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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Without Sacraments • How Saint Isaac Jogues Survived

Jeff Ostrowski · April 11, 2020

Excerpt • The Life of Father Isaac Jogues

ECAUSE Father Jogues was ordered by his superiors to write an account of his captivity, we have the vivid record of his life, which Francis Parkman [an atheist historian] has described as a living martyrdom. The priest was assigned the most degrading work and treated with greater contempt than the most despised squaw. He was made a beast of burden; heavy loads were placed on his bruised shoulders, and he was compelled to tramp 50, 70, or even 100 miles after the Indians. They paraded their prize exhibit wherever they went. His wounds were gangrened, his bare feet left tracks of blood on snow and ice, the deerskin he wore was alive with vermin. He could well have said, with Saint Paul, “We are fools for Christ’s sake… We are made as the refuse of this world, the offscouring of all.”

Late that fall, a band of Mohawks set out on their annual deer hunt. Father Jogues was ordered to accompany them. Loaded down with burdens, half-famished, he trekked through the November cold and shared the Mohawks’ mountain bivouacs. The game they caught was offered up to Areskoui (god of the chase) and eaten in his honor. Father Jogues, in consequence, would not taste the meat, because to do so would be to participate in the worship of the demon. At night, when the kettle was slung and the savages were celebrating their success in the hunt, Jogues would crouch in a corner of the hut, shivering and starving in the midst of plenty.

His conduct mystified and annoyed the Mohawks, and if they returned in the evening with no game, they blamed it on the Blackrobe: he had offended Areskoui. Like a squaw, Father Jogues brought in firewood; he carried their loads; he was their slave in all things but one: when they mocked at his God—or when they ordered him to worship theirs—the slave would assume a tone of authority and a steadfast attitude that astonished them. While humbly submitting to every caprice of his tyrants and appearing to rejoice in abasement, a derisive word against his Faith would change the lamb into the lion, and the lips that seemed so tame would speak in sharp, bold tones of menace and reproof.

At times Father Jogues would escape “this Babylon,” as he called the camp site. Wandering off into the wilderness, he would recite the Rosary, repeat passages from the Scriptures, and read from The Imitation of Christ. In some lonely spot, he would carve the figure of the Cross into the trunk of a tree and there kneel in prayer for long periods. “This living martyr,” observes Parkman, “half-clad in shaggy furs, kneeling on the snow among the icy rocks and beneath the gloomy pines, bowing in adoration before the emblem of the Faith (in which was his only consolation and his only hope), is alike a theme for the pen and a subject for the pencil.”

From Parkman’s external portrayal, Father Jogues himself allows us to penetrate into his interior condition:

In this sadness, I had recourse to the help of the Scriptures, my accustomed refuge. The passages that I recalled in memory taught me how I should think of God in His infinite goodness. Although I was not upheld by sensible consolation, nevertheless I would know that “the just man lives by faith.” I searched the Scriptures; I followed their streamlets, desiring, as it were, to quench my daily thirst. “In the law of God I was meditating day and night,” and, indeed, unless the law of God had been my meditation, I would then perhaps have perished in my abjection.

In his forest retreats, Father Jogues would experience a desolation of soul that reflected the intellectual and spiritual isolation of his lot, intensified now by the loss of René Goupil. Having no contact with his fellow countrymen, without the consolation of the Mass, without altar or chapel or any of the conventional aids to formal religious worship, physically beaten and mentally harassed, Jogues yet did not break down. So deep and unshakable was his supporting faith that he often cried out with Job, “Though he slay me, yet will I trust in Him.”

[This excerpt was written by Father John A. O’Brien, S.J.]

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: St Isaac Jogues Last Updated: May 5, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Thus the priest-celebrant, putting on the person of Christ, alone offers sacrifice, and not the people, nor clerics, nor even priests who reverently assist. All, however, can and should take an active part in the Sacrifice. “The Christian people, though participating in the Eucharistic Sacrifice, do not thereby possess a priestly power,” We stated in the Encyclical Mediator Dei (AAS, vol 39, 1947, p. 553).

— Pope Pius XII (2 November 1954)

Recent Posts

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  • “Puzzling Comment” • By A Respected FSSP Priest
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  • “Reminder” — Month of October (2025)

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