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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Antiphon” (with organ accompaniment)

Jeff Ostrowski · September 1, 2020

HOSE OF US LIVING in Los Angeles have basically been locked in our homes since March due to the government’s Covid-19 response. This has added even more isolation to our society, which was already “secluded by electronic devices.” Something missing from our society is the sharing of “life moments.” For example, I experienced tremendous joy about six months ago. Every year during the Sacred Music Symposium, I teach a course on multi-track recordings, but I was starting to question whether these classes were doing any good, and then…SURPRISE! Former students revealed the marvelous Brébeuf Virtual Choir, which they named after one of my favorite saints. 1 When I saw what those kids were doing with the Brébeuf Virtual Choir, my heart was moved. I felt like I was making a difference! And now, I have another “life moment” to share. A former student of mine—thrilled by our recent focus (01, 02, 03) on the Graduale Romanum—has revealed to me a project “in the works” for several years. Essentially, composers have come together to create simple settings of the Roman Gradual with harmonizations based upon Organum comitans ad Graduale sacrosanctae romanae ecclesiae, a production of the LEMMENSINSTITUUT (now part of the University of Leuven, where Fulton J. Sheen went to school). These settings strike me as especially fitting during what Dr. Tappan described as “Covidtide.”

Here’s a sample of their project, which can be shared freely:

*  PDF Download • “Seek first the kingdom of God”
—Simple settings from the Roman Gradual, posted with permission.

This text is the Communion Antiphon for the 20th Sunday in Ordinary Time; but it can also be used for any Sunday during Ordinary Time. The Roman Gradual says:

In omnibus Missis de Tempore eligi potest pro opportunitate, loco cuiusvis cantus diei proprii, alius ex eodem tempore. Translation: In all Masses of the Time it is permitted to replace the proper chant of the day with another belonging to the same season.

The PRAENOTANDA of the Graduale Romanum adds: “this is so that pastoral necessities may be more widely satisfied.”

Roman Gradual vs. Vulgata

The text of the Roman Gradual is based upon Matthew 6:33, yet it’s hardly identical:

Roman Gradual:
Primum quaérite regnum Dei,
et ómnia adiciéntur vobis,
dicit Dominus.

Translation:
“Seek first the kingdom of God,
and all things shall be added to you,
says the Lord.”

Saint Jerome’s Vulgate:
Quaerite ergo primum regnum Dei,
et iustitiam eius:
et haec omnia adicientur vobis.

Translation:
“Therefore seek first the kingdom of God,
and the justness thereof:
and all these things will be added to you.”

From what I can tell, this new project adheres to the Graduale Romanum, not the Vulgate (which came later).

In Need Of Assistance

The website (http://chaumonot.info/) for the Chaumonot Composers Group indicates they are currently searching for a webmaster and publisher. As a 501(c)3 public charity, Corpus Christi Watershed does not publish any books directly since 2013. The artists we promote—Peter Kwasniewski, John Naples, Kevin Allen, Aristotle Esguerra, Peter R. Johnson, and so forth—receive 100% of all profits. Corpus Christi Watershed does not take a “cut” of any sort. This new project is not something our organization can assist with, although we plan to promote it. For myself, I have been published by WLP, but that company was recently purchased by GIA Publications. The website also says they’re in need of someone who can convert their Roman Gradual scores from modern notation into GABC (“Gregorio”). If you can help them in this area, please follow that link!

 


NOTES FROM THIS ARTICLE:

1   I would like to know who decided on such an awesome name! My guess is a particular young lady who is actually related (believe it or not) to one of the Jesuit martyrs. She recently went off to college in Texas, studying music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Chaumonot Communions, Chaumonot Composers Group, Covid-19 Coronavirus, Graduale Romanum Roman Gradual Propers, Roman Missal Third Edition Last Updated: April 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Advent Hymn)
    Many organists are forced to simultaneously serve as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult. I invite you to download this simplified organ accompaniment (PDF) which in the Father Brébeuf Hymnal is hymn #661: “Come, Thou Long-Expected Jesus” (for ADVENT). I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 2,900 times in a matter of hours—so there appears to be interest.
    —Jeff Ostrowski
    PDF • “Music List” (Immaculate Concep.)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 8 December 2025, the feast of OUR LADY’S IMMACULATE CONCEPTION. If such a thing interests you, feel free to download it as a PDF file. The fauxbourdon setting of the COMMUNION is exquisite. In Latin, the title of this feast is: In Conceptione Immaculata Beatae Mariae Virginis. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed
    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

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