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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A B C D F etc. — An Ancient “Alphabetical” Hymn

Jeff Ostrowski · May 11, 2020

VERY FEW DAYS, it seems more rehearsal videos are added to the Brébeuf website. Each hymn has a “story,” and highlights are included in the Brébeuf footnotes at the bottom of each page. For example, this hymn by Caelius Sedulius (a Christian Poet from the 5th century) was translated into English by Dr. John Wallace, a secular Catholic priest who later became a Benedictine, taking the name “Wilfrid.” Each verse of the hymn begins with a successive letter of the alphabet, and various sections have been “ripped out” for different Breviary hymns: A Solis Ortus Cardine, Hostis Herodes Impie, and so forth.

With beautiful effect, the singers added several pauses:


Rehearsal videos for each individual voice await you at #007.

As far as I know, the Brébeuf hymnal is the only book which provides a literal English translation of the complete hymn by Sedulius—created by an FSSP priest who knows Latin very well. That’s pretty astonishing when we consider the important Breviary hymns which come from this poem. Here’s a screenshot of the Brébeuf pew edition:

I’ve said it before, and I’ll say it again: Every serious Catholic needs a copy of the Brébeuf hymnal. The book contains treasure after treasure.

 


NOTES FROM THIS ARTICLE:

*   Several famous hymnals contain is a melody called “SEDULIUS.” For example, number 323 of Dr. Theodore Marier’s hymnal uses that tune for a text by the Venerable Bede: “The Great Forerunner Of The Morn.” Number 156 of the New Westminster Hymnal uses that tune for a text about St. Thérèse of Lisieux. Number 57 of Hymns Ancient and Modern uses that tune for the same text as the Brébeuf hymnal, except the translation they chose was not by a Catholic—which makes sense, since HA&M is a Protestant hymnal, whereas the Brébeuf hymnal is Catholic. Sorting out hymn tune names is sometimes frustrating.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Jean de Brebeuf Hymnal, The Names Of Hymn Tunes Last Updated: May 14, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

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