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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Easter Hymn: “O Filii et Filiæ” • Contemporary setting (SATB)

Jeff Ostrowski · March 21, 2017

IKE OTHER musicians—even Horowitz—I often view my earlier projects with disgust. The passage of time can reveal flaws in earlier works. But “for every rule there is an exception,” and I recently stumbled upon a 2001 edition I made of an Easter hymn (based on a work by Msgr. Jules Van Nuffel).

I think it holds up pretty well:

* *  PDF Download • “O FILII ET FILIAE” (SATB)

Pardon my squeaky Soprano notes, but I wanted to show how it sounds:

REHEARSAL VIDEOS for each individual voice—along with PDF score—await you at #5909. If you like them, please consider donating $5.00 per month.

Sing along with the Tenor Rehearsal video—could anything be more fun?

MY EDITION is similar to the version found in the special “English translation edition” of the Solesmes Liber Usualis, which can be downloaded here. If you examine the setting of words like “Salóme” as printed in that 1957 book, you might almost be forgiven for thinking the accent is on the antepenult. On the other hand, similar techniques were used by Machaut and Dufay—and it certainly helps prevent the tonic accent from becoming heavy and predictable.

O fílii et fíliae,
Rex caeléstis, Rex glóriae,
Mórte surréxit hódie.

O sons and daughters,
The King celestial, the King of glory,
From death arose to-day.

Et María Magdaléne,
Et Jacóbi, et Salóme,
Venérunt córpus úngere.

And Mary Magdalene, Salome,
And also Mary of James
Came to anoint the body.

In álbis sédens, ángelus
Praedíxit muliéribus:
In Galilaéa est Dóminus.

In white robes sitting the Angel
Foretold to the women:
In Galilee is the Lord.

Discípulis adstántibus,
In médio stétit Chrístus,
Dícens: Pax vóbis ómnibus.

The disciples standing by,
In the midst stood Christ,
Saying: Peace be to you all.

Víde, Thóma, víde látus,
Víde pédes, víde mánus,
Nóli ésse incrédulus.

See, Thomas, see my side,
See my feet, see my hands,
Do not be unbelieving.

Quándo Thómas Chrísti látus,
Pédes vídit átque mánus,
Díxit: Tu es Déus méus.

When Thomas saw Christ’s side,
When the feet he saw and the hands,
He said: Thou art my God.

Beáti qui non vidérunt,
Et fírmiter credidérunt,
Vítam aetérnam habébunt.

Blessèd they who have not seen,
Yet have firmly believed,
Life eternal shall they have.

In hoc fésto sanctíssimo
Sit laus et jubilátio,
Benedicámus Dómino.

On this feast most holy
Be there praise and jubilation,
Let us bless the Lord.

Monsignor Jules Van Nuffel’s school certainly loved pedal tones in middle voices—as you know if you purchased Volume 5 of the NOH hardcopy, which explains their compositional principles—and the Alto is chock-full of them in the above arrangement.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Harmonized Gregorian Chant, O Filii Et Filiae Last Updated: March 7, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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