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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Sunday Vespers”

Jeff Ostrowski · August 7, 2018

AST SUNDAY, we began singing Sunday Vespers. From now on, we will do this each week as a parish. Vespers is actually pretty complicated if one remembers to place in all the rubrics, starting pitches, parallel translations, and so forth. I find my solution fully adequate…but quite ugly.

UPDATE (21 September 2020):

Mr Bloomfield has solved all these problems!

*  PDF Download • “Vespers for Sundays & Holy Days”
—465-page booklet can be downloaded or purchased.

Each week, I will think about how I can make the booklets more beautiful. After a year, I believe I will have found a layout I consider worth printing. Until then, if you want to get your parish singing Sunday Vespers, feel free to use our version:

* *  PDF Download • SUNDAY VESPERS (Testing)

Everything except the Magnificat remains the same each week until Advent. Therefore, I had to create this sheet for 5 August 2018. 1 As time goes on, we will also add organ accompaniment. We will also employ special versions for the hymn.

* *  Magnificat • 24th Sunday after Pentecost

* *  Magnificat • 6th “resumed” Sunday after Epiphany

* *  Magnificat • 5th “resumed” Sunday after Epiphany

* *  Magnificat • 4th “resumed” Sunday after Epiphany

* *  Magnificat • 16th Sunday after Pentecost

* *  Magnificat • 17th Sunday after Pentecost

* *  Magnificat • 18th Sunday after Pentecost

* *  Magnificat • 19th Sunday after Pentecost

* *  Magnificat • 20th Sunday after Pentecost

* *  Magnificat • 21st Sunday after Pentecost

* *  Magnificat • 22nd Sunday after Pentecost

ORRY TO SWITCH TOPICS, but if you look in the Summit Hymnal (published in 1983 by the Dominican Monastery of Our Lady of the Rosary) you will find on page 517 a “combination descant.” The editor says one can combine their harmony for HALTON HOLGATE with the popular hymn tune called MONKLAND. They provide both, so there’s no possibility of melody variants.

A member of the Brébeuf Hymnal editorial team first brought this to my attention, and we got excited. The Summit Hymnal is one of the better hymnals…but—alas!—this turned out to be a lie:

* *  PDF Download • Copyrighted Descant “Fail”

But it doesn’t work. What a huge disappointment—it would have been spectacular if it worked. The Summit Hymnal editor even copyrighted what they call the “Tune-Descant combination.” But it’s a lie.

It just doesn’t work; they break all the rules of writing descants and several parts sound terrible.

87994 monk writes


NOTES FROM THIS ARTICLE:

1   Each week, I must create a similar sheet—unless I can successfully convince each choir member to purchase a copy of the Liber Usualis.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Vespers Last Updated: July 31, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski
    “Entrance Chant” • 21st Sunday Ordin. Time
    You can download the ENTRANCE ANTIPHON in English for the 21st Sunday in Ordinary Time (Year C) which is coming up on 24 August 2025. Corresponding to the vocalist score is this free organ accompaniment. It’s set in a melancholy mode, but if you heard my choir’s female voices singing it your soul would be uplifted beyond belief. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

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