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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Salve Virgo Singularis” • For Three Voices

Jeff Ostrowski · June 29, 2016

Y CHOIR IS CURRENTLY learning a five-voice piece with homophonic chords. To complement that, I wanted something with major emphasis on counterpoint, and Rev’d Cristóbal de Morales is magnificent in that department. The text is profoundly powerful, and the English translation doesn’t quite capture the Latin; but no translation could. Something that got lost is the juxtaposition of “ante saecla” with “nunc.” In other words, at Holy Mass we are now adoring the same Christ—Body, Blood, Soul, & Divinity—Who was begotten before the ages in the heart of the Father. What a great mystery! Moreover, the author seemed particularly moved by the relationship between Mary and Jesus.

I have attempted to record all three voices to help choirs learn:

    * *  PDF • “Salve Virgo Singularis” (Morales)

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

WOMEN : YouTube   •   Audio

TERTIUS : YouTube   •   Audio

MEN : YouTube   •   Audio

First Translation of the Refrain:

Hail, matchless Maiden,
Maiden biding, God thou bearest.
That begotten ere the ages
from his Father’s heart
let us worship now, created
from his Mother’s flesh.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

Second Translation of the Refrain:

Hail Virgin most marvellous
Who, remaining Virgin, bearest God
Begotten before the ages
In the heart of the Father.
Let us adore Him Who took flesh
From the Mother.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

The English translation of “Ave Maris Stella” is by Fr. Fortescue (d. 1923), and it’s excellent. I especially like his fifth verse.

By the way, ladies who enjoy singing low would sound nice added to the Tertius line, along with tenors who know how to sing with a “light” sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

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