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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Christmas Midnight Mass • Saint Vitus Parish (LA)

Jeff Ostrowski · December 15, 2018

These musical programs are for Saint Vitus Parish, which belongs to the Archdiocese of Los Angeles. The Parish is staffed by the Priestly Fraternity of Saint Peter. Bring your family to the 10:30am High Mass every Sunday.


PROCESSIONAL   •   #805 O Come, All Ye Faithful

From the Campion Hymnal.


“Asperges” is only sung for the main Sunday Mass.


INTROIT   •   The Ladies sing this.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from these markings, which the organist should print using a color printer.


KYRIE ELEISON

We will sing #89425, a Kyrie by Victoria.


GLORIA IN EXCELSIS

We will sing Guerrero’s Gloria based on “Iste Sanctus” • #5612.

We also know GLORIA X; that means go HERE and find the Gloria under Mass X.


GRADUAL & ALLELUIA

We will sing #3982 (an Alleluia by Father Morales).

As always, the verses are found in our Goupil Gradual books.


CREDO IV   •   When we sing Plainsong Credo IV, we use alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

“Christmas Carol” by Peter Lejeune is #87488


SANCTUS & HOSANNA

We will sing #88751, a Sanctus by Victoria.

We will also sing #88749 Benedictus by Victoria.

We are learning #87349, a SANCTUS by J.S. Bach


AGNUS DEI

We will sing AGNUS DEI after Fr. Gregorio Allegri (d. 1652) = #7554

We also know #90719 by Giovanni Gabrieli.

We also know 13th century Worcester AGNUS DEI.

AGNUS DEI (1310AD)   (score)


COMMUNION ANTIPHON   •   The Men sing this.

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION OTHER

“O Magnum Mysterium” (Father Victoria) is #3792.


RECESSIONAL HYMN   •   #803 Hark! The Herald Angels Sing

From the Campion Hymnal.


CHOIR PRAYER (usually taken from CAMPION HYMNAL) after attendance:

A description of Fr. Charles Garnier, written in 1649:

He mortified himself night and day, always sleeping on a hard bed and carrying on his body some part of the cross, which he cherished in life and upon which he hoped to meet his death. Each time that he came back from his mission he made sure to sharpen anew the iron points of the belt which he wore next to his skin. More than that, he often used an iron discipline, also studded with sharp points. His food was the food of the Indians—that is, less than any miserable beggar in France would expect to have. During this last winter’s famine, acorns and bitter roots were his delicacies… Those in greatest need were the object of his tenderest solicitude. No matter how disgusting a person’s manners were, nor how mean and impudent his actions, he loved all with the love of a mother and never neglected any corporal work of mercy that would help for the salvation of souls. He would dress ulcers that were so poisoned and infectious that the Indians—even the nearest relatives of the patient—could not force themselves to dress them. Alone he would undertake the task of swabbing away the pus and dressing the wound every day for two or three months, exercising the greatest care and tenderness, although often he knew well that the wounds were incurable. “But,” he would say, “the more fatal the wounds, the more I am inclined to nurse them in order to bring these poor people to the gates of Heaven and to prevent them from falling into sin at the most dangerous time of their lives.”


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • Our Lady of Guadalupe (12 Dec.)
    The Responsorial Psalm may be downloaded as a PDF file (organist & vocalist) for 12 December, which is the Feast of Our Lady of Guadalupe. When it comes to the formulary for this Mass, it’s astounding how infrequently it’s included in official books. Prior to Vatican II, one had to search through “supplemental material” printed in the back of hand-missals and graduals. But since 1970, the feast is virtually nonexistent. According to the UNIVERSAL KALENDAR, 12 December is the “Feast of Saint Jane Frances De Chantal, Religious” (Die 12 decembris: S. Ioannæ Franciscæ de Chantal, religiosæ). Why should that feast overpower Our Lady of Guadalupe? In the United States, OLG is celebrated—and I’d assume in Mexico, Central America, South America, and Canada—but, as I said, the Propria Missae are virtually impossible to locate. I possess only three books which mention this feast.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.”

— Pope Saint Paul VI (14 Oct 1968)

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