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Views from the Choir Loft

PDF Download • Communion Antiphon (Mt 16:24) with Organ Accompaniment

Jeff Ostrowski · October 8, 2020

OT LONG AGO, I had the pleasure of introducing a Church music project which is the handiwork of a former student of mine. She and several others have come together to compose vernacular settings for the ROMAN GRADUAL according to the principles of Organum Comitans ad Graduale Sacrosanctae Romanae Ecclesiae by Aloys Desmet (d. 1917) and Oscar Depuydt (d. 1925). These young musicians call themselves the Chaumonot Composers Group, and are currently in search of a publisher. 1

Here is another example of their work, shared with permission:

*  PDF Download • Communion Song (Ordinary Time)
—From the Graduale Romanum, 24th Sunday in Ordinary Time, Year B (Matthew 16:24).

I made a recording on my toy organ:

*  Mp3 File • Recorded on a Toy Organ

…just remember, I never claimed to have a ‘trained’ singing voice!

Caveat auditor!

ERE I CURRENTLY serving as choirmaster in an Ordinary Form parish with multiple Sunday Masses, I would probably find four excellent Communion antiphons like this one and—for Sunday Masses without a choir, such as 5:00PM—rotate them as follows: (a) First Sunday of the month; (b) Second Sunday of the month; (c) Third Sunday of the month; (d) Fourth Sunday of the month. I think it’s good to have members of the congregation repeat an important verse from Sacred Scripture over and over, so they can have “bits and pieces” to meditate on throughout their lives. As Father Valentine Young used to say: “The parts of Scripture I like best are those parts I am most familiar with.” This text is the Communion Antiphon (from the ROMAN GRADUAL) for the 24th Sunday in Ordinary Time, Year B; but it can also be used for any Sunday during Ordinary Time, 2 as you can see:

In omnibus Missis de Tempore eligi potest pro opportunitate, loco cuiusvis cantus diei proprii, alius ex eodem tempore.
Translation: “In all Masses of the Time it is permitted to replace the proper chant of the day with another belonging to the same season.”

These are the official rules for the Ordinary Form, signed by Archbishop Annibale Bugnini on 24 June 1972:

Importance of the Roman Gradual

Section 190 of the document “Sing to the Lord” (USCCB, 2007) says:

There are several options for the Communion song or chant, including the proper antiphon from the Graduale Romanum, a seasonal antiphon from the Graduale Simplex, an antiphon and psalm from a collection approved for liturgical use, or another appropriate liturgical song.

For the record, the “original translation from the Latin” found in the British Antiphonal added the words “says the Lord,” inexplicably:

Whoever wishes to come after me,
let him deny himself
and take up his cross and follow me,
says the Lord.

If they are trying to reproduce what’s in the Graduale Romanum, it’s difficult for me to understand why they would add things which are not found in the ancient Proprium Missae.

 


NOTES FROM THIS ARTICLE:

1   This is similar to what we’ve seen with the Brébeuf Virtual Choir, which was formed by young singers who became friends at the FSSP Sacred Music Symposium in Los Angeles.

2   The PRAENOTANDA of the Graduale Romanum adds: “this is so that pastoral necessities may be more widely satisfied.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Chaumonot Communions, Chaumonot Composers Group, Graduale Romanum Roman Gradual Propers Last Updated: April 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.”

— Pope Saint Paul VI (15 August 1966)

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