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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

JPII: “The Roman Church Has Special Obligations to Latin”

Fr. David Friel · July 9, 2017

HAT IS THE role of Latin in the contemporary Church? On the one hand, Latin remains the official language of the Church and of her liturgy, while, on the other hand, Latin is left largely unstudied and unused in most areas.

What should the role of the Latin language be in the 21st-century Church?

It would profit us to revisit some words composed by Pope St. John Paul II in his Holy Thursday letter of 1980 (available here). In the third section of the letter, the Holy Father addresses the topic of the “two tables of the Lord” (Word and Eucharist). He acknowledges the positive dimensions of the vernacular readings introduced after the Second Vatican Council: “The fact that these texts are read and sung in the vernacular enables everyone to participate with fuller understanding” (Dominicae cenae, 10).

In the very next breath, however, JPII notes that the introduction of the vernacular has also brought about certain negative effects. He writes:

Nevertheless, there are also those people who, having been educated on the basis of the old liturgy in Latin, experience the lack of this “one language,” which in all the world was an expression of the unity of the Church and through its dignified character elicited a profound sense of the Eucharistic Mystery. It is therefore necessary to show not only understanding but also full respect towards these sentiments and desires. As far as possible, these sentiments and desires are to be accommodated, as is moreover provided for in the new dispositions (Dominicae cenae, 10).

Then, in understated fashion, the Holy Father makes a mammoth declaration: “The Roman Church has special obligations towards Latin, the splendid language of ancient Rome, and she must manifest them whenever the occasion presents itself” (Dominicae cenae, 10).

This is an absolutely extraordinary pronouncement. It does not say merely that the Church has a fond relationship with Latin; it does not say only that there is a historical connection between the Church and the Latin language; it does not say just that Latin has been useful to the Church. The tenor of this claim is raised to the level of an “ought.” The Church, according to St. John Paul II, holds obligations toward the Latin language.

This vision of the Church’s relationship with Latin is quite different from the perspective held by many post-conciliar liturgists. Consider the following reflection from Martimort’s classic work, L’Église en prière:

There will always be a place, however limited, for the traditional repertory that bears witness to the prayer of many different generations of Christians. There will be a place in particular for Gregorian chant in Latin, for this alone makes it possible for an international assembly to participate comfortably. (Aimé Georges Martimort, The Church at Prayer: An Introduction to the Liturgy, vol. I, trans. Matthew J. O’Connell [Collegeville, MN: Liturgical Press, 1987], 171).

This perspective treats Latin as a curious but affectionate part of the Church’s historical past. Such an approach seems, to me, ironically short-sighted. Martimort begins by asserting that the place of traditional Latin repertory is “limited” and ends by praising the value of Latin repertory at international gatherings. This is essentially a self-defeating prophecy. If the use of Gregorian chant is generally curtailed so as to be “limited,” after a fairly short span, it will cease to be an effective source of unity among the faithful at international gatherings.

This seems like an obvious thing to observe. After all, is this not the way the situation has actually played out in the years since the council? The widespread abandonment of the Church’s musical heritage in the aftermath of the council has left whole generations of Catholics with no practical knowledge or lived experience of Gregorian chant, such that the use of Latin at international gatherings seldom succeeds in helping the faithful “to participate comfortably.”

The natural effect of “limiting” the traditional repertory seems so obvious that one wonders if widespread ignorance of Latin and chant has not been achieved by design.

Pope St. John Paul II did not spell out the Church’s “obligations towards Latin” when he referenced them in 1980. It might be worth our while to do so now.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Latin, Pope Saint John Paul II Last Updated: December 6, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“In particular, today we must remember that our liturgy—celebrated according to the books promulgated by Saints Paul VI and John Paul II—must be preserved from any element from the ancient forms.”

— Bishops of Costa Rica —Hat tip to ‘Catholic Arena’

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