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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bring Your “Lost Motets” to Life

Keven Smith · May 4, 2020

OST of us church choir directors across the U.S. are experiencing a severe disruption to our normal liturgical lives. Some of us at least have the privilege of singing for live-streamed Masses with scaled-down choral forces. Others are waiting on the sidelines—and I can only imagine how difficult that must be for you.

In either case, there’s much we can do to build up the liturgical lives of our parishes even after having our wings clipped. Here’s just one idea: take this time to educate your parish on what your choir was working on before you had to suspend rehearsals.

Think about it: you were probably preparing full steam for Holy Week and Easter when you got the word in mid-March to stop indefinitely. Some of that music may have been ready for Mass, while other pieces needed more polish. But you and your singers put a lot of work into all of it.

So, why not let your parishioners know a little bit about these pieces? Describe what you love about this music and why you selected it. Tell them briefly about the composers. Share an anecdote or two about the musical challenges your choir overcame in rehearsals. Express your optimism that you’ll have a chance to sing these pieces at a future Mass.

I’ve begun doing exactly this in a series on my own blog that I’m calling “The Lost Motets.” Depending on your situation, you might prefer to send a message to your parish email loop, post an article on your parish website, or even create a YouTube video. Consider including some audio, whether it’s an actual recording of your choir or a YouTube recording of another choir.

I can think of several potential benefits here:

  1. You’ll send the message to your parish that your choir works hard to make all those beautiful Masses possible.
  2. You’ll increase appreciation of the music you sing at Mass. It’s not just pretty background noise for prayer—it’s sacred!
  3. You’ll capture the attention of potential choir members—perhaps even from other parishes. Surely there’s someone in your pews who has always meant to ask about joining your choir but just hasn’t gotten around to calling you.
  4. You’ll give parishioners a chance to get to know you better through your writing, even if they’ve never spoken with you in person.
  5. You’ll be striking yet another blow against the comfortable mediocrity that has plagued liturgical music for decades.

You don’t have to do much to do a little good. Let your natural passion for your work shine through, and encourage people to listen to a recording so that the music can speak for itself. And then keep praying.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: choir director Last Updated: May 4, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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