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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Salve Virgo Singularis” • For Three Voices

Jeff Ostrowski · June 29, 2016

Y CHOIR IS CURRENTLY learning a five-voice piece with homophonic chords. To complement that, I wanted something with major emphasis on counterpoint, and Rev’d Cristóbal de Morales is magnificent in that department. The text is profoundly powerful, and the English translation doesn’t quite capture the Latin; but no translation could. Something that got lost is the juxtaposition of “ante saecla” with “nunc.” In other words, at Holy Mass we are now adoring the same Christ—Body, Blood, Soul, & Divinity—Who was begotten before the ages in the heart of the Father. What a great mystery! Moreover, the author seemed particularly moved by the relationship between Mary and Jesus.

I have attempted to record all three voices to help choirs learn:

    * *  PDF • “Salve Virgo Singularis” (Morales)

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

WOMEN : YouTube   •   Audio

TERTIUS : YouTube   •   Audio

MEN : YouTube   •   Audio

First Translation of the Refrain:

Hail, matchless Maiden,
Maiden biding, God thou bearest.
That begotten ere the ages
from his Father’s heart
let us worship now, created
from his Mother’s flesh.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

Second Translation of the Refrain:

Hail Virgin most marvellous
Who, remaining Virgin, bearest God
Begotten before the ages
In the heart of the Father.
Let us adore Him Who took flesh
From the Mother.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

The English translation of “Ave Maris Stella” is by Fr. Fortescue (d. 1923), and it’s excellent. I especially like his fifth verse.

By the way, ladies who enjoy singing low would sound nice added to the Tertius line, along with tenors who know how to sing with a “light” sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • Offertory (9 Nov.)
    This year, the feast of 9 November replaces the Sunday. The OFFERTORY ANTIPHON (PDF file) for 9 November is exceedingly beautiful. The ‘Laterani’ mansion at Rome was the popes’ residence for a thousand years. The church there still is the cathedral church of Rome—“Mother and Head of all churches of the City and of the World,” says the inscription over the entrance. It is dedicated to Our Holy Savior, but has long been commonly known as “St. John Lateran” owing to its famous baptistery of St. John the Baptist. In this church, the pope’s own ‘cathedra’ (episcopal chair) stands in the apse.
    —Jeff Ostrowski
    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • PDF Download • “Music List” for 9 November
  • “Music List” • 9 Nov. (Dedic. Lateran)
  • PDF Download • Offertory (9 Nov.)
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  • Job Opening • $65,000 per year +

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