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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Stella Caeli Exstirpavit” • Gregorian Chant During Times Of Pestilence

Jeff Ostrowski · July 31, 2020

ERONICA BRANDT recently alerted to me to a piece I’d never heard of: Stella Caeli Exstirpavit—“plainsong during time of plague.” I see that young ladies from the fabulous new Brébeuf Virtual Choir have recorded this piece, and I have no idea how they were able to accomplish this virtually. I understand how metrical (“rhythmic”) pieces are recorded virtually, but pieces in free rhythm are impossible…at least that’s what I thought until I heard their gorgeous rendition:

*  PDF Download • Stella Caeli Exstirpavit
—Common melody • Gregorian Chant During Times Of Pestilence.

*  PDF Download • Alternate Melody
—Alternate melody • Gregorian Chant During Times Of Pestilence.

Watch Out For Typos!

Some differences don’t matter. For example, “exstirpavit” and “extirpavit” are both correct, just as “exsultet” and “exultet” are both correct. The same is true for “coeli” and “caeli”—these are orthographical changes of little consequence. One the other hand, certain versions have “plántavit”—a major error:

It should be “plantávit,” as you can see here:

Also, it is “dignétur” not “dignátur,” as you can see:

Latin With English Translation

Stella coeli exstirpávit,
quae lactávit Dóminum:
Star of Heaven,
who nourished the Lord

Mortis pestem quam plantávit
primus parens hóminum.
and rooted up the plague of death
which our first parents planted;

Ipsa stella nunc dignétur
sídera compéscere,
may that star now deign
to hold in check the constellations

quorum bella plebem coedunt
dirae mortis úlcere.
whose strife grants the people
the ulcers of a terrible death.

O piíssima stella maris,
a peste succúrre nobis,
O glorious star of the sea,
save us from the plague.

Audi nos, Dómina, nam Fílius tuus
nihil negans te honórat.
Hear us, O Lady, for thy Son,
denying nothing, honors thee.

Salva nos, Jesu, pro quibus
Virgo Mater te orat!
Save us, Jesus! For us,
the Virgin Mother entreats Thee.

Further Information • “Stella Coeli Extirpavit”

*  ARTICLE ON STELLA CAELI • Canticum Salomonis
—Contains interesting historical versions of “Stélla Cœ́li Extirpávit.”

*  ARTICLE ON STELLA CAELI • Christopher Macklin
—This is a PDF download from Cambridge University Press.

*  ARTICLE ON STELLA CAELI • Dr. Eleanor Parker
—Published on “A Clerk of Oxford,” which is an interesting blog.

*  ARTICLE ON STELLA CAELI • Dr. Aaron James
—Dr. James also reviewed the Brébeuf hymnal for the Antiphon Journal.

*  ARTICLE ON STELLA CAELI • Veronica Brandt
—Containing several versions of a “clean” score (Gregorio).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Brébeuf Virtual Choir Last Updated: July 31, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

10 February 1588: “All incompetent singers in the cathedral are warned that they must immediately begin to improve themselves or be fined. Regularly scheduled practice hours shall be announced, and all incompetents must attend. No one shall henceforth sing anything by way of a solo except those whose names the dean communicates to Guerrero.”

— From the “Life of Father Francisco Guerrero”

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  • “Dies Irae” • A Monstrous Translation

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