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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Hymn Names Don’t Match

Jeff Ostrowski · January 28, 2019

OR FIVE LONG YEARS, we sorted thousands of hymn tunes into “meter sets” as preparation for the Brébeuf Hymnal. The end result was about 4,500 files, meaning I can instantly pull up and compare all the various texts (and harmonizations) for any hymn. When one begins to study hymnody, one quickly discovers that multiple names are often assigned to the same tune. Even worse, many of the (pre-1950) Catholic hymnals omitted tune names altogether! In particular, in America after the Great War, many hymnal editors changed “German sounding” tune names, causing great confusion. 1 For instance, if you want to avoid German, you can call LOBE DEN HERREN as “Praxis Pietatis.” The Episcopalian hymnal published in 1940 changed JESUS MEINE ZUVERSICHT to “Louise.”

“Shared” In A Bad Way • We often encounter hymn tune names that are “shared”—and not in a good way. I am talking about hymns like WALTHAM, which refers to one melody in Hymns Ancient and Modern (#324) and a totally different melody in the New English Hymnal and a totally different one in the Episcopal 1940 Hymnal (#259). The same is true for WELLS, which refers to one melody in the New Westminster Hymnal but a completely different melody in the New English Hymnal. There are many more examples: FULDA, ST GEORGE, ST BERNARD (cf. Hymns Ancient and Modern #188), and so forth.

Lacking Uniformity • If someone calls a hymn by a different name, don’t be too hasty to reprimand, because frequently there is no “correct” name for the tune. However, we can all agree that calling the same tune by multiple names in the same hymnal is unacceptable. George Ratcliffe Woodward has a good reputation when it comes to hymns, but look what he did here:

85571-ALTERNATE-Als-Christus-Mit-Seiner-Lehr-HYMN

Now look what he called that same tune in another section of the same hymnal:

85572-Als-Christus-Mit-Seiner-Lehr-HYMN

For the record, here’s how the Brébeuf Hymnal harmonizes it:

85570-Maker-Of-The-Starry-Sphere

Carefully examine these two melodies (“BOYCE” and “HALTON HOLGATE”):

90369 HALTON HOLGATE BOYCE

Look at the bass line, if you don’t see it.

HALTON HOLGATE is also called “SHARON” and JERSEY.

Perhaps the worst offender is “ICH BEGEHR NICHT MEHR,” which has a billion different names (including St. Leonard) and is used with different meters. Needless to say, there are numerous variants, with different passing tones, etc.

Here are some opinions I have vis-à-vis hymn tune names:

Unhelpful & Unspecific Names:

Easter Hymn
Epiphany
Lovely
Nature
National Hymn
Shepherds in the field
Veni Sancte Spiritus
French Carol
Sunrise
Harvest
Italian Hymn
Gloria
Truth from Above
Psalm 6
Simple Chant

Weird Looking Names:

Praises
Bow Church
Duke Street
Farley Castle
Monkland
Strength and stay
Pilgrims
Metzler’s Redhead No. 66
Redhead No. 46

Unprepossessing or Inelegant Names:

Oswald’s Tree
Toplady
Marching
Knickerbocker
Geronimo
Little Cornard
Pike
Old Bath
Batty
My Dancing Day
Stars of Ice
Long is our Winter

Hard to Pronounce Names:

Hyfrydol
Khanta Zagun Guziek
Lux Eoi
Edgbaston
Gerrans
Wallet Will Ich
Wir Pflügen
Ins Feld Geh
St Aëlred
Trochrague
Cwm Rhondda

Do you agree?

 


NOTES FROM THIS ARTICLE:

1   For more on this subject, Google “Germanophobia.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes, Jean de Brebeuf Hymnal, The Names Of Hymn Tunes Last Updated: May 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

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