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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Live Recording (42 min) • “Vespers for the Sacred Heart”

Dr. Alfred Calabrese · June 14, 2020

RIDAY, June 19 is the Feast of the Sacred Heart. If anyone desires to sing Vespers on that evening, the wonderful video (below) will help tremendously. Recorded at last year’s Sacred Music Symposium, Richard J. Clark, Kevin Allen, and I led the Symposium Choir in the plainchants and hymns. Featured prominently are two beautiful pieces. The sublime opening hymn, “Blest Author of the World,” a composition by Mr. Clark, can be found in the Brébeuf hymnal #84. Please pay attention to the words of the hymn, which are quite beautiful, and Mr. Clark’s lovely melody is the perfect vehicle for them. The Recessional that night was Kevin Allen’s heartfelt motet, “Lead, Kindly Light,” a setting of a quite well-known text by St. John Henry Newman. Like all of Mr. Allen’s music, this is beautifully constructed, as each progression, dissonance, and cadence spring directly from the text. And while not an easy piece to sing, the choir did an amazing job! I had the privilege of conducting, among some other things, the polyphonic Magnificat for five voices by Francisco Guerrero (marker 27:22). Set in alternatim with plainchant verses, I find that this is one of the most effective and expressive ways to sing a Magnificat.

The Choir You Hear

A word about the Symposium Choir: as you listen, please remember that this is a completely volunteer group, many of them under the age of 30 (some in high school!), and that we are literally sight-reading everything except the Magnificat and the Allen motet. Before traveling to the Sacred Music Symposium, some participants had never sung in Latin—but we sure fixed that! You will hear, as the service progresses, how unisons become more and more refined and how subtlety finds its way into the psalmody. Many of these same singers have formed themselves into the new Brébeuf Virtual Choir. If there is any concern over the future of beautiful and true sacred music in the Church going forward, you may take great comfort in these young people of tremendous talent and faith whom you will hear on this 42-minute video. I miss them, and I can’t wait for next year’s Sacred Music Symposium!

 

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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: In festo sacratissimi Cordis Jesu ad Vesperas, Vespers Last Updated: January 19, 2022

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski
    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“What really matters in life is that we are loved by Christ and that we love Him in return. In comparison to the love of Jesus, everything else is secondary. And, without the love of Jesus, everything is useless.”

— Pope John Paul II (1979)

Recent Posts

  • Simplified Accomp. • Schubert’s “Ave Maria.”
  • “The Unselected Hymn” • Do You Recognize It?
  • 2026 Sacred Music Pilgrimage (Washington DC) • With Richard J. Clark
  • “Reminder” — Month of April (2026)
  • “Gregorian Chant Isn’t a Platform for Your Personal Theories, Jeff” • (A Letter We Received)

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