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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Without Sacraments • How Saint Isaac Jogues Survived

Jeff Ostrowski · April 11, 2020

Excerpt • The Life of Father Isaac Jogues

ECAUSE Father Jogues was ordered by his superiors to write an account of his captivity, we have the vivid record of his life, which Francis Parkman [an atheist historian] has described as a living martyrdom. The priest was assigned the most degrading work and treated with greater contempt than the most despised squaw. He was made a beast of burden; heavy loads were placed on his bruised shoulders, and he was compelled to tramp 50, 70, or even 100 miles after the Indians. They paraded their prize exhibit wherever they went. His wounds were gangrened, his bare feet left tracks of blood on snow and ice, the deerskin he wore was alive with vermin. He could well have said, with Saint Paul, “We are fools for Christ’s sake… We are made as the refuse of this world, the offscouring of all.”

Late that fall, a band of Mohawks set out on their annual deer hunt. Father Jogues was ordered to accompany them. Loaded down with burdens, half-famished, he trekked through the November cold and shared the Mohawks’ mountain bivouacs. The game they caught was offered up to Areskoui (god of the chase) and eaten in his honor. Father Jogues, in consequence, would not taste the meat, because to do so would be to participate in the worship of the demon. At night, when the kettle was slung and the savages were celebrating their success in the hunt, Jogues would crouch in a corner of the hut, shivering and starving in the midst of plenty.

His conduct mystified and annoyed the Mohawks, and if they returned in the evening with no game, they blamed it on the Blackrobe: he had offended Areskoui. Like a squaw, Father Jogues brought in firewood; he carried their loads; he was their slave in all things but one: when they mocked at his God—or when they ordered him to worship theirs—the slave would assume a tone of authority and a steadfast attitude that astonished them. While humbly submitting to every caprice of his tyrants and appearing to rejoice in abasement, a derisive word against his Faith would change the lamb into the lion, and the lips that seemed so tame would speak in sharp, bold tones of menace and reproof.

At times Father Jogues would escape “this Babylon,” as he called the camp site. Wandering off into the wilderness, he would recite the Rosary, repeat passages from the Scriptures, and read from The Imitation of Christ. In some lonely spot, he would carve the figure of the Cross into the trunk of a tree and there kneel in prayer for long periods. “This living martyr,” observes Parkman, “half-clad in shaggy furs, kneeling on the snow among the icy rocks and beneath the gloomy pines, bowing in adoration before the emblem of the Faith (in which was his only consolation and his only hope), is alike a theme for the pen and a subject for the pencil.”

From Parkman’s external portrayal, Father Jogues himself allows us to penetrate into his interior condition:

In this sadness, I had recourse to the help of the Scriptures, my accustomed refuge. The passages that I recalled in memory taught me how I should think of God in His infinite goodness. Although I was not upheld by sensible consolation, nevertheless I would know that “the just man lives by faith.” I searched the Scriptures; I followed their streamlets, desiring, as it were, to quench my daily thirst. “In the law of God I was meditating day and night,” and, indeed, unless the law of God had been my meditation, I would then perhaps have perished in my abjection.

In his forest retreats, Father Jogues would experience a desolation of soul that reflected the intellectual and spiritual isolation of his lot, intensified now by the loss of René Goupil. Having no contact with his fellow countrymen, without the consolation of the Mass, without altar or chapel or any of the conventional aids to formal religious worship, physically beaten and mentally harassed, Jogues yet did not break down. So deep and unshakable was his supporting faith that he often cried out with Job, “Though he slay me, yet will I trust in Him.”

[This excerpt was written by Father John A. O’Brien, S.J.]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: St Isaac Jogues Last Updated: May 5, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“It is profitable for me that shame hath covered my face so I may seek consolation in Thee rather than in men.” (From the Imitation of Christ by Father Thomas à Kempis)

— Cardinal Merry del Val’s Prayer-Book

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