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Views from the Choir Loft

“Salve Virgo Singularis” • For Three Voices

Jeff Ostrowski · June 29, 2016

Y CHOIR IS CURRENTLY learning a five-voice piece with homophonic chords. To complement that, I wanted something with major emphasis on counterpoint, and Rev’d Cristóbal de Morales is magnificent in that department. The text is profoundly powerful, and the English translation doesn’t quite capture the Latin; but no translation could. Something that got lost is the juxtaposition of “ante saecla” with “nunc.” In other words, at Holy Mass we are now adoring the same Christ—Body, Blood, Soul, & Divinity—Who was begotten before the ages in the heart of the Father. What a great mystery! Moreover, the author seemed particularly moved by the relationship between Mary and Jesus.

I have attempted to record all three voices to help choirs learn:

    * *  PDF • “Salve Virgo Singularis” (Morales)

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

WOMEN : YouTube   •   Audio

TERTIUS : YouTube   •   Audio

MEN : YouTube   •   Audio

First Translation of the Refrain:

Hail, matchless Maiden,
Maiden biding, God thou bearest.
That begotten ere the ages
from his Father’s heart
let us worship now, created
from his Mother’s flesh.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

Second Translation of the Refrain:

Hail Virgin most marvellous
Who, remaining Virgin, bearest God
Begotten before the ages
In the heart of the Father.
Let us adore Him Who took flesh
From the Mother.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

The English translation of “Ave Maris Stella” is by Fr. Fortescue (d. 1923), and it’s excellent. I especially like his fifth verse.

By the way, ladies who enjoy singing low would sound nice added to the Tertius line, along with tenors who know how to sing with a “light” sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Much of the reordering [in 1970] of the pieces of the Roman Gradual seems arbitrary and useless; nevertheless, with some exceptions, it does not affect the shape of the service, since like pieces are exchanged for like.”

— Dr. William Peter Mahrt

Recent Posts

  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

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