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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Communion Antiphon” (with organ accompaniment)

Jeff Ostrowski · September 1, 2020

HOSE OF US LIVING in Los Angeles have basically been locked in our homes since March due to the government’s Covid-19 response. This has added even more isolation to our society, which was already “secluded by electronic devices.” Something missing from our society is the sharing of “life moments.” For example, I experienced tremendous joy about six months ago. Every year during the Sacred Music Symposium, I teach a course on multi-track recordings, but I was starting to question whether these classes were doing any good, and then…SURPRISE! Former students revealed the marvelous Brébeuf Virtual Choir, which they named after one of my favorite saints. 1 When I saw what those kids were doing with the Brébeuf Virtual Choir, my heart was moved. I felt like I was making a difference! And now, I have another “life moment” to share. A former student of mine—thrilled by our recent focus (01, 02, 03) on the Graduale Romanum—has revealed to me a project “in the works” for several years. Essentially, composers have come together to create simple settings of the Roman Gradual with harmonizations based upon Organum comitans ad Graduale sacrosanctae romanae ecclesiae, a production of the LEMMENSINSTITUUT (now part of the University of Leuven, where Fulton J. Sheen went to school). These settings strike me as especially fitting during what Dr. Tappan described as “Covidtide.”

Here’s a sample of their project, which can be shared freely:

*  PDF Download • “Seek first the kingdom of God”
—Simple settings from the Roman Gradual, posted with permission.

This text is the Communion Antiphon for the 20th Sunday in Ordinary Time; but it can also be used for any Sunday during Ordinary Time. The Roman Gradual says:

In omnibus Missis de Tempore eligi potest pro opportunitate, loco cuiusvis cantus diei proprii, alius ex eodem tempore. Translation: In all Masses of the Time it is permitted to replace the proper chant of the day with another belonging to the same season.

The PRAENOTANDA of the Graduale Romanum adds: “this is so that pastoral necessities may be more widely satisfied.”

Roman Gradual vs. Vulgata

The text of the Roman Gradual is based upon Matthew 6:33, yet it’s hardly identical:

Roman Gradual:
Primum quaérite regnum Dei,
et ómnia adiciéntur vobis,
dicit Dominus.

Translation:
“Seek first the kingdom of God,
and all things shall be added to you,
says the Lord.”

Saint Jerome’s Vulgate:
Quaerite ergo primum regnum Dei,
et iustitiam eius:
et haec omnia adicientur vobis.

Translation:
“Therefore seek first the kingdom of God,
and the justness thereof:
and all these things will be added to you.”

From what I can tell, this new project adheres to the Graduale Romanum, not the Vulgate (which came later).

In Need Of Assistance

The website (http://chaumonot.info/) for the Chaumonot Composers Group indicates they are currently searching for a webmaster and publisher. As a 501(c)3 public charity, Corpus Christi Watershed does not publish any books directly since 2013. The artists we promote—Peter Kwasniewski, John Naples, Kevin Allen, Aristotle Esguerra, Peter R. Johnson, and so forth—receive 100% of all profits. Corpus Christi Watershed does not take a “cut” of any sort. This new project is not something our organization can assist with, although we plan to promote it. For myself, I have been published by WLP, but that company was recently purchased by GIA Publications. The website also says they’re in need of someone who can convert their Roman Gradual scores from modern notation into GABC (“Gregorio”). If you can help them in this area, please follow that link!

 


NOTES FROM THIS ARTICLE:

1   I would like to know who decided on such an awesome name! My guess is a particular young lady who is actually related (believe it or not) to one of the Jesuit martyrs. She recently went off to college in Texas, studying music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Chaumonot Communions, Chaumonot Composers Group, Covid-19 Coronavirus, Graduale Romanum Roman Gradual Propers, Roman Missal Third Edition Last Updated: April 6, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“If a pope were only ever applauded, he would have to ask himself whether or not he was doing things right.”

— Pope Emeritus Benedict XVI (2016)

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