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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Can These Youngsters Save Catholic Music?

Jeff Ostrowski · July 8, 2020

CAN DECLARE myself the King of France, but that doesn’t make it so. I can say I’m an Olympic Gold Medalist, but that doesn’t make it so. Similarly, calling a composition “a canon” doesn’t make it a canon. Canons are the most difficult composition to write because they follow strict rules; indeed, canon means “rule.” I thought this was basic knowledge until I came across a shameful book published by GIA Publications called 59 Liturgical Rounds. In this book, editor William Tortolano has taken a whole bunch of tunes and pretended they are rounds (canons). The trouble is, many aren’t. When something is not a proper canon, labeling it as such is pure folly. Such contemptible rubbish—published by a company that was formerly called “Gregorian Institute of America”—makes me wonder whether our current culture is still capable of appreciating even basic realities about the craft of music. Is there any hope left? Such ignorance is enough to tempt one to despair.

…but then I encounter something like The Brébeuf Virtual Choir.

These youngsters—who met one another at the Sacred Music Symposium—recently recorded a piece by Father Tomás Luis de Victoria which contains a perfect canon between the two Soprano lines. These youngsters are doing amazing things; and I am filled with hope.

To download the score free of charge, visit Lalemant Polyphonic and search for #7412. Rehearsal videos for each individual voice are posted there, too.

August 6th is the feast of the Transfiguration; but the piece also works well for Benediction of the Blessed Sacrament. You can learn more about this amazing piece here:

*  Online Article • “Resplenduit Facies Ejus”

If you don’t really understand what a canon is, listen to the following section with Tenor & Bass muted:

The top two voices form the canon: “Canon ad unisonum” and “Resolutio.” Canons are often employed for this text because the previous verse says: “Jesus took Peter and James and his brother John with him, and led them to a high mountain…” Anytime Renaissance composers hear someone “leading” someone else, they try to employ a canon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Brébeuf Virtual Choir Last Updated: July 8, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

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