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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Beatus Vir Editions” Announces New Publication

Guest Author · September 1, 2017

4524 • BEATUS VIR EDITIONS WE HAVE RECEIVED word from BEATUS VIR EDITIONS of a new publication with fresh contemporary settings by Roman Catholic composer Royce Nickel.

Press release by BEATUS VIR EDITIONS:

UBLISHED IN HONOR of Saint Therese of Lisieux, this comprehensive collection contains settings of the Lectionary Chants for every Sunday in the Roman calendar, the principal solemnities and feasts, and for various sacred rites, including weddings, funerals, and confirmation. There is a Vocalist’s Edition and an Organist’s Edition, each including the complete cycle of psalm and alleluia settings. The Psalm Responses and Alleluias are set in a simple yet beautiful modal style: melodic simplicity guarantees ease of use for cantor and congregation, while the modal style evokes the beauty of the sacred. For the Alleluias, seven different melodies are provided, changing in the course of the Church year to mark the seasons. The verses to be sung by cantor or choir employ the traditional Gregorian psalm tones. Whereas the psalm settings use the simpler Office tones, the Gospel Acclamation verses feature the more ornate Mass tones, the greater solemnity of style heralding the reading of the Gospel, the high point of the Liturgy of the Word. The Organist’s Edition conveniently presents the Responsorial Psalm and the Gospel Acclamation for each feast on facing pages, avoiding the need for page turns. An appendix provides a scriptural index of the psalm settings for purposes of liturgical planning.

A sample page (Psalm and Alleluia) can be downloaded:

    * *  Sample page courtesy of BEATUS VIR EDITIONS

We are grateful for this notification by BEATUS VIR EDITIONS and hope that other publishing companies will continue to contact us with new offerings so we can help spread the word.

The book is being sold through Lulu publishing:

    * *  Lulu.com • Organ Edition

    * *  Lulu.com • Vocalist Edition

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

Palestrina wrote two Masses in honor of the Blessed Virgin—one “a 6” before the Council of Trent, consequently with the tropes, and first published in 1570. In 1599 it was republished in Palestrina “Missarum Liber III” with the tropes removed, and in their place the liturgical words of the “Gloria” reiterated.

— Henry Coates

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