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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Simple (Yet Gorgeous) Polyphonic Funeral Mass

Jeff Ostrowski · October 23, 2020

HEN YOUNG CHURCH MUSICIANS emerge from the conservatory, they are filled with zeal. I wanted to sing every polyphonic piece ever written: Manchicourt, Pierre de la Rue, Marenzio, Lassus, Guerrero, Palestrina, the brothers Nanino, and so forth. I hated repeating pieces too frequently because I always wanted to be learning something new. 1 But one eventually realizes that pieces must be rehearsed repeatedly (even with professional singers) before the tuning “clicks”—perhaps because someone enjoying sight-reading can’t focus 100% on intonation. A mature choirmaster realizes that it is often better to sing a “simple” Mass setting, rather than a very difficult one. Shortly before the death of Pope Pius XII, the Sacred Congregation for Rites issued De musica sacra et sacra liturgia (3 September 1958):

“In general, it is better to do something well on a small scale than to attempt something elaborate without sufficient resources to do it properly.”—§60a

That, my friends, is the raison d’etre for this extremely simple yet absolutely gorgeous setting of the Requiem Mass: KYRIE, SANCTUS-HOSANNA, BENEDICTUS-HOSANNA, and AGNUS DEI. It is basically the same piece repeated five times:

If you have ever attended a Solemn Requiem Mass, you will never forget it. The holiness of the prayers—truly marvelous. The black vestments in particular are so very powerful. I have seen black & gold vestments, but my absolute favorite is black & silver. Stunning! The Requiem Mass demands a distinctive musical setting; an “ordinary” Ordinary won’t do…and please pardon the pun!

Requiem • “Kyrie Eleison”

*  PDF Download • REQUIEM KYRIE (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Sanctus & Benedictus”

*  PDF Download • REQUIEM SANCTUS (Simple)
—After “Missa pro defunctis” (1605AD) by Father Tomás Luis de Victoria (d. 1611).

The following rehearsal videos were recorded by one person—Jeff Ostrowski—and he apologizes for the poor singing quality, but they were meant for rehearsal only.

EQUAL VOICES : YouTube   •   Mp3 Labeled
1st SOPRANO : YouTube   •   Mp3 Labeled
2nd SOPRANO : YouTube   •   Mp3 Labeled
ALTO : YouTube   •   Mp3 Labeled
1st TENOR : YouTube   •   Mp3 Labeled
2nd TENOR : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

Requiem • “Agnus Dei”

*  PDF Download • REQUIEM AGNUS DEI (Simple)
—After a manuscript (circa 1310AD) in the Worcester Cathedral Library.

EQUAL VOICES : YouTube   •   Mp3 Labeled
TOP : YouTube   •   Mp3 Labeled
MIDDLE : YouTube   •   Mp3 Labeled
BASS : YouTube   •   Mp3 Labeled

* You can hear how this Agnus Dei sounds in real life by listening to this live recording from a Funeral.

See also: #88089 — 3-part Medieval “Worcester” Agnus Dei

74094-Simple-Requiem-KYRIE
74094-Simple-Requiem-SANCTUS
74094-Simple-Requiem-AGNUS

 


NOTES FROM THIS ARTICLE:

1   Such an attitude is natural and healthy for a young choirmaster.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Missa Pro Defunctis, Officium Defunctorum, Requiem Mass, Tomas Luis de Victoria Composer Last Updated: July 22, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Benedict XVI in particular felt it was wrong to prohibit the celebration of Mass in the ancient rite in parish churches, as it is always dangerous to corner a group of faithful so as to make them feel persecuted and to inspire in them a sense of having to safeguard their identity at all costs in the face of the “enemy.”

— Archbishop Georg Gänswein

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