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Views from the Choir Loft

Contemporary “Stabat Mater” (SATB) • by Gustaaf Nees (d. 1965)

Jeff Ostrowski · February 28, 2018

EOPLE JUST LIKE YOU participate in the Sacred Music Symposium for multifarious reasons, but one item often overlooked is the seminar I teach on vocal recordings, like the one below. I walk the participants through a process which has helped our volunteer choir very much.

Click on the link below (#90206) to download the PDF score:

REHEARSAL VIDEOS for each individual voice and PDF score await you at #90206.

PEAKING “Stabat Mater Dolorosa,” the creation of the St. Jean de Brébeuf Hymnal has necessitated making hundreds of comparison charts, helping us choose the best text for each hymn. I was able to convince the committee to let me post a sample chart, but only on the condition that all original translations were omitted—so this chart only contains about half:

    * *  PDF • Sample chart (incomplete) comparing translations

Look what Monsignor Ronald Knox does in verse 12:

12. Love exceeding hangs there bleeding,
My cause pleading, my love needing—
Bid him share his cross with me.

Look what Denis Florence MacCarthy does in verse 12:

12. Ever leading where thy bleeding
Son is pleading for my needing,
Let me in His wounds take part.

Look what Monsignor Hugh Henry does in verse 12:

12. Who, from bending Heav’n descending,
Came amending earth’s offending—
All His pains with me divide.

Now examine the original verse 12 to see why they did what they did:

1. Stabat Mater dolorósa
Juxta Crucem lacrimósa,
Dum pendébat Fílius.

2. Cujus ánimam geméntem,
Contristátam et doléntem
Pertransívit gládius.

3. O quam tristis et afflícta
Fuit illa benedícta
Mater unigéniti!

4. Quae maerébat et dolébat,
Pia Mater, dum vidébat
Nati poenas íncliti.

5. Quis est homo qui non fleret,
Matrem Christi si vidéret
In tanto supplício?

6. Quis non posset contristári,
Christi Matrem contemplári
Doléntem cum Fílio?

7. Pro peccátis suae gentis,
Vidit Jesum in torméntis,
Et flagéllis súbditum.

8. Vidit suum dulcem natum
Moriéndo desolátum,
Dum emísit spíritum.

9. Eja Mater, fons amóris
Me sentíre vim dolóris
Fac, ut tecum lúgeam.

10. Fac ut árdeat cor meum
In amándo Christum Deum,
Ut sibi compláceam.

11. Sancta Mater, istud agas,
Crucifíxi fige plagas
Cordi meo válide.

12. Tui nati vulneráti,
Tam dignáti pro me pati,
Poenas mecum dívide.

13. Fac me tecum pie flere,
Crucifíxo condolére,
Donec ego víxero.

14. Juxta Crucem tecum stare,
Et me tibi sociáre
In planctu desídero.

15. Virgo vírginum praeclára,
Mihi jam non sis amára:
Fac me tecum plángere.

16. Fac ut portem Christi mortem
Passiónis fac consórtem,
Et plagas recólere.

17. Fac me plagis vulnerári,
Fac me cruce inebriári,
Et cruóre Fílii.

18. Flammis ne urar succénsus,
Per te, Vírgo, sim defénsus
In die judícii.

19. Christe, cum sit hinc exíre,
Da per Matrem me veníre
Ad palmam victóriae.

20. Quando corpus moriétur,
Fac ut ánimae donétur
Paradísi glória.

But that’s nothing compared to what Bernard of Cluny routinely did—such as this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Monsignor Ronald Knox Traditional Mass, STABAT MATER DOLOROSA Last Updated: February 29, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The Sanctus and Benedictus are one text and should be sung through without a break. The practice—once common—of waiting till after the Consecration and then singing: “Benedictus qui venit…” is not allowed by the Vatican Gradual.

— Father Fortescue, writing in 1912

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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