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Views from the Choir Loft

Art is an act of love.

Richard J. Clark · December 16, 2016

OD SENDS US different kinds of people in our lives. Sometimes, he sends difficult people who remain with us for a long time. Then he sends others, who like angels remind us that “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.” (Ps. 23:4)

Or perhaps more portentously, “There but for the grace of God go I.”

Not only do we survive, but thrive. And the difficult people? They are angels as well to make us much better at what we do. Or they offer clarity in making life choices. Another blessing. Or they hearken us deeper into prayer….yet another profound blessing.

Difficult people, especially in roles of leadership, often make for difficult times. For an artist, this may yield a mixed result, as it often has shown in history. It may feed into a determination to create more fully. It may also make one more grateful for not just talented people, but instead genuinely good-hearted people—thus clarifying more life choices.

At certain times, an artist requires refuge, as Jehan Alain wrote of his “Le jardin suspendu” calling it the “inviolable refuge”. Taking refuge in prayer, the act of composing sacred music is a sanctuary no one can take away. Perhaps like adoration before our Lord, composing on the Word of God is time spent just being with God. It is an act of supreme love. Like accompanying a lifelong friend, one’s child or spouse, just being with God—whom we love—is more important than anything else in the world. It is more important than accomplishing anything society deems important.

Difficult situations, difficult people, any difficulty can place a person into a distressed state of mind, ranging from clinical depression to simply ordinary unease. Each of us carries a unique cross. This can feel lonely, but recall that God has chosen a cross for each of us to carry.

Some of us may feel called to turn the cross into sacred art, and therefore, prayer. Also, let us not forget to turn joy into prayer! This prayer may refine and focus a further calling, a further decision. But that is secondary to simply being with the God who loved us before we were born. Ps. 139: “Your eyes saw my unformed body; all the days ordained for me were written in your book before one of them came to be.”

Create art.
Create art in prayer.
Create love.

Art is an act of love.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

“By a decree of the synod of the diocese of Exeter in 1284, no one should claim any seat in a church; but whoever first entered a church for the purpose of devotion, might choose at his pleasure a place for praying.”

— A work by Fr. Husenbeth (d. 1872)

Recent Posts

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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