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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bring Your “Lost Motets” to Life

Keven Smith · May 4, 2020

OST of us church choir directors across the U.S. are experiencing a severe disruption to our normal liturgical lives. Some of us at least have the privilege of singing for live-streamed Masses with scaled-down choral forces. Others are waiting on the sidelines—and I can only imagine how difficult that must be for you.

In either case, there’s much we can do to build up the liturgical lives of our parishes even after having our wings clipped. Here’s just one idea: take this time to educate your parish on what your choir was working on before you had to suspend rehearsals.

Think about it: you were probably preparing full steam for Holy Week and Easter when you got the word in mid-March to stop indefinitely. Some of that music may have been ready for Mass, while other pieces needed more polish. But you and your singers put a lot of work into all of it.

So, why not let your parishioners know a little bit about these pieces? Describe what you love about this music and why you selected it. Tell them briefly about the composers. Share an anecdote or two about the musical challenges your choir overcame in rehearsals. Express your optimism that you’ll have a chance to sing these pieces at a future Mass.

I’ve begun doing exactly this in a series on my own blog that I’m calling “The Lost Motets.” Depending on your situation, you might prefer to send a message to your parish email loop, post an article on your parish website, or even create a YouTube video. Consider including some audio, whether it’s an actual recording of your choir or a YouTube recording of another choir.

I can think of several potential benefits here:

  1. You’ll send the message to your parish that your choir works hard to make all those beautiful Masses possible.
  2. You’ll increase appreciation of the music you sing at Mass. It’s not just pretty background noise for prayer—it’s sacred!
  3. You’ll capture the attention of potential choir members—perhaps even from other parishes. Surely there’s someone in your pews who has always meant to ask about joining your choir but just hasn’t gotten around to calling you.
  4. You’ll give parishioners a chance to get to know you better through your writing, even if they’ve never spoken with you in person.
  5. You’ll be striking yet another blow against the comfortable mediocrity that has plagued liturgical music for decades.

You don’t have to do much to do a little good. Let your natural passion for your work shine through, and encourage people to listen to a recording so that the music can speak for itself. And then keep praying.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: choir director Last Updated: May 4, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Church, which so long had preserved Latin consciously as a bond of unity, had quite suddenly decided to discard it as a useless encumbrance. With this rejection, and as an almost inevitable consequence, went out the window also the whole magnificent musical heritage of the Church. For when you change your language you also change your song. The Jewish exiles hanging their harps beside the waters of Babylon, so long ago, made that discovery.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (26 October 1973)

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