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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Missal for the Laity” (1846)

Jeff Ostrowski · September 20, 2017

WO THINGS happen at Mass: (1) Jesus Christ is made present on the Altar; (2) Jesus Christ is offered to His Heavenly Father. If we were to ask the average Catholic for a basic definition of the Mass, how many could provide one? I don’t need to answer that question, because our readers know how dreadfully low the percentage would be. Yet, we still find authors posting lengthy statements about the “massive effect” Magnum Principium will have. In my view, we would obtain a massive effect if we taught every Catholic the basics about the Holy Mass.

Here’s an 1846 ORDO MISSAE published for the laity:

* *  PDF Download • “Ordinary of the Mass” (1846)

The entire book is phenomenal, and Google has placed several (complete) versions online:

* *  VERSION 1   (download to your Hard Drive to see images) • 821 pages

* *  VERSION 2   (download to your Hard Drive to see images) • 886 pages

This was published 90 years before most homes in America had electricity!

Viewing a book like this, we’re reminded how seriously Catholics once took the sacred liturgy. Those of us who love liturgical history can’t help but admire the careful illustrations:

The Vatican II bishops had good intentions, I’m sure. But after the Council, our liturgy was greatly impoverished, in direct contradiction to the what the Vatican II documents actually said. How many Catholics, for example, will hear the official Entrance Chant for the Pentecost, which even today is supposed to be identical to what is found in the 1846 Missal?

4405 Missal for the Catholic LAITY

Most parishes delete the official prayer—even though it’s incredibly ancient—and replace it with a song of their choosing. If you don’t believe me when I say the 1974 Graduale texts are ancient, pick up a copy of the Jogues Illuminated Missal (which has full approval from the USCCB as well as the local bishop).

Have you noticed the liturgical progressives are never happy? All we’ve heard for fifty years is grumbling and bellyaching. Those who love the traditional liturgical practices, on the other hand, cannot say enough. They love to share the music and prayers and books containing these treasures. They are filled with joy. And it’s the same with authentic Catholic music. There’s nothing to be ashamed of when it comes to Guerrero, Palestrina, and plainsong. Such things—being pure, holy, and beyond reproach—constitute the “worm that dieth not” for liturgical progressives.

I’ll never forget reading a 2009 article wherein a leading progressive liturgist (Fr. Robert Taft) was asked “What is the biggest liturgical abuse out there?” He didn’t talk about disrespect for the SANCTISSIMUM. He didn’t mention irreverent, goofy music. Instead, he cited priests distributing the Blessed Sacrament from the Tabernacle. Many popes have said it is more fitting (from a liturgical point of view) to distribute “hosts consecrated at the same liturgy”—and that’s just fine, as far as I’m concerned. 1 But at the end of the day, when we receive the SANCTISSIMUM, we receive Jesus Christ: Body, Blood, Soul, and Divinity. This is a reality, irrespective of when Consecration took place. To imply that Jesus Christ—our Infinite God—is somehow deficient (in any way whatsoever) is utterly wrong. It’s actually satanic to say that “God is not enough for me.”

Rev. Taft has a right to claim “the biggest liturgical abuse” is Catholics receiving from the Tabernacle. But I also have a right to say: “No, that’s not the biggest abuse.”

Here are a few more images from that marvelous 1846 Missal:

4404 Prose 4407 Crucif 4408 Medieval Mass

 

 


NOTES FROM THIS ARTICLE:

1   Some will fail to carefully read my words, and erroneously claim that I oppose this church rule: “As a general rule, Holy Communion is given from hosts consecrated at the same Mass and not from those reserved in the tabernacle.” I have made it clear I do not oppose that rule.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Medieval Manuscripts Last Updated: September 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

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