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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Sanctus For Two Voices”

Jeff Ostrowski · August 1, 2019

ENTION HAS BEEN MADE in the past of an “in house” collection from France (or possibly Quebec) which I came across while I was a graduate student in musicology at the University of Kansas. It is missing the first 50+ pages, but seems to be designed for use in cathedrals. I have had occasion to transcribe pieces from this book in the past—since it uses archaic clefs and was written by hand, not printed—and someday I’d like to transcribe the entire book. 1

I have transcribed a very interesting SANCTUS by Jules Couture (d. 1959), where the ladies sing one voice and the men sing the other voice:

    * *  PDF Download • “Sanctus for Two Voices” (Men + Women)

EQUAL VOICES : YouTube   •   Mp3 Labeled

LADIES : YouTube   •   Mp3 Labeled

GENTLEMEN : YouTube   •   Mp3 Labeled

83507 SANCTUS


Try this piece! Your choir will love it. Furthermore, the composer does cool things with the voices; e.g. carefully compare the two (2) HOSANNA sections.


A GOOD CHOIRMASTER soon discovers a crucial reality: Easy music often comes off better than complicated music. That’s because simpler music allows the choir to master the musical phrasing, vowels, rhythm, and intonation. The fact that a piece such as this Couture SANCTUS was considered suitable for cathedral use corresponds to what was said in a document promulgated by Pope Pius XII on 3 September 1958:

“In general, it is better to do something well, however modest, than to attempt something on a grander scale if proper means are lacking.”

The source of that quote—as well as other interesting Church regulations—are here:

    * *  Article • Jimmy Stewart & Church Music Regulations?



NOTES FROM THIS ARTICLE:

1   Unless I am wrong, it was created as a lithograph. I am told many such “in house” publications exist in France, some of which date from times when the Church was being persecuted by the French government: for example, circa 1905, when persecutory laws were enacted.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Some are called not to much speaking, | nor to conversations about the Church, | but, rather, to a deep silence | and to a life hidden in the heart of the Church, | far from wrangling tongues, from speculations, and discord. […] This is the essence of a Eucharistic monastic life.

— Fr. Mark Daniel Kirby (Meditation on Colossians 3:3)

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  • New Bulletin Article • “12 October 2025”

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