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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 1928 “Invitatory” (86 pages)

Jeff Ostrowski · September 10, 2020

WO YEARS after Dom Joseph Pothier left Solesmes to become Prior of Ligugé, the LIBER RESPONSORIALIS (1895) was published, which was entirely the result of Pothier’s research. In addition to those parts of Matins which don’t change, it contains first class feasts and the Common of the Saints: martyrs, confessor bishops, virgins, and so forth. This book is only for Matins, but the hymns are often repeated at Vespers. We were recently sent a rare book which seems to consist of excerpts from the LIBER RESPONSORIALIS. (Perhaps an expert on the Divine Office can let me know whether it contains anything the Liber Responsorialis does not.)

We thank the donor who sent us this book from 1928:

*  PDF Download • SOLESMES INVITATORY (86 pages)

The “invitatory” occurs at the beginning of Matins and therefore introduces the daily divine Office. The invitatory proper is the anthem or response, which is interspersed with the verses of Psalm 94 (Venite exsultemus Domino), the invitatory psalm. Note that the whole invitatory anthem is sung before some of the verses of the psalm, and the second part only before other verses.

I must admit I’m puzzled that Solesmes Abbey (via the Belgian Desclée brothers printing house) felt the need to produce such a book. My understanding is that the office of Matins is very rarely sung, even in the strictest of monasteries. When it is sung, it is usually done “recto tono.” I am told there was a tradition of secular clergy singing Matins for the feast of Christmas—and perhaps for some other great feasts—but as far as I know, seculars would usually recite Matins (and Lauds) privately.

In any event, it’s an interesting book. Composers of “English Plainsong” should make themselves aware of these tones, which are quite beautiful.

Here are some photos of the INVITATORY (1928):

74723-INVITATORY-C
74723-INVITATORY-B
74723-INVITATORY-A

And here are some photos from the LIBER RESPONSORIALIS (1895):

74723-RESPONSORIALIS-C
74723-RESPONSORIALIS-B
74723-RESPONSORIALIS-A

Full title of book: Invitatoria cum psalmo Venite exsultemus per varios tonos pro officiis de tempore et de sanctis. Typis Societatis S. Joannis Evangelistae • Desclée & Socii • S. Sedis Apostolicae et S. Rituum Congregationis Typographi • PARISIIS, TORNACI, ROMAE +

MENTIONED that the INVITATORY consists of excerpts from the LIBER RESPONSORIALIS (1895), which contains the pre-Urbanite hymn texts (i.e. “non-corrupted”), just as Dom Pothier had used the pre-Urbanite hymn versions in his 1891 Liber Antiphonarius. For instance, in the 1895 Liber Responsorialis we find “Praelium certaminis” instead of “Lauream certaminis” in Fortunatus’ Pange Lingua. About a decade later, in September of 1904, the Pontifical Commission for the Vatican Edition would adopt the following motion:

22. The Congregation of Sacred Rites shall be requested to return to the medieval text of the Hymns (a.) because the text corrected by Urban VIII is ill-suited to the needs of the chant; (b.) in consideration of the artistic unity of the whole of the liturgical work; and (c.) out of respect for the ancient and holy authors of a great portion of these chants.

They were not granted permission at that point, but some publishers included the ancient texts as an option. Indeed, any priests or monks or nuns who sang the Divine Office had never adopted the Urbanite revisions. For instance, the major Roman basilicas never adopted the revisions of Urban VIII; nor did the Benedictines.

To learn more about “pre-Urbanite” hymn texts, please obtain the Brébeuf hymnal, which has a color-page section explaining the subject in detail, with much original research:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Last Updated: September 17, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

[on Latin] “No change in Mass: people have missals and can read. More vernacular can be useful in the Sacraments: Baptism, Confirmation, Extreme Unction, Matrimony.”

— Cardinal Spellman (one of the Vatican II fathers)

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