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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Stella Caeli Exstirpavit” • Gregorian Chant During Times Of Pestilence

Jeff Ostrowski · July 31, 2020

ERONICA BRANDT recently alerted to me to a piece I’d never heard of: Stella Caeli Exstirpavit—“plainsong during time of plague.” I see that young ladies from the fabulous new Brébeuf Virtual Choir have recorded this piece, and I have no idea how they were able to accomplish this virtually. I understand how metrical (“rhythmic”) pieces are recorded virtually, but pieces in free rhythm are impossible…at least that’s what I thought until I heard their gorgeous rendition:

*  PDF Download • Stella Caeli Exstirpavit
—Common melody • Gregorian Chant During Times Of Pestilence.

*  PDF Download • Alternate Melody
—Alternate melody • Gregorian Chant During Times Of Pestilence.

Watch Out For Typos!

Some differences don’t matter. For example, “exstirpavit” and “extirpavit” are both correct, just as “exsultet” and “exultet” are both correct. The same is true for “coeli” and “caeli”—these are orthographical changes of little consequence. One the other hand, certain versions have “plántavit”—a major error:

It should be “plantávit,” as you can see here:

Also, it is “dignétur” not “dignátur,” as you can see:

Latin With English Translation

Stella coeli exstirpávit,
quae lactávit Dóminum:
Star of Heaven,
who nourished the Lord

Mortis pestem quam plantávit
primus parens hóminum.
and rooted up the plague of death
which our first parents planted;

Ipsa stella nunc dignétur
sídera compéscere,
may that star now deign
to hold in check the constellations

quorum bella plebem coedunt
dirae mortis úlcere.
whose strife grants the people
the ulcers of a terrible death.

O piíssima stella maris,
a peste succúrre nobis,
O glorious star of the sea,
save us from the plague.

Audi nos, Dómina, nam Fílius tuus
nihil negans te honórat.
Hear us, O Lady, for thy Son,
denying nothing, honors thee.

Salva nos, Jesu, pro quibus
Virgo Mater te orat!
Save us, Jesus! For us,
the Virgin Mother entreats Thee.

Further Information • “Stella Coeli Extirpavit”

*  ARTICLE ON STELLA CAELI • Canticum Salomonis
—Contains interesting historical versions of “Stélla Cœ́li Extirpávit.”

*  ARTICLE ON STELLA CAELI • Christopher Macklin
—This is a PDF download from Cambridge University Press.

*  ARTICLE ON STELLA CAELI • Dr. Eleanor Parker
—Published on “A Clerk of Oxford,” which is an interesting blog.

*  ARTICLE ON STELLA CAELI • Dr. Aaron James
—Dr. James also reviewed the Brébeuf hymnal for the Antiphon Journal.

*  ARTICLE ON STELLA CAELI • Veronica Brandt
—Containing several versions of a “clean” score (Gregorio).

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: Brébeuf Virtual Choir Last Updated: July 31, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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