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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

What Spilling My Coffee Taught Me About Directing My Choir

Keven Smith · April 27, 2020

Yesterday morning at approximately 6:45, I spilled half a cup of Mystic Monk Royal Rum Pecan coffee all over my desk at home. After I had sopped up the worst of the mess with paper towels, I assessed the damage. Most of the ruined papers were rehearsal plans from our last few weeks of choir before the COVID-19 shutdown. I tend to keep these papers because I write detailed notes on them during and after rehearsals.

Although it was nearly time to leave for my 8:00 AM live-streamed Solemn Mass, I found myself wondering, “Should I quickly transcribe all these notes onto clean paper so they’re not lost forever?” That’s when I realized God was trying to teach me something: Detach from the plan.

The Hidden Danger of Following a Plan

As a highly organized, extremely driven melancholic introvert, there are certain aspects of choir directing that suit me well. Planning is one of them. This entails more than just preparing detailed individual rehearsal plans. I also sit down at the beginning of each liturgical season to choose repertoire for upcoming feast days, calculate the total minutes of rehearsal time available, and put together a calendar for getting it all done. (Lest you think I’m not a fun guy, I should mention that I sometimes drink a beer as I work.)

Following my plan assures me that we’re making progress towards our choir’s highest purpose: to glorify God through music. But any plan for developing my singers is also a plan for developing myself. It’s a basic axiom of teaching that we can’t give what we don’t have. How can I acquire the skills I never learned in my training as a clarinetist?

I do various kinds of focused work to “put myself together.” This entails practicing Alexander Technique for good body alignment. Revisiting proper vocal technique so that I can model it for my singers. Evaluating the clarity and sincerity of my gestures in the mirror. Practicing more concise speech patterns so that I can trim even two minutes of fat from the next rehearsal.

It’s like building a new person—one that runs more efficiently in choir rehearsals. But there’s a hidden danger here. For a guy who’s wired like me, the tendency is to let this new, carefully constructed alter ego overshadow the real man—all in the interest of serving that unassailable higher purpose.

To put it another way, calcium deposits begin to form on our spiritual coffee pot. And the longer we wait to decalcify, the harder it will be to see the original shine underneath.

We can’t give what we don’t have—but we also shouldn’t give less than everything we are. The whole person. The gift of our true selves, being authentically present with our choirs. I probably shouldn’t try to dump out bucketloads of myself as an extrovert would, but I must remember to give consistent spoonfuls.

Of course, most of my choir members aren’t even here to receive these spoonfuls right now. Since the beginning of the shutdown, I’ve had it in the back of my mind to start planning for how I’m going to continue training them. But it wasn’t until my early-morning spill that I realized: this is my time to detach completely from what I have and focus instead on developing what I am. 

Why Pursue Detachment Now?

Even before my spill-induced epiphany, I had begun searching for what I need most during this uncertain time. While weeding our front yard on Saturday afternoon, I had a sudden inspiration to listen to a series of sermons our pastor recently gave on recollection. Before I knew it, I had made it through all 11—and cleared the yard. What’s one of the most essential elements of recollection? It’s not a red neck, nor blistered fingers. It’s detachment. Just be. Him and me. Ah! 

If you’re a church choir director, I highly recommend that you consciously pursue detachment now, before life returns to normal. But I think it’s a mistake to detach so completely that we’re only focused on the next live-streamed Mass. Instead, we can look for ways to make lasting improvements to the real person who animates our alter ego on the podium. For example: have you ever stopped to ask your singers how you’re coming across to them? You can probably get valuable input from any choir member—but your instincts will tell you who’s most likely to give you what you need most. Someone who “gets” the purpose of a church choir. Someone who has those intense eyes that notice everything. Someone who knows they won’t lose you if they’re completely honest in helping you find yourself.

These special souls can tell you things about you that you never suspected—or didn’t want to acknowledge. You’ll consider their observations, try on their suggestions, and start to picture the person they’ll see at the podium when your choir returns to session.

Scrubbing Away Layers

When I got home from Mass yesterday and saw my coffee-splattered papers still lying there, something occurred to me: most of my coffee hadn’t even made it into my stomach, and yet we had had a beautiful Mass. Our three-man schola stood just outside the sanctuary, where I realized I could gaze up at our enormous crucifix. I knew that by shortening my neck, I was compromising the body alignment I’ve worked so hard to develop. I didn’t care. I stared up at the crucifix and let my voice go.

So why do I think I need to be some charged-up, carefully planned version of myself to do a job in which I already have God’s assistance? Perhaps the most important work we can do right now isn’t to build ourselves up, but rather, to scrub away the calcified layers we don’t need. 

I threw my soggy papers in the trash can. When I’m eventually back with my full choir, I won’t be able to address any issues from our Wednesday, March 18 rehearsal. But God willing, I’ll have something far more valuable to share with my dear singers.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Last Updated: November 24, 2020

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About Keven Smith

Keven Smith, music director at St. Stephen the First Martyr, lives in Sacramento with his wife and five musical children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

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