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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Revealed! • A Fascinating Mass Rubric Very Few Know

Jeff Ostrowski · September 7, 2019

HE COMMITTEE which worked for five years to produce the Saint Jean de Brébeuf Hymnal was quite a diverse group. Some were laymen, others were priests—and most of our time was spent examining hymn texts and tunes. One of the members discovered an intriguing rubric that was still “on the books” much later most authors realize. As late as 1957, the Roman Missal contained this rubric:

Minister autem dextera manu tenens
vas cum vino et aqua, sinistra vero mappulam,
aliquanto post Sacerdotem eis porrigit purificationem,
et mappulam ad os abstergendum.

The Server, however, holding in his right hand
a vessel with wine and water, and in his left a napkin,
a little behind the Priest proffers them

[i.e. the communicants] the purification,
and the napkin to wipe their mouths.

That’s correct: An altar boy followed the priest, giving water and wine to those who have just received Holy Communion.

The member of our committee who discovered this is very smart and very honest. Nevertheless, you can verify the truth of his discovery by a Google search. (Don’t look in the 1962 edition, because this rubric was removed.) I know many liturgical blogs, but I am not aware of any author who has spoken about this rubric. However, Fr. Herbert Thurston (d. 1939)—a friend of Fr. Adrian Fortescue—was certainly aware of this rubric. His 1911 article is encyclopedic:

* *  PDF Download • Article by Fr. Herbert Thurston, SJ (1911)

Here’s an excerpt from his article:

82760 HERBERT THURSTON

An article from 1943 rightly says:

The Ritus Servandus, we may here remind ourselves, still preserves the medieval direction that the server follow the priest, as he distributes Communion, in order to give each communicant a sip of wine and water. How surprised people would be next Sunday to see the direction being carried out!

Please read two pages from an 1883 article by Fr. James O’Kane:

* *  PDF Download • Article by Fr. James O’Kane (1883)

Fr. O’Kane explores whether the rubric can lawfully be ignored. He also discusses where the practice has fallen into disuse and where it has not—giving the following reasons for why it became unpopular:

“…the danger of effusion, the poverty of the churches, the difficulty of presenting it to each when there is a crowd of communicants, the nausea some would feel, and so on.”

I mentioned how a member of the Brébeuf committee made this discovery. He told me that he saw this practice observed when he was ordained.

We must be very careful when it comes to the Sanctissimum. For many years, I have encouraged my choir members to drink water after receiving Holy Communion, although the current rubrics only require the celebrant to do so. In very old Catholic Churches (going 1,000+ years) there are fountains near the front which used to be filled with water, so the faithful could drink immediately after receiving Holy Communion. Nevertheless, Fr. Herbert Thurston was probably correct to write, in 1911:

“Nay more, I will go so far as to say that if any priest did carry out the rubric in question, he would—at an early date—have his attention called to the matter by his Bishop, and would be reminded that it was not for private individuals to revive obsolete observances, when they have been suffered to fall into desuetude by a Church fully competent to enforce her own enactments if she wishes to do so.”

UPDATE: We have been notified that three (3) days after our discovery, the blog of the Church Music Association of America has written an article commenting on this discovery.


NOTES FROM THIS ARTICLE:

1   We desire to thank Berthold Kress, who found the image (see above) and posted it as part of a magnificent collection.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Last Updated: January 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

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