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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Simple (Yet Gorgeous) Polyphonic Funeral Mass

Jeff Ostrowski · October 23, 2020

HEN YOUNG CHURCH MUSICIANS emerge from the conservatory, they are filled with zeal. I wanted to sing every polyphonic piece ever written: Manchicourt, Pierre de la Rue, Marenzio, Lassus, Guerrero, Palestrina, the brothers Nanino, and so forth. I hated repeating pieces too frequently because I always wanted to be learning something new. 1 But one eventually realizes that pieces must be rehearsed repeatedly (even with professional singers) before the tuning “clicks”—perhaps because someone enjoying sight-reading can’t focus 100% on intonation. A mature choirmaster realizes that it is often better to sing a “simple” Mass setting, rather than a very difficult one. Shortly before the death of Pope Pius XII, the Sacred Congregation for Rites issued De musica sacra et sacra liturgia (3 September 1958):

“In general, it is better to do something well on a small scale than to attempt something elaborate without sufficient resources to do it properly.”—§60a

That, my friends, is the raison d’etre for this extremely simple yet absolutely gorgeous setting of the Requiem Mass: KYRIE, SANCTUS-HOSANNA, BENEDICTUS-HOSANNA, and AGNUS DEI. It is basically the same piece repeated five times:

If you have ever attended a Solemn Requiem Mass, you will never forget it. The holiness of the prayers—truly marvelous. The black vestments in particular are so very powerful. I have seen black & gold vestments, but my absolute favorite is black & silver. Stunning! The Requiem Mass demands a distinctive musical setting; an “ordinary” Ordinary won’t do…and please pardon the pun!

Requiem • “Kyrie Eleison”

*  PDF Download • REQUIEM KYRIE (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Sanctus & Benedictus”

*  PDF Download • REQUIEM SANCTUS (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Agnus Dei”

*  PDF Download • REQUIEM AGNUS DEI (Simple)
—After a manuscript (circa 1310AD) in the Worcester Cathedral Library.

EQUAL VOICES : YouTube   •   Mp3 Labeled
TOP : YouTube   •   Mp3 Labeled
MIDDLE : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

* You can hear how this Agnus Dei sounds in real life by listening to this live recording from a Funeral.

See also: #88089 — 3-part Medieval “Worcester” Agnus Dei

74094-Simple-Requiem-KYRIE
74094-Simple-Requiem-SANCTUS
74094-Simple-Requiem-AGNUS

 


NOTES FROM THIS ARTICLE:

1   Such an attitude is natural and healthy for a young choirmaster.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Missa Pro Defunctis, Officium Defunctorum, Requiem Mass, Tomas Luis de Victoria Composer Last Updated: July 22, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

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