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Views from the Choir Loft

Christmas Midnight Mass • Saint Vitus Parish (LA)

Jeff Ostrowski · December 15, 2018

These musical programs are for Saint Vitus Parish, which belongs to the Archdiocese of Los Angeles. The Parish is staffed by the Priestly Fraternity of Saint Peter. Bring your family to the 10:30am High Mass every Sunday.


PROCESSIONAL   •   #805 O Come, All Ye Faithful

From the Campion Hymnal.


“Asperges” is only sung for the main Sunday Mass.


INTROIT   •   The Ladies sing this.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from these markings, which the organist should print using a color printer.


KYRIE ELEISON

We will sing #89425, a Kyrie by Victoria.


GLORIA IN EXCELSIS

We will sing Guerrero’s Gloria based on “Iste Sanctus” • #5612.

We also know GLORIA X; that means go HERE and find the Gloria under Mass X.


GRADUAL & ALLELUIA

We will sing #3982 (an Alleluia by Father Morales).

As always, the verses are found in our Goupil Gradual books.


CREDO IV   •   When we sing Plainsong Credo IV, we use alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

“Christmas Carol” by Peter Lejeune is #87488


SANCTUS & HOSANNA

We will sing #88751, a Sanctus by Victoria.

We will also sing #88749 Benedictus by Victoria.

We are learning #87349, a SANCTUS by J.S. Bach


AGNUS DEI

We will sing AGNUS DEI after Fr. Gregorio Allegri (d. 1652) = #7554

We also know #90719 by Giovanni Gabrieli.

We also know 13th century Worcester AGNUS DEI.

AGNUS DEI (1310AD)   (score)


COMMUNION ANTIPHON   •   The Men sing this.

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION OTHER

“O Magnum Mysterium” (Father Victoria) is #3792.


RECESSIONAL HYMN   •   #803 Hark! The Herald Angels Sing

From the Campion Hymnal.


CHOIR PRAYER (usually taken from CAMPION HYMNAL) after attendance:

A description of Fr. Charles Garnier, written in 1649:

He mortified himself night and day, always sleeping on a hard bed and carrying on his body some part of the cross, which he cherished in life and upon which he hoped to meet his death. Each time that he came back from his mission he made sure to sharpen anew the iron points of the belt which he wore next to his skin. More than that, he often used an iron discipline, also studded with sharp points. His food was the food of the Indians—that is, less than any miserable beggar in France would expect to have. During this last winter’s famine, acorns and bitter roots were his delicacies… Those in greatest need were the object of his tenderest solicitude. No matter how disgusting a person’s manners were, nor how mean and impudent his actions, he loved all with the love of a mother and never neglected any corporal work of mercy that would help for the salvation of souls. He would dress ulcers that were so poisoned and infectious that the Indians—even the nearest relatives of the patient—could not force themselves to dress them. Alone he would undertake the task of swabbing away the pus and dressing the wound every day for two or three months, exercising the greatest care and tenderness, although often he knew well that the wounds were incurable. “But,” he would say, “the more fatal the wounds, the more I am inclined to nurse them in order to bring these poor people to the gates of Heaven and to prevent them from falling into sin at the most dangerous time of their lives.”


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

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