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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Antiphon” (with organ accompaniment)

Jeff Ostrowski · September 1, 2020

HOSE OF US LIVING in Los Angeles have basically been locked in our homes since March due to the government’s Covid-19 response. This has added even more isolation to our society, which was already “secluded by electronic devices.” Something missing from our society is the sharing of “life moments.” For example, I experienced tremendous joy about six months ago. Every year during the Sacred Music Symposium, I teach a course on multi-track recordings, but I was starting to question whether these classes were doing any good, and then…SURPRISE! Former students revealed the marvelous Brébeuf Virtual Choir, which they named after one of my favorite saints. 1 When I saw what those kids were doing with the Brébeuf Virtual Choir, my heart was moved. I felt like I was making a difference! And now, I have another “life moment” to share. A former student of mine—thrilled by our recent focus (01, 02, 03) on the Graduale Romanum—has revealed to me a project “in the works” for several years. Essentially, composers have come together to create simple settings of the Roman Gradual with harmonizations based upon Organum comitans ad Graduale sacrosanctae romanae ecclesiae, a production of the LEMMENSINSTITUUT (now part of the University of Leuven, where Fulton J. Sheen went to school). These settings strike me as especially fitting during what Dr. Tappan described as “Covidtide.”

Here’s a sample of their project, which can be shared freely:

*  PDF Download • “Seek first the kingdom of God”
—Simple settings from the Roman Gradual, posted with permission.

This text is the Communion Antiphon for the 20th Sunday in Ordinary Time; but it can also be used for any Sunday during Ordinary Time. The Roman Gradual says:

In omnibus Missis de Tempore eligi potest pro opportunitate, loco cuiusvis cantus diei proprii, alius ex eodem tempore. Translation: In all Masses of the Time it is permitted to replace the proper chant of the day with another belonging to the same season.

The PRAENOTANDA of the Graduale Romanum adds: “this is so that pastoral necessities may be more widely satisfied.”

Roman Gradual vs. Vulgata

The text of the Roman Gradual is based upon Matthew 6:33, yet it’s hardly identical:

Roman Gradual:
Primum quaérite regnum Dei,
et ómnia adiciéntur vobis,
dicit Dominus.

Translation:
“Seek first the kingdom of God,
and all things shall be added to you,
says the Lord.”

Saint Jerome’s Vulgate:
Quaerite ergo primum regnum Dei,
et iustitiam eius:
et haec omnia adicientur vobis.

Translation:
“Therefore seek first the kingdom of God,
and the justness thereof:
and all these things will be added to you.”

From what I can tell, this new project adheres to the Graduale Romanum, not the Vulgate (which came later).

In Need Of Assistance

The website (http://chaumonot.info/) for the Chaumonot Composers Group indicates they are currently searching for a webmaster and publisher. As a 501(c)3 public charity, Corpus Christi Watershed does not publish any books directly since 2013. The artists we promote—Peter Kwasniewski, John Naples, Kevin Allen, Aristotle Esguerra, Peter R. Johnson, and so forth—receive 100% of all profits. Corpus Christi Watershed does not take a “cut” of any sort. This new project is not something our organization can assist with, although we plan to promote it. For myself, I have been published by WLP, but that company was recently purchased by GIA Publications. The website also says they’re in need of someone who can convert their Roman Gradual scores from modern notation into GABC (“Gregorio”). If you can help them in this area, please follow that link!

 


NOTES FROM THIS ARTICLE:

1   I would like to know who decided on such an awesome name! My guess is a particular young lady who is actually related (believe it or not) to one of the Jesuit martyrs. She recently went off to college in Texas, studying music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Chaumonot Communions, Chaumonot Composers Group, Covid-19 Coronavirus, Graduale Romanum Roman Gradual Propers, Roman Missal Third Edition Last Updated: April 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Place the missal in the hand of the faithful so that they may take part more easily and more fruitfully in the Mass; and that they faithful, united with the priest, may pray together in the very words and sentiments of the Church.”

— Ven. Pope Pius XII

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