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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2020

Jeff Ostrowski · January 31, 2020

A Traditional—But Bizarre!—Way To Assist At Mass

Just because I’m aware of something that happened in the past doesn’t mean I endorse it.

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Richard J. Clark · January 31, 2020

Two Reasons for Fewer Vocations

The marketing and commercialization of sacred music has had vastly mixed results, some positive, but some deleterious.

Andrea Leal · January 29, 2020

In Which a Neo-Pagan Converts

I could feel that this Glory was immense, and mysterious, and real. But I could not quite grasp what that meant for me or what I should even do about it.

Dr. Gregory Hamilton · January 28, 2020

“Performance” and the Liturgy.

I have sometimes been told that I was “performing” in the Liturgy, and this has made me think about the meaning of this term and why people say it…

Jeff Ostrowski · January 28, 2020

Photos! • Brébeuf Choral Supplement Has Arrived

The Brébeuf hymnal collection is now complete—and it’s truly revolutionary!

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Jeff Ostrowski · January 28, 2020

Pothier’s 1906 “De Caetero” Letter • 3 Translations

“The Catholic tradition cannot be that of any special school, either ancient or modern…” —Abbot Pothier

Andrew Leung · January 28, 2020

Mass with Masks Thumbnail

Mass with Masks in Hong Kong

I took a few pictures during our Sunday Mass…

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Veronica Brandt · January 28, 2020

Litany of St Joseph

The Litany of St Joseph in Latin chant with an English translation.

Jeff Ostrowski · January 28, 2020

Anger at mistakes?

I have a bad habit of getting frustrated when choir members take a long time to learn a particular interval or entrance. But this can be “cured.” It was cured a few weeks ago, when I made a mistake. I was supposed to go down a minor third, but instead I went down a perfect […]

Jeff Ostrowski · January 27, 2020

Photograph • Fr. Valentine w/ Composer Kevin Allen

Please keep Fr. Valentine in your prayers—thank you!

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Fr. David Friel · January 26, 2020

The Book of Kells Online

The Book of Kells, as well as 150,000 artworks housed in Parisian museums, can be freely viewed online.

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Jeff Ostrowski · January 26, 2020

“The old man carried the Child, but the Child led the old man.”

The Antiphon for First Vespers of the Feast of the Purification (February 2nd) is beautiful: “The old man carried the Child, but it was the Child who was guiding the old man. The Virgin bore the Child, and after child-bearing was virgin still: whom she bore, him she adored.” —Senex púerum portábat, puer autem senem […]

Patrick Torsell · January 25, 2020

The Organ Postlude: Distraction, or Powerful Aid to Devotion?

The organ postlude is a powerful way to cultivate dispositions of rejoicing, thanksgiving, and awe before the greatness of God at the conclusion of the Holy Sacrifice of the Mass.

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Richard J. Clark · January 24, 2020

Liturgy is the work of Christ and His Body, the Church.

When we consider the redemptive power of the Mass, our eyes, hearts, and minds are opened wide!

Jeff Ostrowski · January 23, 2020

A quote from Fr. Valentine Young

I had one brother who was out of the church for quite a few years. When my mother was asked, “Did she worry about him?” I remember her answer: “I don’t worry about him; I just pray for him.” She left that in God’s hands. My mother did not live to see her son return […]

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Corpus Christi Watershed

President’s Corner

    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

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  • Important Quote by a Church Musician
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  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”

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