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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bring Your “Lost Motets” to Life

Keven Smith · May 4, 2020

OST of us church choir directors across the U.S. are experiencing a severe disruption to our normal liturgical lives. Some of us at least have the privilege of singing for live-streamed Masses with scaled-down choral forces. Others are waiting on the sidelines—and I can only imagine how difficult that must be for you.

In either case, there’s much we can do to build up the liturgical lives of our parishes even after having our wings clipped. Here’s just one idea: take this time to educate your parish on what your choir was working on before you had to suspend rehearsals.

Think about it: you were probably preparing full steam for Holy Week and Easter when you got the word in mid-March to stop indefinitely. Some of that music may have been ready for Mass, while other pieces needed more polish. But you and your singers put a lot of work into all of it.

So, why not let your parishioners know a little bit about these pieces? Describe what you love about this music and why you selected it. Tell them briefly about the composers. Share an anecdote or two about the musical challenges your choir overcame in rehearsals. Express your optimism that you’ll have a chance to sing these pieces at a future Mass.

I’ve begun doing exactly this in a series on my own blog that I’m calling “The Lost Motets.” Depending on your situation, you might prefer to send a message to your parish email loop, post an article on your parish website, or even create a YouTube video. Consider including some audio, whether it’s an actual recording of your choir or a YouTube recording of another choir.

I can think of several potential benefits here:

  1. You’ll send the message to your parish that your choir works hard to make all those beautiful Masses possible.
  2. You’ll increase appreciation of the music you sing at Mass. It’s not just pretty background noise for prayer—it’s sacred!
  3. You’ll capture the attention of potential choir members—perhaps even from other parishes. Surely there’s someone in your pews who has always meant to ask about joining your choir but just hasn’t gotten around to calling you.
  4. You’ll give parishioners a chance to get to know you better through your writing, even if they’ve never spoken with you in person.
  5. You’ll be striking yet another blow against the comfortable mediocrity that has plagued liturgical music for decades.

You don’t have to do much to do a little good. Let your natural passion for your work shine through, and encourage people to listen to a recording so that the music can speak for itself. And then keep praying.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: choir director Last Updated: May 4, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Subsequent changes were more radical than those intended by Pope John and the bishops who passed the decree on the liturgy.”

— John Cardinal Heenan (1974)

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