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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Adoro Te Devote” • A Bad Translation in Hymnals

Jeff Ostrowski · August 22, 2018

N MORE THAN ONE OCCASION, members of the Brébeuf hymnal committee have questioned whether we are placing too much emphasis on language. Before choosing a hymn translation, we study all that have been made—especially those by Catholic priests. 1 Sometimes the committee will argue over a single word for weeks. Contrariwise, in other Catholic hymnals we observe an insane amount of sloppy choices—and it sometimes makes us wonder if people will appreciate our unprecedented effort.

For example, a popular translation of the “Adóro Te Devóte” was published in People’s Mass Book (1964), which was very widely disseminated in Catholic churches. How can people claim this is a translation of the hymn by Saint Thomas Aquinas?


Version by Melvin L. Farrell:

1. Humbly we adore thee,
Christ Redeemer King;
Thou are Lord of heaven,
thou to whom we sing.

God, the Mighty, thou hast come,
bearing gifts of grace;
Son of Adam still thou art:
Savior to our race.

2. Jesus, Lord we thank thee
for this wondrous Bread;
In our land thou dwellest,
by thee we are fed.

We who share this Mystery
in thee are made one:
Every act we offer thee
in thy Name is done.

3. Thou who died to save us
livest as our Light:
Though our eyes are blinded,
yet our Faith gives sight.

Christ, do thou be merciful,
Lamb for sinners slain,
We in grief confess our guilt:
cleanse our souls of stain.

4. Christ, our God and Brother,
hear our humble plea:
By this holy banquet
keep us joined to thee.

Make us one in loving thee,
one in mind and heart,
Till in heaven we are thine,
nevermore to part.

5. Hail, thou Word Incarnate,
born from Mary’s womb;
Hail thou Strength immortal,
risen from the tomb.

Share with us thy victory,
Savior ever blest:
Live more fully in our hearts;
be our constant Guest.

6. Faith alone reveals here
Bread of paradise;
Faith alone may witness
Jesus’ sacrifice.

Therefore, Lord, as once of old
Thomas gained his sight,
Now increase our feeble faith:
shed thy healing light.

7. Christ, at his Last Supper,
breaking bread, decreed:
“This, my Body, take and eat“—
heavenly Food indeed!

Then he blessed the cup of wine—
“Take ye this” he said:
“Drink the chalice of my Blood,
soon for sinners shed.”


Accurate Translation of the Latin:

1. I adore You devoutly,
Godhead unseen,
Who truly lies hidden
under these sacramental forms.

My soul surrenders itself
to You without reserve,
for in contemplating You
it is completely overwhelmed.

2. Sight, touch and taste
are no guide in finding You,
and only hearing
is a sure guide for our faith.

I believe everything
that the Son of God has said,
and nothing can be truer
than this word of the Truth.

3. Only the godhead
was hidden on the cross,
but here the humanity
is hidden as well.

Yet I believe and
acknowledge them both,
and make the same request
as did the repentant thief.

4. I do not see the marks
of the wounds,
as Thomas did,
and yet I too own You as “My God.”

Grant that I believe
in You more and more,
that I put my hope in You
and that I love You.

5. Living bread, that ever recalls
the Lord’s death
and gives life
to His servants,

grant to my soul
to live by You
and always to taste
Your sweetness.

6. Lord Jesus,
loving pelican of heaven,
cleanse me, a sinner,
with Your blood;

for a single drop
can save
the whole world
from all its sin.

7. Jesus, as I look
on Your veiled presence,
I pray that what I long for
so ardently may come about,

and that I may see
Your face unveiled
and be happy
in the vision of Your glory.

This “translation” even appears in reputable hymnals, such as the Saint Michael Hymnal.

Does nobody care this translation is a total fraud?

UR COMMITTEE has discovered several breathtaking translations of the “Adóro Te Devóte,” and these have been set to marvelous melodies in the Brébeuf hymnal. Some of the melodies were composed specifically for our book by excellent composers.

By the way, in the Brébeuf Hymnal, we provide the actual Latin (with literal translations) so people can know what the authentic prayers say. You would be astounded at how often Catholic hymnals—even very good ones—delete and omit verses, sometimes more than 70%. But that’s another topic for another day.




NOTES FROM THIS ARTICLE:

1   The St. Jean de Brébeuf Hymnal will soon be released, and people will be astonished by the interesting hymn translations by Catholic priests we have discovered. Many have never been published before!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“These French offices represent a new case of the old tendency towards local modification—which the Council of Trent had meant to repress. They are commonly attributed to Gallican ideas and are supposed to be not free from Jansenist venom. Some of these local French uses survived almost to our own time. They were supplanted by the Roman books in the 19th century, chiefly by the exertions of Dom Prosper Guéranger (d. 1875).”

— Dr. Adrian Fortescue (d. 1923)

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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