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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Hymn Names Don’t Match

Jeff Ostrowski · January 28, 2019

OR FIVE LONG YEARS, we sorted thousands of hymn tunes into “meter sets” as preparation for the Brébeuf Hymnal. The end result was about 4,500 files, meaning I can instantly pull up and compare all the various texts (and harmonizations) for any hymn. When one begins to study hymnody, one quickly discovers that multiple names are often assigned to the same tune. Even worse, many of the (pre-1950) Catholic hymnals omitted tune names altogether! In particular, in America after the Great War, many hymnal editors changed “German sounding” tune names, causing great confusion. 1 For instance, if you want to avoid German, you can call LOBE DEN HERREN as “Praxis Pietatis.” The Episcopalian hymnal published in 1940 changed JESUS MEINE ZUVERSICHT to “Louise.”

“Shared” In A Bad Way • We often encounter hymn tune names that are “shared”—and not in a good way. I am talking about hymns like WALTHAM, which refers to one melody in Hymns Ancient and Modern (#324) and a totally different melody in the New English Hymnal and a totally different one in the Episcopal 1940 Hymnal (#259). The same is true for WELLS, which refers to one melody in the New Westminster Hymnal but a completely different melody in the New English Hymnal. There are many more examples: FULDA, ST GEORGE, ST BERNARD (cf. Hymns Ancient and Modern #188), and so forth.

Lacking Uniformity • If someone calls a hymn by a different name, don’t be too hasty to reprimand, because frequently there is no “correct” name for the tune. However, we can all agree that calling the same tune by multiple names in the same hymnal is unacceptable. George Ratcliffe Woodward has a good reputation when it comes to hymns, but look what he did here:

85571-ALTERNATE-Als-Christus-Mit-Seiner-Lehr-HYMN

Now look what he called that same tune in another section of the same hymnal:

85572-Als-Christus-Mit-Seiner-Lehr-HYMN

For the record, here’s how the Brébeuf Hymnal harmonizes it:

85570-Maker-Of-The-Starry-Sphere

Carefully examine these two melodies (“BOYCE” and “HALTON HOLGATE”):

90369 HALTON HOLGATE BOYCE

Look at the bass line, if you don’t see it.

HALTON HOLGATE is also called “SHARON” and JERSEY.

Perhaps the worst offender is “ICH BEGEHR NICHT MEHR,” which has a billion different names (including St. Leonard) and is used with different meters. Needless to say, there are numerous variants, with different passing tones, etc.

Here are some opinions I have vis-à-vis hymn tune names:

Unhelpful & Unspecific Names:

Easter Hymn
Epiphany
Lovely
Nature
National Hymn
Shepherds in the field
Veni Sancte Spiritus
French Carol
Sunrise
Harvest
Italian Hymn
Gloria
Truth from Above
Psalm 6
Simple Chant

Weird Looking Names:

Praises
Bow Church
Duke Street
Farley Castle
Monkland
Strength and stay
Pilgrims
Metzler’s Redhead No. 66
Redhead No. 46

Unprepossessing or Inelegant Names:

Oswald’s Tree
Toplady
Marching
Knickerbocker
Geronimo
Little Cornard
Pike
Old Bath
Batty
My Dancing Day
Stars of Ice
Long is our Winter

Hard to Pronounce Names:

Hyfrydol
Khanta Zagun Guziek
Lux Eoi
Edgbaston
Gerrans
Wallet Will Ich
Wir Pflügen
Ins Feld Geh
St Aëlred
Trochrague
Cwm Rhondda

Do you agree?

 


NOTES FROM THIS ARTICLE:

1   For more on this subject, Google “Germanophobia.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes, Jean de Brebeuf Hymnal, The Names Of Hymn Tunes Last Updated: May 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

The Latin language, “far from being held in little regard, is certainly worthy of being vigorously defended.”

— Pope Saint Paul VI (15 August 1966)

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  • PDF • “Music List” (Xmas Midnight Mass)

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