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Views from the Choir Loft

Musical Resources • Pentecost Sunday 1

Jeff Ostrowski · June 3, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.


PROCESSIONAL

Organist.


VIDI AQUAM

PDF Score (Singer)   •   Mp3   •   YouTube   •   Organist


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

We will revert to Guerrero’s KYRIE with three sections: #3347, #3661, and #7332.

We will take a break from the Palestrina, #6995.


GLORIA IN EXCELSIS

Plainsong Gloria IX from the Campion Hymnals, accompanied by the organist score.

Begin learning #5612.


GRADUAL & ALLELUIA

We will sing #7503 (an Alleluia by Victoria).

As always, the verses are found in our Goupil Gradual books.

Today there is a special SEQUENCE we talked about. We will not do the 14th century version we used to do.


CREDO IV   •   Alternatim

We often sing this version: #3445.   But sometimes we sing in unison.

Begin learning #5984.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

Choir members should be learning #6962 and #6926.

We also know #3496.


AGNUS DEI

We hope to sing #7554.


COMMUNION FIRST

Organist.


COMMUNION POLYPHONY

“Nunc Sancte Nobis,” #7128. The words are different, but you can still practice.


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from the “color” markings posted on Saint Goupil, printed with a color printer.


RECESSIONAL HYMN   •   #888 Come Holy Ghost, Who Ever One

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

Come, holy Spirit, and from heaven direct on man the rays of Your light.

Come, father of the poor; come, giver of God’s gifts; come, light of men’s hearts.

Kindly Paraclete, in Your gracious visits to man’s soul You bring relief and consolation.

If it is weary with toil, You bring it ease; in the heat of temptation, Your grace cools it; if sorrowful, Your words console it.

Light most blessèd, shine on the hearts of Your faithful—even into their darkest corners; for without Your aid man can do nothing good, and everything is sinful.

Wash clean the sinful soul, rain down Your grace on the parched soul and heal the injured soul.

Soften the hard heart, cherish and warm the ice-cold heart, and give direction to the wayward.

Give Your seven holy gifts to Your faithful, for their trust is in You.

Give them reward for their virtuous acts; give them a death that ensures salvation; give them unending bliss.


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Jeff Ostrowski

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

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