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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A B C D F etc. — An Ancient “Alphabetical” Hymn

Jeff Ostrowski · May 11, 2020

VERY FEW DAYS, it seems more rehearsal videos are added to the Brébeuf website. Each hymn has a “story,” and highlights are included in the Brébeuf footnotes at the bottom of each page. For example, this hymn by Caelius Sedulius (a Christian Poet from the 5th century) was translated into English by Dr. John Wallace, a secular Catholic priest who later became a Benedictine, taking the name “Wilfrid.” Each verse of the hymn begins with a successive letter of the alphabet, and various sections have been “ripped out” for different Breviary hymns: A Solis Ortus Cardine, Hostis Herodes Impie, and so forth.

With beautiful effect, the singers added several pauses:


Rehearsal videos for each individual voice await you at #007.

As far as I know, the Brébeuf hymnal is the only book which provides a literal English translation of the complete hymn by Sedulius—created by an FSSP priest who knows Latin very well. That’s pretty astonishing when we consider the important Breviary hymns which come from this poem. Here’s a screenshot of the Brébeuf pew edition:

I’ve said it before, and I’ll say it again: Every serious Catholic needs a copy of the Brébeuf hymnal. The book contains treasure after treasure.

 


NOTES FROM THIS ARTICLE:

*   Several famous hymnals contain is a melody called “SEDULIUS.” For example, number 323 of Dr. Theodore Marier’s hymnal uses that tune for a text by the Venerable Bede: “The Great Forerunner Of The Morn.” Number 156 of the New Westminster Hymnal uses that tune for a text about St. Thérèse of Lisieux. Number 57 of Hymns Ancient and Modern uses that tune for the same text as the Brébeuf hymnal, except the translation they chose was not by a Catholic—which makes sense, since HA&M is a Protestant hymnal, whereas the Brébeuf hymnal is Catholic. Sorting out hymn tune names is sometimes frustrating.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal, The Names Of Hymn Tunes Last Updated: May 14, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

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