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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Custody of the Eyes

Fr. David Friel · March 10, 2020

HEN I first became a priest, I experienced a great temptation to maintain eye contact at many points during the celebration of the Mass. I had practiced the art of making eye contact in many other contexts, such as public speaking and various types of performances. It felt only natural to apply what had been learned through those experiences to my new role as a priest.

Not long after ordination, however, it began to feel less natural. As I grew into the role of speaking publicly to God the Father and leading the parish community in prayer, it became more apparent to me than ever before that eye contact is not always a virtue. I found that—like all the other gestures of the priest during the liturgy—the use of my eyes was a true means of communication. But what was I communicating?

To be clear, I do not suggest that priests should fashion an idol out of making no eye contact whatsoever during the celebration of the Mass. I have witnessed this very thing on a few occasions, and it has been counter-productive. What I do recommend is more modest, namely that priests should learn from the wisdom of our own tradition, which calls for a certain discipline with respect to our eyes at Mass. The fruit of this discipline, when practiced well, is increased devotion and love for God, among both priests and people.

ORAL theology teaches us to maintain custody of the eyes (custodia occulorum) in daily life. All of our human senses require a measure of control, and the sense of sight is no exception. Keeping guard over one’s eyes is certainly a praiseworthy practice for avoiding sin, but it is also more than that. It is a beneficial way to focus one’s attention on the thing at hand, and, ultimately, it is a path toward centering one’s love on God, Himself. The distinction between avoiding sin and loving God, of course, is more a matter of perspective than an essential difference. To avoid sin, in other words, is to love God; loving God, likewise, entails the avoidance of sin.

Practiced rightly, custody of the eyes helps us to look past surface appearances and into the depths of the heart. In this way, we become more like God, Who once spoke to Samuel in the context of choosing David as king of Israel: “The LORD sees not as man sees; man looks on the outward appearance, but the LORD looks on the heart” (1 Sam 16:7, RSV).

We ought to strive after this ideal in the way we use our sense of sight at all times. It should be our desire to catch this higher vision, above all, during the sacred liturgy.

HE RUBRICS of the Extraordinary Form of the Roman Rite specify where the eyes of the priest should be cast at many points during the Mass. When he processes to and from the altar, for example, his eyes are to be cast downward. His eyes are to be directed toward the sacred host on the corporal during the first minor elevation, the Memento of the Dead, the Pater noster, the prayers before the priest’s Communion, and whenever he is handling the host following the consecration.

Perhaps most interestingly, these rubrics dictate nine moments at which the priest is to raise his eyes to the cross. They are as follows:

1. Before the Munda cor meum (preparation for the Gospel)
2. Before Suscipe, sancta Pater (offering of the host)
3. During the entire Offerimus tibi (offering of the chalice)
4. At the words Veni, sanctificator (during offertory)
5. Before Suscipe, sancta Trinitas (during offertory)
6. At the words Deo nostro in the Gratias agamus (preface dialogue)
7. Before the words Te igitur (beginning of canon)
8. At the words elevatis oculis in caelum (before consecration of the host)
9. At the words Benedicat vos (final blessing)

Expounding upon these rubrics as they apply to the Missale Romanum 1962, O’Connell has this to say:

By the raising of the eyes, the celebrant, following the example of our divine Lord, more expressly directs his prayer of offering, thanks, or petition to God; and so his eyes are to be raised . . . to the image of the Crucified. This image, if the altar cross be in accordance with the rubrics, will ordinarily be higher than the six large candlesticks, so that the priest, in looking at it, will look heavenward (as Ritus VIII, 4 and XII, 1 expressly enjoins). Should the cross, however, contrary to the prescriptions of the rubrics, be a very small one, or set low down, the celebrant should raise his eyes above it, so as more obviously to direct them ad Deum, ad caelum. If, on the other hand, the cross be very high, it suffices to look towards it; the celebrant should not throw his head back to look at the image of the Crucified. (J. B. O’Connell, The Celebration of Mass: A Study of the Rubrics of the Roman Missal [Milwaukee: Bruce, 1964], 195)

The cross is central to our Catholic faith, and its centrality is ritualized and concretized by these rubrics of the Extraordinary Form.

Experience has taught me that the discipline of guarding my eyes during the celebration of the Mass is beneficial for my own prayer and for that of the faithful. It is the sort of healthy rigidity that, far from diminishing the human quality of liturgical celebration, facilitates our approach to the divine and conduces to our spiritual growth.

HE PROCESSES of mutual enrichment have not, as yet, taken any official form. In the meantime, however, the General Instruction of the Roman Missal (GIRM) includes a very important admonition:

The gestures and bodily posture of both the Priest, the Deacon, and the ministers, and also of the people, must be conducive to making the entire celebration resplendent with beauty and noble simplicity, to making clear the true and full meaning of its different parts, and to fostering the participation of all. Attention must therefore be paid to what is determined by this General Instruction and by the traditional practice of the Roman Rite and to what serves the common spiritual good of the People of God, rather than private inclination or arbitrary choice. (GIRM, #42)

My argument here is simply this: priests would do well to be less arbitrary in their choices concerning eye contact and more informed by the GIRM and the traditional practice of the Roman Rite. This would go a long way towards fostering that participation of mind and heart which the Liturgical Movement so earnestly encouraged.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Extraordinary Form 1962 Missal, Mutual Enrichment, Participatio Actuosa, Traditional Latin Mass Last Updated: May 2, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“It will not be Rome to tell you what you should do, no: because you have the charism. …you have the Holy Spirit for this. If Rome were to begin to make the decisions it would be a blow to the Holy Spirit, who works in the particular Churches.”

— Pope Francis (27 March 2023)

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