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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Christmas Carol

Dr. Lucas Tappan · December 27, 2016

LMT Nativity Scene IS THE SEASON… to strike the harp and join the chorus. One of my favorite pastimes in Christmastide is caroling with friends and family, accompanied by fine libations and delectable treats. Like the real wax candles that bedeck our family Christmas tree, though, caroling seems to have become an anomaly in the modern world—a bizarre ritual of old that delights the anthropologist but is of little other use. Christians as much as anyone else simply turn on the radio and think little more of it. Ask the average person in your parish to sing the first verse of Silent Night from memory and I wager he hasn’t got the mental reserve to make it half way through. Don’t doubt me.

In opposition to this decay, I thought today I might refresh our cultural memory of, and hopefully our desire for, the once ubiquitous Christmas carol. To be honest, how many even know what a carol really is, from whence these beautiful songs came and why they are so important—not only for creating a festive mood, but for forming the imagination of our young people (and not so young) and passing on the Faith?

Carols originated as circle dances, accompanied by singing, during the Medieval period. This dance-like quality (Angelus ad Virginem), as well as refrains (Birjina gaztetto bat zegoen, or The Angel Gabriel) and texts in either Latin (Quem pastores), the vernacular (Es ist ein Ros’ entsprungen) or both (Psalite, unigenito) were popular—traditions maintained in the modern era. Carol themes run the gamut of the liturgical year or might be secular in nature (Deck the Halls), although the Christmas carol seems to have taken the high ground. Their texts are beautiful examples of popular piety put into words, whether the carol narrates a well know Gospel text such as the Annunciation (The Salutation Carol) or speaks figuratively about the time Mary bore the Christchild in her womb (Maria durch ein Dornwald ging).

Carols developed around the same time as the great mystery and miracle plays (c. 1350-1450) in the golden age of Christendom (although no age is ever perfect) when the Church’s celebration of her liturgical life possessed the vitality to shape and form popular culture. Some carols, such as the Coventry Carol, were a part of these  mystery plays.

European countries had a wonderful tradition of carols to which America contributed in her turn (It Came Upon a Midnight Clear and the Negro spiritual Rise Up, Shepherd and Follow), but in the last seventy-five years the carol has become nothing more than warm sentiments crooned on winter evenings by the latest pop stars emanating from every electronic device imaginable. I’ll gladly admit to listening to and enjoying Bing Crosby or Frank Sinatra singing Adeste fidelis (in an era when even the great Hollywood stars knew a bit of Latin) or I’m Dreaming of a White Christmas, backed by a large choir and orchestra, but this is an impoverishment of the original carol.

As our culture turns away from God, or more than likely, simply forgets about Him, the popularity of the carol has waned with the winter sun. I sometimes wonder if it isn’t partly the loss of the carol and many other worthy religious customs that has aided the demise of our Faith in the western world (and a loss of the true meaning of Christmas). I have noticed that parents who understand the importance of culture in the formation of their children and therefore instill  in their children a healthy skepticism toward the benefits of “popular” culture are more successful in raising faithful children. Perhaps it would be wise for families to resist the urge to turn on the radio and tune in to the popular “winter holiday” songs and rather, rediscover the simple beauty of the Christmas carol, a true folk tune full of beautiful imagery, Christian meaning and wonderful melodies. Then learn them as a family and sing them together. Click here for a great printable (and free) Christmas caroling book or here to listen to five hours of wonderfully sung Christmas carols.

Keep the flame of the true Christmas spirit burning brightly, continue to wish your family and friends a Merry Christmas! and get together with those same beloved (and not so beloved) kin during the Twelve Days of Christmas and carol to your heart’s content. It is a wonderful way to instill in your children the real meaning of Christmas, to marvel at the beauty and awesomeness of the Incarnation and to create lasting memories. While you are at it, make a bowl of Smoking Bishop (be sure to have the spirits you put in it blessed today on the Feast of St. John) and toast our heavenly Father, Who in His infinite love sent His Son to become man so that we might become like God! Merry Christmas!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Legitimate and necessary concern for current realities in the concrete lives of people cannot make us forget the true nature of the liturgical actions. It is clear that the Mass is not the time to “celebrate” human dignity or purely terrestrial claims or hopes. It is rather the sacrifice which renders Christ really present in the sacrament.

— Pope Saint John Paul II (20 March 1990)

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  • “Reminder” — Month of October (2025)

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