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Views from the Choir Loft

PDF Download • “Missa de Angelis” (Fr. Castro)

Andrew Leung · January 5, 2017

CTL Dominus Dixit ad Me Download T HAS BEEN A WHILE since I have written here. The life in the seminary has been very busy and the Christmas season has been very intense. As I promised last time, I am going to share more about Fr. Áureo Castro, a priest, composer and music educator of the Diocese of Macau, China. 1

As I mentioned in my last post, I found a collection of choral pieces composed by local composers when I was going through old book in the seminary. One piece that I found in the collection is a setting of Missa de Angelis:

    * *  PDF • MISSA DE ANGELIS (Áureo Castro)

Missa de Angelis has always been the “pop” Gregorian Mass; it is the most widely-known and popular chant Mass setting. Fr. Áureo’s setting alternates the chant melody and the choral parts, which allows both the congregation and the choir to sing. While the internal participation is very important, it is also nice to allow the congregation to participate externally through active singing, especially the Ordinaries of the Mass. While this Mass setting is not the most difficult and complicated, the choral range is pretty wide and can be challenging. Also, you may realize there isn’t a score for the “Agnus Dei” movement; the Portuguese at the end of “Sanctus” actually indicates that Fr. Áureo didn’t compose any choral parts for the “Agnus Dei”.

So, when you are thinking about singing the “pop Mass” next time, consider about using this choral setting. I hope it will add beauty to your worship and make your Missa de Angelis more interesting. Please feel free to leave comments on our Facebook combox.



NOTES FROM THIS ARTICLE:

1   Fr. Áureo Castro was born in 1917 at Pico, on Calendaria in the Azores, Portugal. He came to Macau in 1931 when he was 14 years old and he entered the St. Joseph Diocesan Seminary. He was ordained for the Diocese of Macau later in 1943. He was actively involved in parish ministries and the musical training of diocesan seminarians. In 1951, Fr. Áureo went to Lisbon to further study music at the National Conservatory and he graduated with distinction in music composition. He founded the St. Pius X Academy of Music upon his return to Macau. The institute not only offers music classes, but it also organized public concerts and has invited many internationally famous musicians to Macau. He dedicated his life to the promotion of music and his compositions are widely recognized. He passed away in 1993 at the age of 76.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

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