• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

“Salve Virgo Singularis” • For Three Voices

Jeff Ostrowski · June 29, 2016

Y CHOIR IS CURRENTLY learning a five-voice piece with homophonic chords. To complement that, I wanted something with major emphasis on counterpoint, and Rev’d Cristóbal de Morales is magnificent in that department. The text is profoundly powerful, and the English translation doesn’t quite capture the Latin; but no translation could. Something that got lost is the juxtaposition of “ante saecla” with “nunc.” In other words, at Holy Mass we are now adoring the same Christ—Body, Blood, Soul, & Divinity—Who was begotten before the ages in the heart of the Father. What a great mystery! Moreover, the author seemed particularly moved by the relationship between Mary and Jesus.

I have attempted to record all three voices to help choirs learn:

    * *  PDF • “Salve Virgo Singularis” (Morales)

REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

WOMEN : YouTube   •   Audio

TERTIUS : YouTube   •   Audio

MEN : YouTube   •   Audio

First Translation of the Refrain:

Hail, matchless Maiden,
Maiden biding, God thou bearest.
That begotten ere the ages
from his Father’s heart
let us worship now, created
from his Mother’s flesh.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

Second Translation of the Refrain:

Hail Virgin most marvellous
Who, remaining Virgin, bearest God
Begotten before the ages
In the heart of the Father.
Let us adore Him Who took flesh
From the Mother.

Sálve Vírgo singuláris:
Vírgo mánens Déum páris,
Ánte saécla generátum
Córde Pátris:
Adorémus nunc creátum
Cárne Mátris.

The English translation of “Ave Maris Stella” is by Fr. Fortescue (d. 1923), and it’s excellent. I especially like his fifth verse.

By the way, ladies who enjoy singing low would sound nice added to the Tertius line, along with tenors who know how to sing with a “light” sound.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

Recent Posts

  • Psalm Tone Challenge!
  • Card. Heenan on Ronald Knox: “Perhaps the Church’s greatest figure of the 20th century.”
  • “Kaitrin Drost Strikes Again!” • Plus a Few Random Thoughts and Tirades by Jeff Ostrowski
  • PDF • “O Come All Ye Faithful” (Simplified)
  • Bing Crosby, Christmas, and Catholicism

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.