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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Homily — “Seven Sorrows of the Blessed Mother” • Father Valentine Young, OFM

Jeff Ostrowski · September 15, 2020

The following is by Father Valentine Young, OFM, a faithful Catholic priest who died on 17 January 2020. It was delivered sometime between 2013 and 2020. To learn more about Father Valentine, please scroll to the bottom of the page.

Seven Sorrows of the Blessed Virgin Mary

*  PDF Download • READINGS IN LATIN
—Notice how the Sequence is optional in the Ordinary Form.

EPTEMBER FIFTEENTH is the Feast of the Seven Sorrows of the Blessed Mother. The Feast is not celebrated when it falls on a Sunday because Sundays are usually of a higher rank and are therefore celebrated instead of a lower ranking feast. (However the Feast is commemorated at Lauds in the Divine Office and at Mass in the Extraordinary Form.) In a recent discussion, the topic of the Seven Sorrows of the Blessed Mother came up. Someone asked: “How many Catholics nowadays even know about the seven Sorrows or what they are?” I might ask you: “Do you know what Our Lady’s Seven Sorrows are?” For the sake of those who may not remember, I will mention and briefly comment on them.

In general: The “Seven Sorrows of the Blessed Mother” are events in her life—or the life of our Lord—which caused her special suffering. The first one occurred forty days after Jesus was born. Mary and Joseph took Him to the temple in Jerusalem to offer Him to God (as prescribed by the Jewish law). On this occasion, they met an elderly, saintly man named Simeon. Being a good and devout Jew, Simeon knew the Scriptures and felt that the time for the arrival of the Messiah was near. God promised him that he would not die until he had actually seen and met the promised Redeemer. Simeon recognized Mary and Joseph with the Infant Jesus when they came to the temple. It was then that Simeon first prayed that canticle or hymn which we know as the “Nunc Dimittis.” Now you can dismiss your servant (i.e. “allow him to die”) because his eyes had witnessed the Salvation of the nations.

Simeon & Mary: Then Simeon said something rather strange to Mary, namely that this child would be the cause or reason for her heart to be pierced as it were by a sword of sorrow. This was the first instance of Mary having to suffer because of her role as the mother of the Savior. The second sorrow came later, when Joseph was told by an angel that he must take Mary and Jesus and flee to Egypt because the wicked King Herod wanted to kill the child. The third sorrow occurred when Jesus was twelve years old and stayed behind in the temple. For almost three days they had to go back and look for Him. Those must have been agonizing days for Mary and Joseph.

Fourth through Seventh: The 4th to the 7th sorrows are all contained in what we know as the Via Crucis (“Stations of the Cross”). The 4th sorrow was Jesus meeting His mother as He was carrying His Cross to Mount Calvary; the 5th is the actual crucifixion of Jesus; the 6th is Jesus being placed in Mary’s arms and lap when His dead body is taken down from the cross. The 7th sorrow is the burial of Jesus in the tomb. Just imagine how painful that walk from the tomb to where she was staying must have been for Mary.

Meditation: I didn’t spend much time in commenting or reflecting on the various sorrows. I feel you can do that for yourselves. But I think we will all agree that these must have been traumatic events in the life of the Blessed Mother.

Conclusion: During World War II, devotion to our mother of sorrows was very popular. Churches would be filled on Friday evenings for the Sorrowful Mother novena and Benediction. Back then people were praying especially for the safe return of their loved ones who had to fight in the war. The Church is certainly in a spiritual “war” now. Maybe the Blessed Mother wants us to pay more attention to the suffering she had to undergo as the mother of our Savior. It is perhaps unfortunate that sometimes devotions in the Church “come and go” like other fads. There’s nothing keeping us from renewing devotion to the Sorrowful Mother. It might be the answer to some of our present difficulties and problems in the Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Seven Sorrows, Valentine Young SERMON Last Updated: September 15, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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