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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A B C D F etc. — An Ancient “Alphabetical” Hymn

Jeff Ostrowski · May 11, 2020

VERY FEW DAYS, it seems more rehearsal videos are added to the Brébeuf website. Each hymn has a “story,” and highlights are included in the Brébeuf footnotes at the bottom of each page. For example, this hymn by Caelius Sedulius (a Christian Poet from the 5th century) was translated into English by Dr. John Wallace, a secular Catholic priest who later became a Benedictine, taking the name “Wilfrid.” Each verse of the hymn begins with a successive letter of the alphabet, and various sections have been “ripped out” for different Breviary hymns: A Solis Ortus Cardine, Hostis Herodes Impie, and so forth.

With beautiful effect, the singers added several pauses:


Rehearsal videos for each individual voice await you at #007.

As far as I know, the Brébeuf hymnal is the only book which provides a literal English translation of the complete hymn by Sedulius—created by an FSSP priest who knows Latin very well. That’s pretty astonishing when we consider the important Breviary hymns which come from this poem. Here’s a screenshot of the Brébeuf pew edition:

I’ve said it before, and I’ll say it again: Every serious Catholic needs a copy of the Brébeuf hymnal. The book contains treasure after treasure.

 


NOTES FROM THIS ARTICLE:

*   Several famous hymnals contain is a melody called “SEDULIUS.” For example, number 323 of Dr. Theodore Marier’s hymnal uses that tune for a text by the Venerable Bede: “The Great Forerunner Of The Morn.” Number 156 of the New Westminster Hymnal uses that tune for a text about St. Thérèse of Lisieux. Number 57 of Hymns Ancient and Modern uses that tune for the same text as the Brébeuf hymnal, except the translation they chose was not by a Catholic—which makes sense, since HA&M is a Protestant hymnal, whereas the Brébeuf hymnal is Catholic. Sorting out hymn tune names is sometimes frustrating.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal, The Names Of Hymn Tunes Last Updated: May 14, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The ‘Iste Confessor’ was greatly altered and the hymn for the Dedication of a Church (which no one ought to have touched) was completely recast in a new meter.

— Father Joseph Connelly

Recent Posts

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  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (2nd Sunday of Lent)

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