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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Why Did Vatican II Happen?

Jeff Ostrowski · September 29, 2016

977 Montini Gracida HY DID VATICAN II happen in the first place? The liturgical reforms were not a surprise, as we learn from this book by Bishop Gracida, who was ordained to the priesthood in 1959. I think it’s fair to say that a major reason was an attempt to achieve a higher degree of participatio actuosa, and that’s what I’m writing about today.

Consider the following pages from a Roman Catholic Hymnal (CANTIONES SACRAE, 440 pages) published in 1878 by Father Joseph Mohr:

    * *  PDF • “Cantica et Preces at Missam Privatam”

This was no fluke, as demonstrated by these pages from a 1913 American hymn book. The only difference is that Fr. Mohr’s prayers and hymns are in Latin, as they were intended for Jesuit colleges where the young men were learning Latin. 1

Again, these hymns would have been sung during Low Mass:

981 Fr. Joseph Mohr SJ


I don’t believe I’m alone when I say it seems jarring to see encouragement of hymn singing rather than joining with the priest in the actual prayers of the Mass. I feel that many bishops who voted for Sacrosanctum Concilium wanted to get away from this type of thing, because they wanted the congregation to pray along with (or sing) the actual liturgy.

THE GREAT IRONY, OF COURSE, is what happened after Vatican II. While the bishops had wanted to help the faithful enter more deeply into the ceremonies and prayers of the Mass, the complete opposite happened. These days, 99% of Catholic Masses include a bunch of songs that have nothing to do with the formularies of each feast. This was partially done because composers found out they could make money by substituting their own translations for the Church’s official ones. Another very damaging aspect was a decision by the USCCB Liturgy Committee, which ruled that the GIRM is not a binding document and can be ignored when it stipulates that permission is required to replace the Mass Propers. 2


FUN FACT : Until a certain year, priests attending papal audiences were required to wear a ferraiolo, and Bishop Gracida once described how he had to scramble desperately to obtain a black one before the photograph shown at the top.



NOTES FROM THIS ARTICLE:

1   Father Mohr explains that the prayers are for “youths acquainted with the Latin language” [juvenes latini sermonis gnari]. By the way, Fr. Joseph Mohr (1834-1892), a remarkable priest and musician, is treated extensively by Fr. Robert Skeris in Divini Cultus Studium (1990) beginning on page 162.

2   Some have even argued that obtaining permission from a bishop is virtually impossible and only a fool would be so silly as to try to follow the GIRM—but I’ve never found that argument plausible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Who dreamed on that day that within a few years, far less than a decade, the Latin past of the Church would be all but expunged, that it would be reduced to a memory fading in the middle distance? The thought of it would have horrified us, but it seemed so far beyond the realm of the possible as to be ridiculous. So we laughed it off.”

— Most Rev’d Robert J. Dwyer, Archbishop of Portland (d. 1976)

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