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Views from the Choir Loft

How to Stay Prayerful as a Church Musician

Keven Smith · October 13, 2020

ITHOUT QUESTION, it’s a struggle every church musician faces: trying to remain prayerful at Mass while also providing the music for Mass. For us choir directors, the situation is even more intense. We must divide our attention amongst perhaps 20 or 30 people while we strive to follow the liturgical action and remain in communication with God.

I’ve heard various suggestions on how to overcome this challenge, and all of them are good:

  • Remember to pray the text you’re singing.
  • Look over your missal before Mass so you can begin to connect with the contents of that liturgy.
  • Work extra hard in rehearsal and personal practice so that the music will feel easier—and take up less of your focus—on Sunday.
  • Maintain a spirit of detachment from your work, so that you won’t be tempted to view Mass as a performance.

I can recall our President of Corpus Christi Watershed, Jeff Ostrowski, advising church musicians to designate one Sunday Mass as their “own” Mass to simply sit in the pew and worship. This, too, is a very helpful suggestion. But some musicians may find this approach impossible due to their family life, parish Mass schedule, or the fact that they are involved in the music at every single Mass their parish offers.

And regardless of whether one can set aside a “personal” Mass, I think we all want to avoid having any Mass feel more like work than a participation in the sacred. It’s a struggle that can cause a great deal of anxiety for any Catholic who has high spiritual and musical standards.

An Unlikely Solution to a Common Problem

I’ve found that the answer lies in focusing not on what I do at Mass, but on what I do with the rest of my waking hours. It all boils down to recollection.

When we stay recollected, we remain aware of God’s presence in our soul. While it’s doubtful that anyone manages to think of God every minute of every day, the goal is to remain in constant conversation with Him.

I’ve found that if I fall into the bad habit of letting my busy life take over and only communicating with God during designated prayer time, it’s very difficult to suddenly flip on the “prayer time” switch when a sung Mass begins. But if I’ve been doing a good job of communicating with God throughout the day, then He doesn’t feel so far away when I begin playing or singing a Mass.

These were things I found hard to articulate until I recently read a wonderful little book: The Practice of the Presence of God. The book is made up of conversations with, and letters by, one Brother Lawrence, a lay brother with the barefooted Carmelites in Paris in the late seventeenth century.

Little more than a pamphlet, this book would be easy to dismiss as too “simple.” But that’s the genius of it. In just 39 pages, Brother Lawrence describes his spiritual life in terms that anyone can understand. For example:

“[A]ll consists in one hearty renunciation of everything which we are sensible does not lead to GOD; that we might accustom ourselves to a continual conversation with Him, with freedom and in simplicity. That we need only to recognize GOD intimately present with us, to address ourselves to Him every moment, that we may beg His assistance for knowing His will in things doubtful, and for rightly performing those which we plainly see He requires of us, offering them to Him before we do them, and giving Him thanks when we have done.”

Sounds like a good plan for anyone who’s singing Mass this Sunday! But here are the passages that really hit me—paragraphs in which the book’s compiler describes Brother Lawrence’s prayer life:

“[P]rayer was nothing else but a sense of the presence of GOD, his soul being at that time insensible to everything but Divine love; and that when the appointed times of prayer were past, he found no difference, because he still continued with GOD, praising and blessing Him with all his might, so that he passed his life in continual joy….”

And:

“[W]ith him the set times of prayer were not different from other times; that he retired to pray, according to the directions of his Superior, but that he did not want such retirement, nor ask for it, because his greatest business did not divert him from GOD.”

So, for Brother Lawrence, work time flowed into prayer time and vice versa. They were all times of recollection. Now, we church musicians in the modern world may find it difficult to achieve this degree of recollection as we juggle church music with family life and perhaps a day job. But it’s encouraging to think that perhaps, with some consistent effort, we can remain just as recollected during a sung Mass as we would be during an hour spent silently adoring the Eucharist.

Your Computer Can Help You Stay Recollected. No, Really!

At the risk of seeming eccentric, I’ll share one final tip with you. When I’m not directing our choir and playing organ, I work as a freelance writer. Between that and preparing for rehearsals and music classes, I spend many hours at the computer. It’s easy to get glued to the screen and forget that God is present. So I’ve configured an app to pop up and remind me to stay recollected. Every 10 minutes, I see a little message for 10 seconds. That means I’m giving God one minute for every hour I spend at the computer—certainly not an amount of time that will cause me to miss deadlines.

That annoying little popup has made such a difference! But if it’s too weird for you, at least check out the Brother Lawrence book. You won’t be sorry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: recollection Last Updated: October 13, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

Recent Posts

  • Urgent! • We Desperately Need Funds!
  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?

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