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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Missal for the Laity” (1846)

Jeff Ostrowski · September 20, 2017

WO THINGS happen at Mass: (1) Jesus Christ is made present on the Altar; (2) Jesus Christ is offered to His Heavenly Father. If we were to ask the average Catholic for a basic definition of the Mass, how many could provide one? I don’t need to answer that question, because our readers know how dreadfully low the percentage would be. Yet, we still find authors posting lengthy statements about the “massive effect” Magnum Principium will have. In my view, we would obtain a massive effect if we taught every Catholic the basics about the Holy Mass.

Here’s an 1846 ORDO MISSAE published for the laity:

* *  PDF Download • “Ordinary of the Mass” (1846)

The entire book is phenomenal, and Google has placed several (complete) versions online:

* *  VERSION 1   (download to your Hard Drive to see images) • 821 pages

* *  VERSION 2   (download to your Hard Drive to see images) • 886 pages

This was published 90 years before most homes in America had electricity!

Viewing a book like this, we’re reminded how seriously Catholics once took the sacred liturgy. Those of us who love liturgical history can’t help but admire the careful illustrations:

The Vatican II bishops had good intentions, I’m sure. But after the Council, our liturgy was greatly impoverished, in direct contradiction to the what the Vatican II documents actually said. How many Catholics, for example, will hear the official Entrance Chant for the Pentecost, which even today is supposed to be identical to what is found in the 1846 Missal?

4405 Missal for the Catholic LAITY

Most parishes delete the official prayer—even though it’s incredibly ancient—and replace it with a song of their choosing. If you don’t believe me when I say the 1974 Graduale texts are ancient, pick up a copy of the Jogues Illuminated Missal (which has full approval from the USCCB as well as the local bishop).

Have you noticed the liturgical progressives are never happy? All we’ve heard for fifty years is grumbling and bellyaching. Those who love the traditional liturgical practices, on the other hand, cannot say enough. They love to share the music and prayers and books containing these treasures. They are filled with joy. And it’s the same with authentic Catholic music. There’s nothing to be ashamed of when it comes to Guerrero, Palestrina, and plainsong. Such things—being pure, holy, and beyond reproach—constitute the “worm that dieth not” for liturgical progressives.

I’ll never forget reading a 2009 article wherein a leading progressive liturgist (Fr. Robert Taft) was asked “What is the biggest liturgical abuse out there?” He didn’t talk about disrespect for the SANCTISSIMUM. He didn’t mention irreverent, goofy music. Instead, he cited priests distributing the Blessed Sacrament from the Tabernacle. Many popes have said it is more fitting (from a liturgical point of view) to distribute “hosts consecrated at the same liturgy”—and that’s just fine, as far as I’m concerned. 1 But at the end of the day, when we receive the SANCTISSIMUM, we receive Jesus Christ: Body, Blood, Soul, and Divinity. This is a reality, irrespective of when Consecration took place. To imply that Jesus Christ—our Infinite God—is somehow deficient (in any way whatsoever) is utterly wrong. It’s actually satanic to say that “God is not enough for me.”

Rev. Taft has a right to claim “the biggest liturgical abuse” is Catholics receiving from the Tabernacle. But I also have a right to say: “No, that’s not the biggest abuse.”

Here are a few more images from that marvelous 1846 Missal:

4404 Prose 4407 Crucif 4408 Medieval Mass

 

 


NOTES FROM THIS ARTICLE:

1   Some will fail to carefully read my words, and erroneously claim that I oppose this church rule: “As a general rule, Holy Communion is given from hosts consecrated at the same Mass and not from those reserved in the tabernacle.” I have made it clear I do not oppose that rule.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Medieval Manuscripts Last Updated: September 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“I ask that future priests, from their time in the seminary, receive the preparation needed to understand and to celebrate Mass in Latin, and also to use Latin texts and execute Gregorian chant; nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

— SACRAMENTUM CARITATIS

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