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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Easter Hymn: “O Filii et Filiæ” • Contemporary setting (SATB)

Jeff Ostrowski · March 21, 2017

IKE OTHER musicians—even Horowitz—I often view my earlier projects with disgust. The passage of time can reveal flaws in earlier works. But “for every rule there is an exception,” and I recently stumbled upon a 2001 edition I made of an Easter hymn (based on a work by Msgr. Jules Van Nuffel).

I think it holds up pretty well:

* *  PDF Download • “O FILII ET FILIAE” (SATB)

Pardon my squeaky Soprano notes, but I wanted to show how it sounds:

REHEARSAL VIDEOS for each individual voice—along with PDF score—await you at #5909. If you like them, please consider donating $5.00 per month.

Sing along with the Tenor Rehearsal video—could anything be more fun?

MY EDITION is similar to the version found in the special “English translation edition” of the Solesmes Liber Usualis, which can be downloaded here. If you examine the setting of words like “Salóme” as printed in that 1957 book, you might almost be forgiven for thinking the accent is on the antepenult. On the other hand, similar techniques were used by Machaut and Dufay—and it certainly helps prevent the tonic accent from becoming heavy and predictable.

O fílii et fíliae,
Rex caeléstis, Rex glóriae,
Mórte surréxit hódie.

O sons and daughters,
The King celestial, the King of glory,
From death arose to-day.

Et María Magdaléne,
Et Jacóbi, et Salóme,
Venérunt córpus úngere.

And Mary Magdalene, Salome,
And also Mary of James
Came to anoint the body.

In álbis sédens, ángelus
Praedíxit muliéribus:
In Galilaéa est Dóminus.

In white robes sitting the Angel
Foretold to the women:
In Galilee is the Lord.

Discípulis adstántibus,
In médio stétit Chrístus,
Dícens: Pax vóbis ómnibus.

The disciples standing by,
In the midst stood Christ,
Saying: Peace be to you all.

Víde, Thóma, víde látus,
Víde pédes, víde mánus,
Nóli ésse incrédulus.

See, Thomas, see my side,
See my feet, see my hands,
Do not be unbelieving.

Quándo Thómas Chrísti látus,
Pédes vídit átque mánus,
Díxit: Tu es Déus méus.

When Thomas saw Christ’s side,
When the feet he saw and the hands,
He said: Thou art my God.

Beáti qui non vidérunt,
Et fírmiter credidérunt,
Vítam aetérnam habébunt.

Blessèd they who have not seen,
Yet have firmly believed,
Life eternal shall they have.

In hoc fésto sanctíssimo
Sit laus et jubilátio,
Benedicámus Dómino.

On this feast most holy
Be there praise and jubilation,
Let us bless the Lord.

Monsignor Jules Van Nuffel’s school certainly loved pedal tones in middle voices—as you know if you purchased Volume 5 of the NOH hardcopy, which explains their compositional principles—and the Alto is chock-full of them in the above arrangement.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Harmonized Gregorian Chant, O Filii Et Filiae Last Updated: March 7, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Cardinal Ranjith on “Active Participation”
    From 2005–2009, Malcolm Cardinal Ranjith served as Secretary of the Congregation for Divine Worship and the Discipline of the Sacraments. He was considered ‘papabile’ during the last conclave. On 8 December 2008, he wrote this powerful statement concerning Gregorian Chant, participatio actuosa, celebration “ad orientem,” and other subjects. When it comes to the question of what “sacred” means, Monsignor Robert A. Skeris provides a marvelous answer.
    —Jeff Ostrowski
    “Music List” • 22nd in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 31 August 2025, which is the 22nd Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

Recent Posts

  • “Dynamic Equivalence” • Serious Problems with the Forthcoming Lectionary Translation
  • Cardinal Ranjith on “Active Participation”
  • Exec. Director of ICEL weighs in on our series • “PDF comparison chart” included
  • “Music List” • 22nd in Ordinary Time (Year C)
  • Brave Schola Director Posts ‘Live’ Recording

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