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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Virtual Sacred Music Colloquium 2020

Fr. David Friel · June 11, 2020

ANCELLATIONS, postponements, and reconfigurations have become normative during the COVID-19 pandemic. One bit of good news in all this is that the Church Music Association of America (CMAA), which traditionally offers a week-long Sacred Music Colloquium each summer, will proceed with a virtual substitute.

This summer was to be the 30th annual Sacred Music Colloquium, hosted at Jesuit High School in Tampa, FL. Although the virtual substitute will be somewhat reduced, a remarkable lineup of presenters and topics remains in force. All the details of this year’s colloquium are presented on the event homepage.

What will this event include, and what will it look like?

Instead of being an in-person gathering, it will be conducted via Zoom, and instead of being an all-day affair, the presentations will be limited to the evenings (from 5 PM to 10 PM EDT). The dates for the conference will be Monday through Friday, July 6-10, 2020. Some of the highlights include:

Medieval Analysis • Dr. William Mahrt
Organ Repertory/Improvisation • David J. Hughes
Vocal Pedagogy • Dr. MeeAe Cecilia Nam
Spanish Resources • Heitor Caballero
Rationale for Repertoire: Programming for your Choir • Dr. Timothy McDonnell

Several sessions will be especially pertinent to musical matters during Covidtide:

Congregational Singing Within Local Restrictions • Panel Discussion
Sacred Music During the Pandemic • Chat Session
Catholic Music in Time of Pandemic • Dr. Susan Treacy

One silver lining is that the CMAA, concomitant with the reduction in programming, has reduced the Colloquium registration cost to only $10 per day or $30 for all five days. There will also be several parts of the program made freely available, including 1) daily spiritual reflections from the CMAA chaplain, 2) daily Compline, and 3) two sessions presented in Spanish.

Registration for the Virtual Sacred Music Colloquium 2020 is available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Church Music Association of America CMAA, Coronavirus Pandemic, Sacred Music Colloquium, William Mahrt Gregorian Chant Last Updated: June 11, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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