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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Sunday Vespers”

Jeff Ostrowski · August 7, 2018

AST SUNDAY, we began singing Sunday Vespers. From now on, we will do this each week as a parish. Vespers is actually pretty complicated if one remembers to place in all the rubrics, starting pitches, parallel translations, and so forth. I find my solution fully adequate…but quite ugly.

UPDATE (21 September 2020):

Mr Bloomfield has solved all these problems!

*  PDF Download • “Vespers for Sundays & Holy Days”
—465-page booklet can be downloaded or purchased.

Each week, I will think about how I can make the booklets more beautiful. After a year, I believe I will have found a layout I consider worth printing. Until then, if you want to get your parish singing Sunday Vespers, feel free to use our version:

* *  PDF Download • SUNDAY VESPERS (Testing)

Everything except the Magnificat remains the same each week until Advent. Therefore, I had to create this sheet for 5 August 2018. 1 As time goes on, we will also add organ accompaniment. We will also employ special versions for the hymn.

* *  Magnificat • 24th Sunday after Pentecost

* *  Magnificat • 6th “resumed” Sunday after Epiphany

* *  Magnificat • 5th “resumed” Sunday after Epiphany

* *  Magnificat • 4th “resumed” Sunday after Epiphany

* *  Magnificat • 16th Sunday after Pentecost

* *  Magnificat • 17th Sunday after Pentecost

* *  Magnificat • 18th Sunday after Pentecost

* *  Magnificat • 19th Sunday after Pentecost

* *  Magnificat • 20th Sunday after Pentecost

* *  Magnificat • 21st Sunday after Pentecost

* *  Magnificat • 22nd Sunday after Pentecost

ORRY TO SWITCH TOPICS, but if you look in the Summit Hymnal (published in 1983 by the Dominican Monastery of Our Lady of the Rosary) you will find on page 517 a “combination descant.” The editor says one can combine their harmony for HALTON HOLGATE with the popular hymn tune called MONKLAND. They provide both, so there’s no possibility of melody variants.

A member of the Brébeuf Hymnal editorial team first brought this to my attention, and we got excited. The Summit Hymnal is one of the better hymnals…but—alas!—this turned out to be a lie:

* *  PDF Download • Copyrighted Descant “Fail”

But it doesn’t work. What a huge disappointment—it would have been spectacular if it worked. The Summit Hymnal editor even copyrighted what they call the “Tune-Descant combination.” But it’s a lie.

It just doesn’t work; they break all the rules of writing descants and several parts sound terrible.

87994 monk writes


NOTES FROM THIS ARTICLE:

1   Each week, I must create a similar sheet—unless I can successfully convince each choir member to purchase a copy of the Liber Usualis.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Vespers Last Updated: July 31, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?

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