• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

What If…

Dr. Lucas Tappan · January 16, 2018

LMT McCreary New Church Design F ONLY… At some point in every man’s life he mutters this phrase in a moment of absolute frustration. If only… I have my own slew of such stories, many of which deal with a beautiful, but old colonial style home my wife and I purchased a number of years ago (if only the builders hadn’t planned the main gray water drain line to exit the house into the back yard, snake under the entire garage, enter our neighbor’s yard and then return back into our front yard to connect to the main sewer—who willingly creates problems like that?). As musicians, priests and liturgists each of us has similar stories he could tell about his own parish church and problems he deals with because the building wasn’t conceived through careful thought and planning. Following my article two weeks ago on the importance of the right sound quality in churches I thought long and hard about the various peoples and knowledge I would bring to the table if I were building an ideal Roman Catholic Church and would like to share that with you today. What follows is a short list of those people I feel should be involved in the planning of a church from the very beginning to ensure a worthy celebration of the Roman Rite in both of its forms. (I do not include obvious examples such as engineers, contractors, fund-raisers, etc., but confine myself to those with an obvious connection to the Sacred Liturgy.)

Priest: As obvious as this is and should be, I wonder if priests sometimes view their role in the church building process as more of parish CEO than as chief parish liturgist. As the one responsible for the celebration of the Sacraments and as the spiritual father of a vast family he is leading to Heaven (on whom the building will have an obvious impact) , he needs to have a clear vision of what a church building is. Obviously this won’t be the strength of every pastor, which is both natural and to be expected, but if he struggles in this area, he needs to find those who can help him.

Liturgist: I hesitate to include liturgists in this discussion, having had more trouble with them in my life than I care to recall. (I somewhat rue the fact that I have liturgist in my official parish title, but the Lord has a sense of humor.) However, there are some really good ones out there who understand the history of the Roman Rite and its liturgical requirements and they can offer insights that otherwise might never be thought of. Such a liturgist needs not only to understand the Roman Rite and its rich history, but needs to have a love and respect for that history, especially for both forms, as well as such things as ad orientem worship.

Organist/Choir Director: Again, I hesitate to add musicians to this list for the same reason I hesitate to add liturgists—too many of them disdain the Roman Rite’s liturgical patrimony, which bodes ill for any of our building projects. However, the importance of music in the celebration of the Roman Rite behooves a pastor to include a liturgical musician worthy of the name, and to do so from the very start. It goes without saying that a fine organ should be part of the project from the beginning and it is much easier to remove walls or add them before they are built rather than after. Many parishes won’t be able to afford a quality instrument until after the church is built, but it should be planned for from the very beginning. A quality acoustician (recommended by a organ company of high quality) goes without saying as well (refer to my article last week on this topic).

Liturgical Architect: It is imperative that a parish employ an architect steeped in the history of church architecture. This does NOT lock a parish into copying a specific style, nor does it preclude a genuine inculturation of local elements. Nevertheless, your parish will not succeed in building a church structure worthy to be called an icon of Heaven if you don’t have an architect who can embody some part of the glory of Heaven in stone, wood and glass. Duncan Stroik is well known for his ability to do this, but there are others as well.

The Way of Beauty: David Clayton’s book The Way of Beauty should be require reading as well as the basis for reflection and discussion for any church building committee. One must always keep in mind that the church building itself is a sacrament of Heaven and this book is the most complete, yet accessible work I have encountered that forms such an understanding in the reader.

Whether a Gothic cathedral in France, a rural Norman church in England or a Californian mission church, each one in its own way has the power to lift our eyes in contemplation of the New and Eternal Jerusalem. My prayer is that parishes recognize both the incredible potential and responsibility they possess in erecting such edifices.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Iconographic tradition has theologically interpreted the manger and the swaddling cloths in terms of the theology of the Fathers. The child stiffly wrapped in bandages is seen as prefiguring the hour of his death: from the outset, he is the sacrificial victim, as we shall see more closely when we examine the reference to the first-born. The manger, then, was seen as a kind of altar.”

— Pope Benedict XVI (2012)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.