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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How to Stay Prayerful as a Church Musician

Keven Smith · October 13, 2020

ITHOUT QUESTION, it’s a struggle every church musician faces: trying to remain prayerful at Mass while also providing the music for Mass. For us choir directors, the situation is even more intense. We must divide our attention amongst perhaps 20 or 30 people while we strive to follow the liturgical action and remain in communication with God.

I’ve heard various suggestions on how to overcome this challenge, and all of them are good:

  • Remember to pray the text you’re singing.
  • Look over your missal before Mass so you can begin to connect with the contents of that liturgy.
  • Work extra hard in rehearsal and personal practice so that the music will feel easier—and take up less of your focus—on Sunday.
  • Maintain a spirit of detachment from your work, so that you won’t be tempted to view Mass as a performance.

I can recall our President of Corpus Christi Watershed, Jeff Ostrowski, advising church musicians to designate one Sunday Mass as their “own” Mass to simply sit in the pew and worship. This, too, is a very helpful suggestion. But some musicians may find this approach impossible due to their family life, parish Mass schedule, or the fact that they are involved in the music at every single Mass their parish offers.

And regardless of whether one can set aside a “personal” Mass, I think we all want to avoid having any Mass feel more like work than a participation in the sacred. It’s a struggle that can cause a great deal of anxiety for any Catholic who has high spiritual and musical standards.

An Unlikely Solution to a Common Problem

I’ve found that the answer lies in focusing not on what I do at Mass, but on what I do with the rest of my waking hours. It all boils down to recollection.

When we stay recollected, we remain aware of God’s presence in our soul. While it’s doubtful that anyone manages to think of God every minute of every day, the goal is to remain in constant conversation with Him.

I’ve found that if I fall into the bad habit of letting my busy life take over and only communicating with God during designated prayer time, it’s very difficult to suddenly flip on the “prayer time” switch when a sung Mass begins. But if I’ve been doing a good job of communicating with God throughout the day, then He doesn’t feel so far away when I begin playing or singing a Mass.

These were things I found hard to articulate until I recently read a wonderful little book: The Practice of the Presence of God. The book is made up of conversations with, and letters by, one Brother Lawrence, a lay brother with the barefooted Carmelites in Paris in the late seventeenth century.

Little more than a pamphlet, this book would be easy to dismiss as too “simple.” But that’s the genius of it. In just 39 pages, Brother Lawrence describes his spiritual life in terms that anyone can understand. For example:

“[A]ll consists in one hearty renunciation of everything which we are sensible does not lead to GOD; that we might accustom ourselves to a continual conversation with Him, with freedom and in simplicity. That we need only to recognize GOD intimately present with us, to address ourselves to Him every moment, that we may beg His assistance for knowing His will in things doubtful, and for rightly performing those which we plainly see He requires of us, offering them to Him before we do them, and giving Him thanks when we have done.”

Sounds like a good plan for anyone who’s singing Mass this Sunday! But here are the passages that really hit me—paragraphs in which the book’s compiler describes Brother Lawrence’s prayer life:

“[P]rayer was nothing else but a sense of the presence of GOD, his soul being at that time insensible to everything but Divine love; and that when the appointed times of prayer were past, he found no difference, because he still continued with GOD, praising and blessing Him with all his might, so that he passed his life in continual joy….”

And:

“[W]ith him the set times of prayer were not different from other times; that he retired to pray, according to the directions of his Superior, but that he did not want such retirement, nor ask for it, because his greatest business did not divert him from GOD.”

So, for Brother Lawrence, work time flowed into prayer time and vice versa. They were all times of recollection. Now, we church musicians in the modern world may find it difficult to achieve this degree of recollection as we juggle church music with family life and perhaps a day job. But it’s encouraging to think that perhaps, with some consistent effort, we can remain just as recollected during a sung Mass as we would be during an hour spent silently adoring the Eucharist.

Your Computer Can Help You Stay Recollected. No, Really!

At the risk of seeming eccentric, I’ll share one final tip with you. When I’m not directing our choir and playing organ, I work as a freelance writer. Between that and preparing for rehearsals and music classes, I spend many hours at the computer. It’s easy to get glued to the screen and forget that God is present. So I’ve configured an app to pop up and remind me to stay recollected. Every 10 minutes, I see a little message for 10 seconds. That means I’m giving God one minute for every hour I spend at the computer—certainly not an amount of time that will cause me to miss deadlines.

That annoying little popup has made such a difference! But if it’s too weird for you, at least check out the Brother Lawrence book. You won’t be sorry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: recollection Last Updated: October 13, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

Recent Posts

  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)
  • Music List • (5th Sunday of Lent)
  • Music List • (Holy Thursday, 2026)
  • “O Escam Viatorum” • (Holy Thursday)

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