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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

When Hymn Names Don’t Match

Jeff Ostrowski · January 28, 2019

OR FIVE LONG YEARS, we sorted thousands of hymn tunes into “meter sets” as preparation for the Brébeuf Hymnal. The end result was about 4,500 files, meaning I can instantly pull up and compare all the various texts (and harmonizations) for any hymn. When one begins to study hymnody, one quickly discovers that multiple names are often assigned to the same tune. Even worse, many of the (pre-1950) Catholic hymnals omitted tune names altogether! In particular, in America after the Great War, many hymnal editors changed “German sounding” tune names, causing great confusion. 1 For instance, if you want to avoid German, you can call LOBE DEN HERREN as “Praxis Pietatis.” The Episcopalian hymnal published in 1940 changed JESUS MEINE ZUVERSICHT to “Louise.”

“Shared” In A Bad Way • We often encounter hymn tune names that are “shared”—and not in a good way. I am talking about hymns like WALTHAM, which refers to one melody in Hymns Ancient and Modern (#324) and a totally different melody in the New English Hymnal and a totally different one in the Episcopal 1940 Hymnal (#259). The same is true for WELLS, which refers to one melody in the New Westminster Hymnal but a completely different melody in the New English Hymnal. There are many more examples: FULDA, ST GEORGE, ST BERNARD (cf. Hymns Ancient and Modern #188), and so forth.

Lacking Uniformity • If someone calls a hymn by a different name, don’t be too hasty to reprimand, because frequently there is no “correct” name for the tune. However, we can all agree that calling the same tune by multiple names in the same hymnal is unacceptable. George Ratcliffe Woodward has a good reputation when it comes to hymns, but look what he did here:

85571-ALTERNATE-Als-Christus-Mit-Seiner-Lehr-HYMN

Now look what he called that same tune in another section of the same hymnal:

85572-Als-Christus-Mit-Seiner-Lehr-HYMN

For the record, here’s how the Brébeuf Hymnal harmonizes it:

85570-Maker-Of-The-Starry-Sphere

Carefully examine these two melodies (“BOYCE” and “HALTON HOLGATE”):

90369 HALTON HOLGATE BOYCE

Look at the bass line, if you don’t see it.

HALTON HOLGATE is also called “SHARON” and JERSEY.

Perhaps the worst offender is “ICH BEGEHR NICHT MEHR,” which has a billion different names (including St. Leonard) and is used with different meters. Needless to say, there are numerous variants, with different passing tones, etc.

Here are some opinions I have vis-à-vis hymn tune names:

Unhelpful & Unspecific Names:

Easter Hymn
Epiphany
Lovely
Nature
National Hymn
Shepherds in the field
Veni Sancte Spiritus
French Carol
Sunrise
Harvest
Italian Hymn
Gloria
Truth from Above
Psalm 6
Simple Chant

Weird Looking Names:

Praises
Bow Church
Duke Street
Farley Castle
Monkland
Strength and stay
Pilgrims
Metzler’s Redhead No. 66
Redhead No. 46

Unprepossessing or Inelegant Names:

Oswald’s Tree
Toplady
Marching
Knickerbocker
Geronimo
Little Cornard
Pike
Old Bath
Batty
My Dancing Day
Stars of Ice
Long is our Winter

Hard to Pronounce Names:

Hyfrydol
Khanta Zagun Guziek
Lux Eoi
Edgbaston
Gerrans
Wallet Will Ich
Wir Pflügen
Ins Feld Geh
St Aëlred
Trochrague
Cwm Rhondda

Do you agree?

 


NOTES FROM THIS ARTICLE:

1   For more on this subject, Google “Germanophobia.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Affordable Hymnal for Catholic Parishes, Jean de Brebeuf Hymnal, The Names Of Hymn Tunes Last Updated: May 10, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

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