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Views from the Choir Loft

Repeating Repertoire? • Veronica Brandt

Veronica Brandt · March 31, 2020

He said unto them: Therefore every scribe instructed in the kingdom of heaven, is like to a man that is a householder, who bringeth forth out of his treasure new things and old.

Matthew 13: 52

It seems self-evident that a church’s music program will combine new music with old music that people are more familiar with. There is music which varies according to season and music which is always applicable. A music director has the honor of choosing the music according to the abilities of all concerned, liturgical needs and making a beautiful sound for the greater glory of God.

New and old music

Sometimes a music director can encounter criticism about the music program. The good side of this is that it shows that someone cares. It can be an opportunity to share ideas about why we choose certain music. Hopefully it can be an amicable exchange mutually enriching both sides.

Having a plan can be helpful. Having a published schedule of upcoming music can help show that the choices are not arbitrary. It can also show that any alterations need to be made months in advance. Also having records of past plans helps bring something concrete to any discussion.

When it comes to the discussion of varying music, I’m always reminded of a dear old priest who would sing the same two hymns, one before Mass and the other after Mass, just for the quiet weekday Masses. Usually such Masses would have had no music whatsoever, but these two well known hymns were very welcome.

I still fall back on those two hymns on a fairly regular basis. They are well known here in Australia but I understand not so well known elsewhere around the world. I’m speculating that other places would tend to have old stalwart pieces which can guarantee a good reception. Such pieces could become stale, but they have their place.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Repeating Repertoire Last Updated: April 2, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The first tasks of the new pope will be to restore normality, restore doctrinal clarity in faith and morals, restore a proper respect for the law and ensure that the first criterion for the nomination of bishops is acceptance of the apostolic tradition. Theological expertise and learning are an advantage, not a hinderance for all bishops and especially archbishops.”

— Cardinal Pell (2022) about the pope who will succeed Francis

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