Views from the Choir Loft

Musical Resources • Feast of Christ the King

Jeff Ostrowski · October 30, 2016

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.

PROCESSIONAL

Organist.

ASPERGES

PDF Score (Singer) • Practice Audio (Singer) • Organist

We also add a polyphonic section, which is #4550.

INTROIT • Sung by the men.

A divergence from normal, with this version sung by cantors.

KYRIE ELEISON

Kyrie VIII from the Campion Books accompanied by these markings.

GLORIA IN EXCELSIS

We will sing #7709.

GRADUAL & ALLELUIA

This week we’ll start singing #7503 (an Alleluia by Victoria) with the verses which you don’t need to practice.

CREDO IV • Alternatim

We often sing this version: #3445 — but today it will be unison.

OFFERTORY ANTIPHON

PDF Score (Singer)

OFFERTORY OTHER

Chant verses here will be sung with this accomp.

SANCTUS & HOSANNA

Sanctus 13 from Campion Hymnals with this accomp.

We also sometimes sing #3496.

AGNUS DEI

Here is the musical score. To learn this piece, visit this website and locate #2978. The words are different, but the music is the same.

COMMUNION ANTIPHON • Sung by the ladies.

PDF Score (Singer) • Practice Audio (Singer)

Accompanied from these markings, which the organist should print using a color printer.

COMMUNION

#888 Come Holy Ghost, Who Ever One —— sung SATB according to #7128.

RECESSIONAL HYMN • #856 To Jesus Christ, Our Sovereign King

From the Campion Hymnal.

CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

703 Sperabo PREX

Here’s the most common conclusion:

407 Christ Saves

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski

PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski

10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski