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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Homily — “Seven Sorrows of the Blessed Mother” • Father Valentine Young, OFM

Jeff Ostrowski · September 15, 2020

The following is by Father Valentine Young, OFM, a faithful Catholic priest who died on 17 January 2020. It was delivered sometime between 2013 and 2020. To learn more about Father Valentine, please scroll to the bottom of the page.

Seven Sorrows of the Blessed Virgin Mary

*  PDF Download • READINGS IN LATIN
—Notice how the Sequence is optional in the Ordinary Form.

EPTEMBER FIFTEENTH is the Feast of the Seven Sorrows of the Blessed Mother. The Feast is not celebrated when it falls on a Sunday because Sundays are usually of a higher rank and are therefore celebrated instead of a lower ranking feast. (However the Feast is commemorated at Lauds in the Divine Office and at Mass in the Extraordinary Form.) In a recent discussion, the topic of the Seven Sorrows of the Blessed Mother came up. Someone asked: “How many Catholics nowadays even know about the seven Sorrows or what they are?” I might ask you: “Do you know what Our Lady’s Seven Sorrows are?” For the sake of those who may not remember, I will mention and briefly comment on them.

In general: The “Seven Sorrows of the Blessed Mother” are events in her life—or the life of our Lord—which caused her special suffering. The first one occurred forty days after Jesus was born. Mary and Joseph took Him to the temple in Jerusalem to offer Him to God (as prescribed by the Jewish law). On this occasion, they met an elderly, saintly man named Simeon. Being a good and devout Jew, Simeon knew the Scriptures and felt that the time for the arrival of the Messiah was near. God promised him that he would not die until he had actually seen and met the promised Redeemer. Simeon recognized Mary and Joseph with the Infant Jesus when they came to the temple. It was then that Simeon first prayed that canticle or hymn which we know as the “Nunc Dimittis.” Now you can dismiss your servant (i.e. “allow him to die”) because his eyes had witnessed the Salvation of the nations.

Simeon & Mary: Then Simeon said something rather strange to Mary, namely that this child would be the cause or reason for her heart to be pierced as it were by a sword of sorrow. This was the first instance of Mary having to suffer because of her role as the mother of the Savior. The second sorrow came later, when Joseph was told by an angel that he must take Mary and Jesus and flee to Egypt because the wicked King Herod wanted to kill the child. The third sorrow occurred when Jesus was twelve years old and stayed behind in the temple. For almost three days they had to go back and look for Him. Those must have been agonizing days for Mary and Joseph.

Fourth through Seventh: The 4th to the 7th sorrows are all contained in what we know as the Via Crucis (“Stations of the Cross”). The 4th sorrow was Jesus meeting His mother as He was carrying His Cross to Mount Calvary; the 5th is the actual crucifixion of Jesus; the 6th is Jesus being placed in Mary’s arms and lap when His dead body is taken down from the cross. The 7th sorrow is the burial of Jesus in the tomb. Just imagine how painful that walk from the tomb to where she was staying must have been for Mary.

Meditation: I didn’t spend much time in commenting or reflecting on the various sorrows. I feel you can do that for yourselves. But I think we will all agree that these must have been traumatic events in the life of the Blessed Mother.

Conclusion: During World War II, devotion to our mother of sorrows was very popular. Churches would be filled on Friday evenings for the Sorrowful Mother novena and Benediction. Back then people were praying especially for the safe return of their loved ones who had to fight in the war. The Church is certainly in a spiritual “war” now. Maybe the Blessed Mother wants us to pay more attention to the suffering she had to undergo as the mother of our Savior. It is perhaps unfortunate that sometimes devotions in the Church “come and go” like other fads. There’s nothing keeping us from renewing devotion to the Sorrowful Mother. It might be the answer to some of our present difficulties and problems in the Church.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Seven Sorrows, Valentine Young SERMON Last Updated: September 15, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

I want to say one thing to you strongly, especially today: virginity for the Kingdom of God is not a “no,” it is a “yes!”

— Pope Francis (10/4/2013)

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