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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Stella Caeli Exstirpavit” • Gregorian Chant During Times Of Pestilence

Jeff Ostrowski · July 31, 2020

ERONICA BRANDT recently alerted to me to a piece I’d never heard of: Stella Caeli Exstirpavit—“plainsong during time of plague.” I see that young ladies from the fabulous new Brébeuf Virtual Choir have recorded this piece, and I have no idea how they were able to accomplish this virtually. I understand how metrical (“rhythmic”) pieces are recorded virtually, but pieces in free rhythm are impossible…at least that’s what I thought until I heard their gorgeous rendition:

*  PDF Download • Stella Caeli Exstirpavit
—Common melody • Gregorian Chant During Times Of Pestilence.

*  PDF Download • Alternate Melody
—Alternate melody • Gregorian Chant During Times Of Pestilence.

Watch Out For Typos!

Some differences don’t matter. For example, “exstirpavit” and “extirpavit” are both correct, just as “exsultet” and “exultet” are both correct. The same is true for “coeli” and “caeli”—these are orthographical changes of little consequence. One the other hand, certain versions have “plántavit”—a major error:

It should be “plantávit,” as you can see here:

Also, it is “dignétur” not “dignátur,” as you can see:

Latin With English Translation

Stella coeli exstirpávit,
quae lactávit Dóminum:
Star of Heaven,
who nourished the Lord

Mortis pestem quam plantávit
primus parens hóminum.
and rooted up the plague of death
which our first parents planted;

Ipsa stella nunc dignétur
sídera compéscere,
may that star now deign
to hold in check the constellations

quorum bella plebem coedunt
dirae mortis úlcere.
whose strife grants the people
the ulcers of a terrible death.

O piíssima stella maris,
a peste succúrre nobis,
O glorious star of the sea,
save us from the plague.

Audi nos, Dómina, nam Fílius tuus
nihil negans te honórat.
Hear us, O Lady, for thy Son,
denying nothing, honors thee.

Salva nos, Jesu, pro quibus
Virgo Mater te orat!
Save us, Jesus! For us,
the Virgin Mother entreats Thee.

Further Information • “Stella Coeli Extirpavit”

*  ARTICLE ON STELLA CAELI • Canticum Salomonis
—Contains interesting historical versions of “Stélla Cœ́li Extirpávit.”

*  ARTICLE ON STELLA CAELI • Christopher Macklin
—This is a PDF download from Cambridge University Press.

*  ARTICLE ON STELLA CAELI • Dr. Eleanor Parker
—Published on “A Clerk of Oxford,” which is an interesting blog.

*  ARTICLE ON STELLA CAELI • Dr. Aaron James
—Dr. James also reviewed the Brébeuf hymnal for the Antiphon Journal.

*  ARTICLE ON STELLA CAELI • Veronica Brandt
—Containing several versions of a “clean” score (Gregorio).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Brébeuf Virtual Choir Last Updated: July 31, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“We being many are one bread and one body, All who share the one bread and one cup. Vs. Thou hast prepared of thy sweetness for the poor, O God, who makest us to dwell in one mind in thy house. All who share the one bread and one cup.”

— Responsory (Matins for Corpus Christi) transl. by Fortescue

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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