us into believing we’re in total control. It obliterates Now and shifts our focus to a Next that may never come.

This is why I’ve been turning to St. Jane de Chantal and her Prayer of Abandonment for help in not only my spiritual life but also my musical life. An excerpt:

I am determined to leave all to Thee, taking no part therein save by keeping myself in peace in Thy arms, desiring nothing except as Thou incitest me to desire, to will, to wish.

There’s no Next without Now—and we can’t focus on Now unless we practice abandonment. When we let go and embrace Now with all its risks and imperfections, we can finally enjoy that crucial moment of intense silence before the first downbeat or exploit that bold new possibility that presents itself during an organ improvisation.

It has little to do with trying harder. Fall forward, fall forward. 

Your Redemption Is at Hand

I wake up on Saturday morning to aching calves—but they’re not sore enough to stop me from practicing Bach.

In an empty church, I tell myself I don’t care about the right notes. There’s nobody here but God, Who will be neither impressed by a perfect rendition nor offended by mistakes.

As I focus on relaxing my right hand, I’m startled to realize that my feet are pedaling correctly without my permission. The seamless multitasking throws me off, and I stop.

Don’t think, I tell myself. Fall forward.

We’re all falling forward into a new year, and as always, liturgy is the best teacher. One week after the end of the world, we begin Advent with new hope:

Men withering away for fear, and expectation of what shall come upon the whole world. For the powers of heaven shall be moved; And then they shall see the Son of man coming in a cloud, with great power and majesty. But when these things begin to come to pass, look up, and lift up your heads, because your redemption is at hand. (Lk. 21: 26-28)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Latin Mass, Traditional Latin Mass Tridentine Rite Last Updated: November 24, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“To speak the language of God’s beauty, we must first begin to listen. And to listen, we must have silence in our lives. I pray that God will open our eyes and ears to beauty, and help us use it in the service of the Truth.”

— Bishop James D. Conley (10/4/2013)

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