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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Simple (Yet Gorgeous) Polyphonic Funeral Mass

Jeff Ostrowski · October 23, 2020

HEN YOUNG CHURCH MUSICIANS emerge from the conservatory, they are filled with zeal. I wanted to sing every polyphonic piece ever written: Manchicourt, Pierre de la Rue, Marenzio, Lassus, Guerrero, Palestrina, the brothers Nanino, and so forth. I hated repeating pieces too frequently because I always wanted to be learning something new. 1 But one eventually realizes that pieces must be rehearsed repeatedly (even with professional singers) before the tuning “clicks”—perhaps because someone enjoying sight-reading can’t focus 100% on intonation. A mature choirmaster realizes that it is often better to sing a “simple” Mass setting, rather than a very difficult one. Shortly before the death of Pope Pius XII, the Sacred Congregation for Rites issued De musica sacra et sacra liturgia (3 September 1958):

“In general, it is better to do something well on a small scale than to attempt something elaborate without sufficient resources to do it properly.”—§60a

That, my friends, is the raison d’etre for this extremely simple yet absolutely gorgeous setting of the Requiem Mass: KYRIE, SANCTUS-HOSANNA, BENEDICTUS-HOSANNA, and AGNUS DEI. It is basically the same piece repeated five times:

If you have ever attended a Solemn Requiem Mass, you will never forget it. The holiness of the prayers—truly marvelous. The black vestments in particular are so very powerful. I have seen black & gold vestments, but my absolute favorite is black & silver. Stunning! The Requiem Mass demands a distinctive musical setting; an “ordinary” Ordinary won’t do…and please pardon the pun!

Requiem • “Kyrie Eleison”

*  PDF Download • REQUIEM KYRIE (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Sanctus & Benedictus”

*  PDF Download • REQUIEM SANCTUS (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Agnus Dei”

*  PDF Download • REQUIEM AGNUS DEI (Simple)
—After a manuscript (circa 1310AD) in the Worcester Cathedral Library.

EQUAL VOICES : YouTube   •   Mp3 Labeled
TOP : YouTube   •   Mp3 Labeled
MIDDLE : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

* You can hear how this Agnus Dei sounds in real life by listening to this live recording from a Funeral.

See also: #88089 — 3-part Medieval “Worcester” Agnus Dei

74094-Simple-Requiem-KYRIE
74094-Simple-Requiem-SANCTUS
74094-Simple-Requiem-AGNUS

 


NOTES FROM THIS ARTICLE:

1   Such an attitude is natural and healthy for a young choirmaster.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Missa Pro Defunctis, Officium Defunctorum, Requiem Mass, Tomas Luis de Victoria Composer Last Updated: July 22, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026
  • “Rare Photographs” • Hannibal Bugnini

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