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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Expectations Exceeded at the Symposium!

Archives for July 2018

Guest Author · July 30, 2018

Expectations Exceeded at the Symposium!

“If you occasionally share a habit of mine for getting stuck in one style, take new inspiration here!” —Miss Phoebe Wing

Jeff Ostrowski · July 27, 2018

Remarkable Quote About Low Mass

It’s disturbing to realize that Mass was offered like this in some places.

Jeff Ostrowski · July 26, 2018

Puzzle • “Now Thank We All Our God”

Singular or Plural?

Andrew Leung · July 26, 2018

My Trip to Canada

Beautiful churches and music in Canada…

Jeff Ostrowski · July 25, 2018

1934 Footage • Gregorian Chant in Chicago

They sure did sing with gusto in those days!

Jeff Ostrowski · July 23, 2018

“Arundel Catholic Hymns” • Hymns Chosen and Edited by the Duke of Norfolk

“To the man of cultivated taste, they are displeasing—and in some cases even offensive…”

Jeff Ostrowski · July 22, 2018

Brébeuf Hymnal • “Behind the Scenes”

Creating a metrical translation like that, so very literal, is stupefyingly difficult.

Dr. Lucas Tappan · July 20, 2018

A Model for Parish Revitalization (Ordinary Form)

“Being Evangelical Catholics requires that we know the Gospel, believe the Gospel, live the Gospel, and share the Gospel with others—and this begins and ends for us in the sacred liturgy…”

Jeff Ostrowski · July 16, 2018

PDF Canon • “Non Nobis Domine” (William Byrd)

This Canon, attributed to William Byrd, was greatly admired by Beethoven and Mozart.

Fr. David Friel · July 15, 2018

Society for Catholic Liturgy Conference 2018

To be held 27–29 September 2018, the conference will focus on the legacy of Msgr. Romano Guardini.

Jeff Ostrowski · July 11, 2018

Rehearsal videos • “Kyrie” by Josquin des Prez (d. 1521)

Recorded by participants at the 2018 Symposium!

Dr. Lucas Tappan · July 11, 2018

The Sung Canon

Since the Canon cannot be recited “silently” in the Ordinary Form, I wonder if chanting it might be one answer to the lack of transcendence we often encounter within Mass.

Jeff Ostrowski · July 10, 2018

What Happens When A Choirmaster Gets Sad?

Our profession is not an easy one.

Jeff Ostrowski · July 9, 2018

(Video) • Closing Mass of Symposium 2018

…recorded on a device located at the very back of Church.

Veronica Brandt · July 7, 2018

Flos Carmeli for a Carmelite Novena

A printable copy of the beautiful Carmelite sequence with English translation alongside. Time to practise ready for the Feast Day on July 16!

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President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

Recent Posts

  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)

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