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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

“Stella Caeli Exstirpavit” • Gregorian Chant During Times Of Pestilence

Jeff Ostrowski · July 31, 2020

ERONICA BRANDT recently alerted to me to a piece I’d never heard of: Stella Caeli Exstirpavit—“plainsong during time of plague.” I see that young ladies from the fabulous new Brébeuf Virtual Choir have recorded this piece, and I have no idea how they were able to accomplish this virtually. I understand how metrical (“rhythmic”) pieces are recorded virtually, but pieces in free rhythm are impossible…at least that’s what I thought until I heard their gorgeous rendition:

*  PDF Download • Stella Caeli Exstirpavit
—Common melody • Gregorian Chant During Times Of Pestilence.

*  PDF Download • Alternate Melody
—Alternate melody • Gregorian Chant During Times Of Pestilence.

Watch Out For Typos!

Some differences don’t matter. For example, “exstirpavit” and “extirpavit” are both correct, just as “exsultet” and “exultet” are both correct. The same is true for “coeli” and “caeli”—these are orthographical changes of little consequence. One the other hand, certain versions have “plántavit”—a major error:

It should be “plantávit,” as you can see here:

Also, it is “dignétur” not “dignátur,” as you can see:

Latin With English Translation

Stella coeli exstirpávit,
quae lactávit Dóminum:
Star of Heaven,
who nourished the Lord

Mortis pestem quam plantávit
primus parens hóminum.
and rooted up the plague of death
which our first parents planted;

Ipsa stella nunc dignétur
sídera compéscere,
may that star now deign
to hold in check the constellations

quorum bella plebem coedunt
dirae mortis úlcere.
whose strife grants the people
the ulcers of a terrible death.

O piíssima stella maris,
a peste succúrre nobis,
O glorious star of the sea,
save us from the plague.

Audi nos, Dómina, nam Fílius tuus
nihil negans te honórat.
Hear us, O Lady, for thy Son,
denying nothing, honors thee.

Salva nos, Jesu, pro quibus
Virgo Mater te orat!
Save us, Jesus! For us,
the Virgin Mother entreats Thee.

Further Information • “Stella Coeli Extirpavit”

*  ARTICLE ON STELLA CAELI • Canticum Salomonis
—Contains interesting historical versions of “Stélla Cœ́li Extirpávit.”

*  ARTICLE ON STELLA CAELI • Christopher Macklin
—This is a PDF download from Cambridge University Press.

*  ARTICLE ON STELLA CAELI • Dr. Eleanor Parker
—Published on “A Clerk of Oxford,” which is an interesting blog.

*  ARTICLE ON STELLA CAELI • Dr. Aaron James
—Dr. James also reviewed the Brébeuf hymnal for the Antiphon Journal.

*  ARTICLE ON STELLA CAELI • Veronica Brandt
—Containing several versions of a “clean” score (Gregorio).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Brébeuf Virtual Choir Last Updated: July 31, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Vatican II did not say anything about the direction of the celebrant. […] I love both directions of celebrating Mass. Both are full of meaning for me. Both help me to encounter Christ—and that is, after all, the purpose of the liturgy.”

— Christoph Cardinal Schönborn (February 2007)

Recent Posts

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  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)

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