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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

CMAA Winter Sacred Music 2017

Andrew Leung · November 10, 2016

CTL Winter Sacred Music 2017 UILDING ON THE SUCCESS of Winter Sacred Music 2016, the Church Music Association of America has announced the second Winter Sacred Music workshop. This workshop will be held in Birmingham, AL, from January 2 to January 6. Since it will be held in the South, it won’t be as “wintry” as you may expect! This would be a nice vacation after the “chaotic” Christmas Octave and it will be nice to take a break from the snow.

The Winter Sacred Music workshop had been referred as a “mini Sacred Music Colloquium” in the past. It is about half of the length of the actual colloquium. Instructions on both Gregorian chant and polyphony are given during the workshop by the world-class faculty. Like the colloquium, singers may choose the different levels of music courses based on their own ability. Participants will also have the opportunity to attend Dr. William Mahrt’s lectures on various topics in the areas of liturgy and music. Going to the Sung Masses is always my favorite part of CMAA’s conferences. The liturgies are always celebrated with beauty and dignity. Singing is one of the best ways to pray!

The upcoming workshop will be held at the Cathedral of St. Paul, which is the home to the 55 ranked Moller pipe organ. Its design features Möller’s largest free-standing case. The beautiful acoustics of the cathedral will make your singing a very enjoyable experience. I once had the opportunity to visit this cathedral and Bruce Ludwick, the organist and choirmaster, showed me around. He will be serving as the organist for the Masses of this workshop. Nick Botkins, the music director of St. Francis de Sales Oratory in St. Louis and founder of the ICRSP’s Sacred Music Camp, will also be serving on the faculty along with Maestro Scott Turkington. More information about this workshop can be found on CMAA’s website.

Early registration is still available for Winter Sacred Music 2017! The discounted rate will last until November 15, and CMAA members also save an additional $50. Register online now!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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