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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How to Stay Prayerful as a Church Musician

Keven Smith · October 13, 2020

ITHOUT QUESTION, it’s a struggle every church musician faces: trying to remain prayerful at Mass while also providing the music for Mass. For us choir directors, the situation is even more intense. We must divide our attention amongst perhaps 20 or 30 people while we strive to follow the liturgical action and remain in communication with God.

I’ve heard various suggestions on how to overcome this challenge, and all of them are good:

  • Remember to pray the text you’re singing.
  • Look over your missal before Mass so you can begin to connect with the contents of that liturgy.
  • Work extra hard in rehearsal and personal practice so that the music will feel easier—and take up less of your focus—on Sunday.
  • Maintain a spirit of detachment from your work, so that you won’t be tempted to view Mass as a performance.

I can recall our President of Corpus Christi Watershed, Jeff Ostrowski, advising church musicians to designate one Sunday Mass as their “own” Mass to simply sit in the pew and worship. This, too, is a very helpful suggestion. But some musicians may find this approach impossible due to their family life, parish Mass schedule, or the fact that they are involved in the music at every single Mass their parish offers.

And regardless of whether one can set aside a “personal” Mass, I think we all want to avoid having any Mass feel more like work than a participation in the sacred. It’s a struggle that can cause a great deal of anxiety for any Catholic who has high spiritual and musical standards.

An Unlikely Solution to a Common Problem

I’ve found that the answer lies in focusing not on what I do at Mass, but on what I do with the rest of my waking hours. It all boils down to recollection.

When we stay recollected, we remain aware of God’s presence in our soul. While it’s doubtful that anyone manages to think of God every minute of every day, the goal is to remain in constant conversation with Him.

I’ve found that if I fall into the bad habit of letting my busy life take over and only communicating with God during designated prayer time, it’s very difficult to suddenly flip on the “prayer time” switch when a sung Mass begins. But if I’ve been doing a good job of communicating with God throughout the day, then He doesn’t feel so far away when I begin playing or singing a Mass.

These were things I found hard to articulate until I recently read a wonderful little book: The Practice of the Presence of God. The book is made up of conversations with, and letters by, one Brother Lawrence, a lay brother with the barefooted Carmelites in Paris in the late seventeenth century.

Little more than a pamphlet, this book would be easy to dismiss as too “simple.” But that’s the genius of it. In just 39 pages, Brother Lawrence describes his spiritual life in terms that anyone can understand. For example:

“[A]ll consists in one hearty renunciation of everything which we are sensible does not lead to GOD; that we might accustom ourselves to a continual conversation with Him, with freedom and in simplicity. That we need only to recognize GOD intimately present with us, to address ourselves to Him every moment, that we may beg His assistance for knowing His will in things doubtful, and for rightly performing those which we plainly see He requires of us, offering them to Him before we do them, and giving Him thanks when we have done.”

Sounds like a good plan for anyone who’s singing Mass this Sunday! But here are the passages that really hit me—paragraphs in which the book’s compiler describes Brother Lawrence’s prayer life:

“[P]rayer was nothing else but a sense of the presence of GOD, his soul being at that time insensible to everything but Divine love; and that when the appointed times of prayer were past, he found no difference, because he still continued with GOD, praising and blessing Him with all his might, so that he passed his life in continual joy….”

And:

“[W]ith him the set times of prayer were not different from other times; that he retired to pray, according to the directions of his Superior, but that he did not want such retirement, nor ask for it, because his greatest business did not divert him from GOD.”

So, for Brother Lawrence, work time flowed into prayer time and vice versa. They were all times of recollection. Now, we church musicians in the modern world may find it difficult to achieve this degree of recollection as we juggle church music with family life and perhaps a day job. But it’s encouraging to think that perhaps, with some consistent effort, we can remain just as recollected during a sung Mass as we would be during an hour spent silently adoring the Eucharist.

Your Computer Can Help You Stay Recollected. No, Really!

At the risk of seeming eccentric, I’ll share one final tip with you. When I’m not directing our choir and playing organ, I work as a freelance writer. Between that and preparing for rehearsals and music classes, I spend many hours at the computer. It’s easy to get glued to the screen and forget that God is present. So I’ve configured an app to pop up and remind me to stay recollected. Every 10 minutes, I see a little message for 10 seconds. That means I’m giving God one minute for every hour I spend at the computer—certainly not an amount of time that will cause me to miss deadlines.

That annoying little popup has made such a difference! But if it’s too weird for you, at least check out the Brother Lawrence book. You won’t be sorry.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: recollection Last Updated: October 13, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

The literal translation: “Lord, have mercy—Christ, have mercy,” does not offer much material for an acceptable song text. The words, not having any feminine syllables, are abrupt; the sounds are almost all muted and colorless; the rhythmic flow is too brief. So many people may prefer responses that further extend the song of the assembly, e.g., “Have pity on us, Lord” or “Pardon us and change our hearts.

— J. Gelineau attacking the KYRIE ELEYSON (page 64 in “Learning to Celebrate,” 1985)

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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