• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

PDF Download • Extremely Simple (Yet Gorgeous) Polyphonic Funeral Mass

Jeff Ostrowski · October 23, 2020

HEN YOUNG CHURCH MUSICIANS emerge from the conservatory, they are filled with zeal. I wanted to sing every polyphonic piece ever written: Manchicourt, Pierre de la Rue, Marenzio, Lassus, Guerrero, Palestrina, the brothers Nanino, and so forth. I hated repeating pieces too frequently because I always wanted to be learning something new. 1 But one eventually realizes that pieces must be rehearsed repeatedly (even with professional singers) before the tuning “clicks”—perhaps because someone enjoying sight-reading can’t focus 100% on intonation. A mature choirmaster realizes that it is often better to sing a “simple” Mass setting, rather than a very difficult one. Shortly before the death of Pope Pius XII, the Sacred Congregation for Rites issued De musica sacra et sacra liturgia (3 September 1958):

“In general, it is better to do something well on a small scale than to attempt something elaborate without sufficient resources to do it properly.”—§60a

That, my friends, is the raison d’etre for this extremely simple yet absolutely gorgeous setting of the Requiem Mass: KYRIE, SANCTUS-HOSANNA, BENEDICTUS-HOSANNA, and AGNUS DEI. It is basically the same piece repeated five times:

If you have ever attended a Solemn Requiem Mass, you will never forget it. The holiness of the prayers—truly marvelous. The black vestments in particular are so very powerful. I have seen black & gold vestments, but my absolute favorite is black & silver. Stunning! The Requiem Mass demands a distinctive musical setting; an “ordinary” Ordinary won’t do…and please pardon the pun!

Requiem • “Kyrie Eleison”

*  PDF Download • REQUIEM KYRIE (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Sanctus & Benedictus”

*  PDF Download • REQUIEM SANCTUS (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Agnus Dei”

*  PDF Download • REQUIEM AGNUS DEI (Simple)
—After a manuscript (circa 1310AD) in the Worcester Cathedral Library.

EQUAL VOICES : YouTube   •   Mp3 Labeled
TOP : YouTube   •   Mp3 Labeled
MIDDLE : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

* You can hear how this Agnus Dei sounds in real life by listening to this live recording from a Funeral.

See also: #88089 — 3-part Medieval “Worcester” Agnus Dei

74094-Simple-Requiem-KYRIE
74094-Simple-Requiem-SANCTUS
74094-Simple-Requiem-AGNUS

 


NOTES FROM THIS ARTICLE:

1   Such an attitude is natural and healthy for a young choirmaster.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

Filed Under: Articles, PDF Download Tagged With: Missa Pro Defunctis, Officium Defunctorum, Requiem Mass, Tomas Luis de Victoria Composer Last Updated: July 22, 2023

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“The Saint Jean de Brébeuf Hymnal will undoubtedly enrich liturgical life at the parish level by making accessible these ancient, noble, and theologically-rich Catholic hymns, translated into English in quite a beautiful way.”

— Rev. Fr. John Berg (Superior General, Priestly Fraternity of Saint Peter) 30-NOV-2018

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.