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Views from the Choir Loft

Homily — “Seven Sorrows of the Blessed Mother” • Father Valentine Young, OFM

Jeff Ostrowski · September 15, 2020

The following is by Father Valentine Young, OFM, a faithful Catholic priest who died on 17 January 2020. It was delivered sometime between 2013 and 2020. To learn more about Father Valentine, please scroll to the bottom of the page.

Seven Sorrows of the Blessed Virgin Mary

*  PDF Download • READINGS IN LATIN
—Notice how the Sequence is optional in the Ordinary Form.

EPTEMBER FIFTEENTH is the Feast of the Seven Sorrows of the Blessed Mother. The Feast is not celebrated when it falls on a Sunday because Sundays are usually of a higher rank and are therefore celebrated instead of a lower ranking feast. (However the Feast is commemorated at Lauds in the Divine Office and at Mass in the Extraordinary Form.) In a recent discussion, the topic of the Seven Sorrows of the Blessed Mother came up. Someone asked: “How many Catholics nowadays even know about the seven Sorrows or what they are?” I might ask you: “Do you know what Our Lady’s Seven Sorrows are?” For the sake of those who may not remember, I will mention and briefly comment on them.

In general: The “Seven Sorrows of the Blessed Mother” are events in her life—or the life of our Lord—which caused her special suffering. The first one occurred forty days after Jesus was born. Mary and Joseph took Him to the temple in Jerusalem to offer Him to God (as prescribed by the Jewish law). On this occasion, they met an elderly, saintly man named Simeon. Being a good and devout Jew, Simeon knew the Scriptures and felt that the time for the arrival of the Messiah was near. God promised him that he would not die until he had actually seen and met the promised Redeemer. Simeon recognized Mary and Joseph with the Infant Jesus when they came to the temple. It was then that Simeon first prayed that canticle or hymn which we know as the “Nunc Dimittis.” Now you can dismiss your servant (i.e. “allow him to die”) because his eyes had witnessed the Salvation of the nations.

Simeon & Mary: Then Simeon said something rather strange to Mary, namely that this child would be the cause or reason for her heart to be pierced as it were by a sword of sorrow. This was the first instance of Mary having to suffer because of her role as the mother of the Savior. The second sorrow came later, when Joseph was told by an angel that he must take Mary and Jesus and flee to Egypt because the wicked King Herod wanted to kill the child. The third sorrow occurred when Jesus was twelve years old and stayed behind in the temple. For almost three days they had to go back and look for Him. Those must have been agonizing days for Mary and Joseph.

Fourth through Seventh: The 4th to the 7th sorrows are all contained in what we know as the Via Crucis (“Stations of the Cross”). The 4th sorrow was Jesus meeting His mother as He was carrying His Cross to Mount Calvary; the 5th is the actual crucifixion of Jesus; the 6th is Jesus being placed in Mary’s arms and lap when His dead body is taken down from the cross. The 7th sorrow is the burial of Jesus in the tomb. Just imagine how painful that walk from the tomb to where she was staying must have been for Mary.

Meditation: I didn’t spend much time in commenting or reflecting on the various sorrows. I feel you can do that for yourselves. But I think we will all agree that these must have been traumatic events in the life of the Blessed Mother.

Conclusion: During World War II, devotion to our mother of sorrows was very popular. Churches would be filled on Friday evenings for the Sorrowful Mother novena and Benediction. Back then people were praying especially for the safe return of their loved ones who had to fight in the war. The Church is certainly in a spiritual “war” now. Maybe the Blessed Mother wants us to pay more attention to the suffering she had to undergo as the mother of our Savior. It is perhaps unfortunate that sometimes devotions in the Church “come and go” like other fads. There’s nothing keeping us from renewing devotion to the Sorrowful Mother. It might be the answer to some of our present difficulties and problems in the Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Seven Sorrows, Valentine Young SERMON Last Updated: September 15, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

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The local church should be conscious that church worship is not really the same as what we sing in a bar, or what we sing in a convention for youth.

— Francis Cardinal Arinze (2005)

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