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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Did Vatican II Happen?

Jeff Ostrowski · September 29, 2016

977 Montini Gracida HY DID VATICAN II happen in the first place? The liturgical reforms were not a surprise, as we learn from this book by Bishop Gracida, who was ordained to the priesthood in 1959. I think it’s fair to say that a major reason was an attempt to achieve a higher degree of participatio actuosa, and that’s what I’m writing about today.

Consider the following pages from a Roman Catholic Hymnal (CANTIONES SACRAE, 440 pages) published in 1878 by Father Joseph Mohr:

    * *  PDF • “Cantica et Preces at Missam Privatam”

This was no fluke, as demonstrated by these pages from a 1913 American hymn book. The only difference is that Fr. Mohr’s prayers and hymns are in Latin, as they were intended for Jesuit colleges where the young men were learning Latin. 1

Again, these hymns would have been sung during Low Mass:

981 Fr. Joseph Mohr SJ


I don’t believe I’m alone when I say it seems jarring to see encouragement of hymn singing rather than joining with the priest in the actual prayers of the Mass. I feel that many bishops who voted for Sacrosanctum Concilium wanted to get away from this type of thing, because they wanted the congregation to pray along with (or sing) the actual liturgy.

THE GREAT IRONY, OF COURSE, is what happened after Vatican II. While the bishops had wanted to help the faithful enter more deeply into the ceremonies and prayers of the Mass, the complete opposite happened. These days, 99% of Catholic Masses include a bunch of songs that have nothing to do with the formularies of each feast. This was partially done because composers found out they could make money by substituting their own translations for the Church’s official ones. Another very damaging aspect was a decision by the USCCB Liturgy Committee, which ruled that the GIRM is not a binding document and can be ignored when it stipulates that permission is required to replace the Mass Propers. 2


FUN FACT : Until a certain year, priests attending papal audiences were required to wear a ferraiolo, and Bishop Gracida once described how he had to scramble desperately to obtain a black one before the photograph shown at the top.



NOTES FROM THIS ARTICLE:

1   Father Mohr explains that the prayers are for “youths acquainted with the Latin language” [juvenes latini sermonis gnari]. By the way, Fr. Joseph Mohr (1834-1892), a remarkable priest and musician, is treated extensively by Fr. Robert Skeris in Divini Cultus Studium (1990) beginning on page 162.

2   Some have even argued that obtaining permission from a bishop is virtually impossible and only a fool would be so silly as to try to follow the GIRM—but I’ve never found that argument plausible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

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